Dick Francis didn't save the best for last. I have read all the DF novels except Blood Sport, which I have ordered and expect it anyday. I have loved every single one, but Dead Cert is my favorite, although Bonecrack and Whip Hand are close favorites.

Dick Francis is an excellent author because he is a master at combining three elements into his novels. Horses:), danger and mystery, and romance. If anybody reading this reveiw has never read a DF novel, please do so, you won't regret it!

In yet another gripping story of mystery, murder and British steeplechasing, Dick Francis continues his amazing streak of hit novels.

His real appeal is not racing or mystery however, it is his ability to create characters who are admirable, honorable and self-reliant. If you're looking for troubled, self-loathers who "somehow" overcome their weakness and become unwilling and unwitting heroes, don't look here. Francis' heroes revel in their abilities to withstand evil, overcome it, and end up smiling in spite of it all.

Kudos once again for Dick Francis and Dead Cert!

This is the first Dick Francis mystery and I like it the second best. I like "Nerve" slightly better, but only slightly. This "Dead Cert" contains several impressive scenes. The most impressive is the climax in which the star horse "Admiral" plays an unexpectedly spectacular role. It is definitely THE MOST SPECTACULAR scene in ALL Francis mysteries. Highly Recommended.

Dick Francis does it once again, delivering a solid mystery with a hero who is an honest, intelligent, basically a good guy who tries to solve the mysteries that arise after the death of the hero's considerably older brother, robberies, muggings, and car wreck, and to do so must veer from the straight and narrow path.
Derek is a steeplechase jockey who has broken his ankle when he receives word that his older brother (19 years his senior) has been seriously injured in a freak accident. Derek has to make a hard decision, then, when he learns that he is his brother's heir, he realizes that he got far more than he bargained for. Not only has he inherited his brother's house, car, and gem business (something Derek has no knowledge of nor any interest in), but also all of the troubles as well, including thefts, missing diamonds, secret passwords, troubled friendships and his brother's mistress!
Derek rises to the challenges, hindered physically by his broken ankle but more so by his inability to discover who is behind the subsequent break-ins, assaults, missing diamonds, and a nasty car wreck. All the while, Derek grieves for his brother, copes with his brother's mistress, and uncovers a second criminal element involving horses and horse racing.
The usual humor that I associate with Francis is in this novel, but what I liked most was the greater attention paid to the relationships between the characters (Greville, Derek, Prospero, Brad and Clarissa in particular) and gave more emotional development as well. It is nicely illustrated by Derek's reflection on what his brother meant to him, the closeness of their relationship despite the difference in their ages, and the regret that the relationship ended far too soon and too suddenly without having the chance to say how much he meant to him nor a chance to say goodbye.
Like other Dick Francis mysteries, this one has plenty to keep the reader interested, has the usual connection to horse racing, and enough suspense and action without becoming an ordinary mystery.
Straight may refer to Derek's general moral core (no reference to his sexuality, though), but the path Derek takes to solve the mysteries thrown in his way is anything but straight. Highly recommended.

This was the first Dick Francis book I ever read and I am very glad it was. I have read this one over and over and I have yet to pick up a D.F. book that I didn't like.

This is my favorite Dick Francis novel, given to me by a good friend who also loves Francis. It is a book that sticks with me always. Wonderful story, action when you need it (which is a hallmark of Franics novels) but not overshadowing the relationships in this story. The hero is put in a situation where he has to feel his way along and learn his brother's business and life while simultaneously dealing with the loss of his brother and an emptiness in his life. I found it very moving. It is one of the few books that I have read where I have wondered what happens to the characters afterwords--as if they are real people. (Actually, Dick Francis is one of the few authors who has that effect on me. I also have that reaction to the three novels about Sid Halley.)

I strongly recommend this book, even to those who are not primarily mystery readers.

This highly enjoyable mystery is unusual in many ways, from the main character who is NOT a detective or police officer to the villains (kidnappers), plus the clever way Dick Francis worked the milieu he knows best (horses and horse racing) into each of the three kidnappings.
The main character, Andrew Douglas, is a partner in a firm which negotiates for the release of kidnap victims/hostages by working as an "advisor" to police, governments, and occasionally taking things into his own hands (unofficially) as demonstrated in the second kipnapping in the story. Andrew shares many traits with other Dick Francis heroes--he is honest, likeable, an all-around good guy who trumps the criminals and gets the girl in the end. In this novel, Andrew himself is not connected with horses or horse racing, but rather the connection comes from the fact that all of the kidnapping victims share a connection to the horse racing world, be it as a female jockey, a part-owner of a promising race horse, the owner of a race track, and the head of the Jockey Club. From these tenuous links, Andrew and his partners realize that the perpetrator is probably known to the horse racing world, and begin to try to trap him, but not before one more kidnapping takes place!
Like his other novels, this one too is a very easy, fast read, and takes readers from Italy to England to America before winding up most satisfactorily.
I also liked the other characters in the novel, particularly some of Andrew's partners (described and fleshed out thoughtfully and with humor) and his love-interest.
Readers will also learn something about horse racing, this time mostly from the perspective of a trainer and a jockey, as well as come away from the novel with a good sense of what it is like to go to the races, even if they have never attended.
If you have never read anything by Dick Francis, this novel is an excellent place to begin.

This is one of Francis' best. As with most of the best ofDick Francis' books, the hero here is truly human and has doubts and worries and feels pain and desire while also acting fairly super-human when confronted with difficult situations. This time the plot is tight and excellent and the characters are well-developed and grow in the course of the novel. There are good supporting characters and a good romantic story. I recommend this on if you are just finding Dick Francis.

One of the things I like about Dick Francis is that even though his stories involve horses and race courses, etc., you don't have to know anything about horses to understand and enjoy his books.

I believe 'The Danger' is one of his best. It's amazing how this man capures so well the emotions of all the characters in this book: the kidnapped girl jockey, her grieving father, the insensitive father of the kidnapped child, and the mother who was made to feel guilty, even the sinister and very dangerous kidnapper. Everyone!

I was on the edge of my seat the whole book. I tell you Dick Francis is superb.

With my first love of Sci Fi and Fantasy, little else ever seems to hit my reading list. But after being introduced to Francis a couple of years ago, I've made it a point to break things up with one of his books every once in a while.
The formula is predictable as follows: Single, solitary, but extremely honest 30-ish horse guy usually in a period of personal transition gets unwillingly drawn into a mystery far more sinister and dangerous than anticipated. Along the way he meets a girl who surprises him by becoming the woman of his dreams, gets beat up a couple of times, and threatens to give up, but eventually solves the mystery, brings the bad guys to justice (though not usually the police) and discovers that his life is far more worth living than he'd thought.
But unlike most authors, for Francis the forumla works in his favor because the predictability of the plot and the well established personality of his main character leaves him free to focus on the details, which are always vastly different from story to story. In this case, it's photography, which alone probably makes Reflex is one of my favorites thus far. I've never been into photography in the least, but Francis' vivid and detailed descriptions of different methods of developing and creating "hidden images" in a negative made me want to learn more. I also really enjoyed the character of Jeremy, who was much further developed than most of Francis' supporting cast.
As with all Francis' novels, this one is well worth the read.

Dick Francis novels generally follow a set formula: Seemingly random events ensnare a iconoclastic, intrepid protagonist into the vortex of a mysterious and dangerous situation that exposes the lad to various forms of mayhem and violence before he can get a handle on what's really going on and try to do something about it.

Although formulaic, Francis' work often comes across as fresh and innovative. This arises from his ability to develop strong, uniqe characters, his deft craftsmanship, a tremendous feel for suspense, and some sort of technical a subject background that provides a general focus for the whole story.

In this case, that background is photography.

Phillip Nore is a long time jockey who dabbles in amateur photography. When a well known but little liked professional racing photographer is killed in a car crash, Nore eventually, accidentally, comes into possession of the man's body of work and records. Suddenly Nore and those close to him a being subjected to break-in's in their home, apparently random attacks and so on. Nore comes to understand that the records and negatives he holds are the source of the trouble. He begins looking into the photographers past, and finds a nasty surprise indeed. The question is, can he get to the bottom of this mess before he gets killed?

This work is unusually strong for a Francis novel on several fronts. Phillip is a particularly strong character even for Francis-much more intellectual and introspective than is the norm. The technical aspects of photography needed to decipher the situation are expertly presented in an informative and non-intrusive way that takes nothing from the story-indeed, they add to it. And, the romantic aspect is unusually strong and well developed for a Francis novel as well.

On the whole, this is not only one of the best Francis novels I've read-it's pne of the best overall suspense novels as well.

Get yourself into the "picture': read this book!

Dick Francis has a formula that almost all of his books follow, but the details that Francis provides makes it work every time.

In this case, our hero is a jockey. Now, many people may be like me- they never got around to reading Dick Francis because they thought all the books are just about jockeys and horseracing. Well, as it turns out, most of the books written in the past 25 years DON'T have jockeys as their primary characters. So I wound up reading some of those, and then just had to read more Francis. And I came to this one, in which the hero IS a jockey - and I liked it anyway!

Our hero is a jockey and amateur photographer who has led a rather rootless life. Left by his mother with a series of friends all through his childhood, he has no close attachments, and in the course of the book must finally learn to acknowledge emotions and grow close to people. The middle-aged woman in this one is one of the women who took care of him when he was young; he spends part of the book trying to find places from his childhood. There's also the stock character of the cunning, wily, whim-of-iron old lady, who thinks the world is motivated solely by greed, and a few other stock types. There are also some unusual bits- although this book was written in the 80's, before the current trend toward acceptance of homosexuality, Francis has included in our hero's checkered childhood a loving gay couple who give him the most stable part of his upbringing. Our hero is himself quite straight, and falls in love with the middle-aged woman's daughter.

The details about photography are fascinating- maybe more than some people might want, and some of it so obscure you have to suspend disbelief a little to think that an amateur might figure out what was going on. But of course, that's part of our hero's hitherto unrevealed cleverness. Some of the photos have been part of what turns out to be one of the oddest blackmail schemes ever. We also get an unusual scheme for sulphide gas poisoning, one of the odder methods for potential murder... and some arson, assault, and other violence. It's not overdone, though.

If you're afraid of reading about jockeys and racing because you're not interested in those subjects, then this book will cure you of that fear.

Jockey Kelly Hughes and trainer Dexter Cranfield have their licenses suspended by the Oxford stewards for supposedly throwing a race. Hughes believes that they were framed and he sets out to clear their names and get the licenses restored. Who would want to ruin their careers? As the truth is revealed we hear a story of sexual deviation, blackmail, fixed evidence and attempted murder.

"Yesterday I lost my licence."

That's how the book begins ... and indeed Kelly Hughes, a leading jump jockey , has been indefinitely suspended from racing after being found guilty of deliberately losing a race.

He knows that someone has rigged evidence against him, and rather than sit back and wait for the ban to be lifted , he sets out to find his secret enemy.

Hughes isn't a detective, and just as he doesn't really know how to carry out an investigation, the reader can't guess at how the plot will develop. My favourite highlight is when Hughes is driving home after a dance. At first it seems to be just a 'filler' scene, but it turns into something more dramatic - and the writing here is particularly well-crafted.

The two main characters are Hughes himself , a widower, and Roberta, the snooty daughter of his employer. Near the start of the book Roberta asks him:

" "That picture .. that's your wife isn't it?"
I nodded.
"I remember her". She said. "She was always so sweet to me. She seemed to know what I was feeling. I was really awfully sorry when she was killed"
I looked at her in surprise. The people Rosalind had been sweetest to had invariably been unhappy. She had had a knack of sensing it, and giving succour without being asked. "

Unfortunately Roberta has been brought up by her father to regard jockeys as an inferior social class, and it takes a long time for the two of them to kindle any real friendship, let alone romance.

Francis is particularly good in this book with the minor characters - such as the aristocratic Bobbie, who clearly is very fond of Roberta but can't help hinting that Hughes is a better match for her, or Derek the diffident mechanic who kept most of his brains in his fingertips.

The plot doesn't flag, the tale builds to a satisfactory climax and I only wish Hughes had appeared in another of Francis' books.

The primary reason I continue to seek out and read Dick Francis is that he continually creates heroes that are efficacious and rational. He avoids the common pitfalls of most modern writers, and instead invents characters who pass the ultimate test: "Would I like to meet and know this person?" If you can answer "yes" to that question then there is great potential for enjoyment in the fiction centered around that character. If you answer "no" to that question, why even bother reading further?

Dick Francis' characters almost always recieve an unreserved "YES!" Read "Enquiry," it's not the best from Francis but it's still furlongs beyond the rest.

Francis' third book, written back in the mid-Sixties, though still a great read (curious reference to The Beatles is the only jarring reminder of its time), and a wonderful example of how quickly Francis picked up his new craft. If he was as fluent, smooth, and skillful jockey as he is writer he must, indeed, have been great. This book first introduces Sid Halley, one of Francis' two recurring heroes, the jockey-turned-detective with a damaged left hand. Halley has been drifting through life since his career-ending injury; a further injury (caused by a bullet) and the not so subtle intervention of his father-in-law bring a change to his attitude, a radically different outlook, and a desire to work effectively and properly at his new job. He is badly frightened, and physically damaged ~ two things Francis excells at writing, his fear, especially, is thoroughly convincing ~ but succeeds in both defeating the baddies and renewing his life.

I give ***** to the verson read by Ian McShane (avoid the other readers). I enjoyed McShane's read voice. Some actor/readers, try to act took much when they read - I mean males doing higher voices for females are such a pain. McShane give the right tone, a narrator and is it an enjoyed voice that carries you vividly into the world of ex-jockey Sid Halley. Injured in a riding accident, he now is a Enquiry agent/security expert that is looking into the strange accidents happening and Seabury Race Course.

Dick Francis' writing, quite naturally, is excellent, though it is McShane excellent narration that has me listening to this tape again and again. I have given it several times and gifts and recommended it to friends. All have thanked me for the enjoy listen.

What are your odds not to read the book Odds Against? And what are your odds to stop reading the thrilling pages when you are half way of the book? Finally, what are your odds to finish to book without putting it down? The answer is obvious, none. From a jockey to a private detective along with twisting events with twisting ending, there is no way of telling what will happen next. For those fans that enjoy mystery books, this is one of the books that you can't pass on. In this book, you will find how clever that Sid Halley (a former jockey champion) to end Kraye's (a businessman) plan of taking over Seabury Racecourse. Just make sure that you tell me one thing: What are the odds of Halley spoiling the plot of Kraye and his henchamen?

Before the advance into my daily life of computers, my two favourite subjects were trucking and horses, so when I picked up a copy of Driving Force, I was instantly absorbed. This had everything.. even, to my surprise, computers!

I'm usually more of a Science Fiction/Fantasy buff, but I do enjoy a good mystery now and again, so long as: 1) I don't know who the culprit is in the first five pages; 2) It doesn't start out with "It was a dark and stormy night." 3) When the solution finally comes it doesn't present something implausible, impossible, or downright silly; and 4) It doesn't leave too many loose ends.

This book satisfies all of the above.

OK, let me say first that I like pet rabbits, and in a way, a pet rabbit is one of the heros of this story. I like a lot of Francis's books, but this one had that something extra for me.

Dick Francis has a winning formula: he writes books about a young man of around 30, in a career most people might think is boring, but which turns out to be exciting. His hero is usually taken for granted and under-appreciated by his family, and under-employed, but in the course of the book proves he is far smarter, cleverer, and more observant than anyone supposed. Usually, there's a highly intelligent middle-aged career woman who recognizes his worth and helps him along. It's a formula, but the details that Francis provides makes it work every time.

Our heros in this book include not only Freddie Croft, who owns the horse transport business, but a veterinary epidemiology researcher who is quite a character. We learn more, perhaps, about viruses, parasite-born diseases, and other related things than some people might want to know; if you're squeamish, you might not want all the details of some of the illnesses we hear about along the way.

The stock middle-aged woman character this time is a rather unusual woman truck driver; Francis has always been in the forefront of having women in interesting careers; even back in the 60's, many of the women in his books held jobs. One doesn't tend to think of mystery writers/racing writers as being on the leading edge of trends, but Francis has shown himself to be so, in having career women, gays, and the disabled as important and strong characters in his books, even in the midst of the old-fashioned and conservative racing world.

Dick Francis is one of the best writers ever! i have read many of books and this is one of my favorite. He is wonderful. I wish that I had his talent. The end of his books is always a surprise. I love his work.