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shows fierce determination and courage, a grandmother travelling alone, with little resources but a lot of guts. She is truely an inspiration!
As we admire her courage to travel alone to far-off places in the South Pacific, we also share vicariously in her wonderful experiences.
She is an inspiration to all women, but particularly to those with limited incomes, determination, and self-confidence. I hope she will write another book!
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I am pastoring in Korea as like Toronto Peoples church . not jusk as like ... I hope ... I wanna visit that church also ... after that ..
Would you help me how to get it ? I didn't find it in this site .
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This here is poetry that - though over a hundred years old - is still fresh and alive with vigor. The poems tell tales of men and women, of birds and beast, and of gods and demigods (such as found in The Song of Hiawatha) in such magnificent form that it isn't a wonder why Longfellow was known to be the greatest American poet of his time.
"A poem should not mean but be," Archibald MacLeish wrote in "Ars Poetica." These poems are not intricate, and they're not incomprehensible, and they're definitely not senseless nor pointless; they are timeless, rhetoric voices of literature that tell so much . . . of so much.
And besides, how much times do we come across a poet who does not want to talk about how he feels and his emotions? It seems to be all that poets want to write about. It's good to sometimes read poems that simply want to tell stories and not what the Soul, or the Heart, or the Mind feels. Those things can be nice, but can make one ponder more than he or she should.
Another thing that will become apparent to the reader of this book is that Longfellow was a keen observer of people. In these poems, he writes about them very well. "The Village Blacksmith," for example, is a brilliant poem that tells of one ordinary man with an ordinary occupation: being a blacksmith. It's not of some Don Juan, or Rob Roy, or Casanova that in real life are as scarce as an honest politician. The story of the man in the poem - how he toils, and mourns, and triumphs, and suffers - is one that anyone can relate to.
It is even possible to find comfort in these poems that simply tell stories and not of emotional issues. Also, as I aforementioned, the iambic tales will stay in your mind as you might find it hard to forget them. It is probably the simplicity of these poems that make them so easy to memorize, and are probably what made Longfellow great.
His allusions and images are strained; his words pathetically romantic and sentimental; and the story of Evangeline barely tracks the actual events of 1755. All of the charges are true, yet much of value remains in the poem. The poet recognized instantly a crime against humanity when he first heard the tale, and he had the talent, drive, and fortitude to create this vehicle to memorialize the sad story of star crossed lovers, families, and communities divided and exiled from their adored homeland.
That a heart could be committed to a lifetime of wandering in search of a lost love seems archaic to the sophisticates of the twenty-first century, but I believe it possible, even today.
I read the poem - aloud and silently - and the beat of the accents, like operatic arias, added to the the sorrow of the sentimental story. I recommend this poem to parents who love to read aloud to their children. I'm sure that Evangeline and her beloved Gabriel have the power still to stir the hearts of the young - and of the readers, too.
A very useful notes section offsets an overly wordy foreword. I found it easy to find and reference words and phrases no longer in common use.
Read it aloud to your early adolescent sons and daughters and to your love. You'll be happy you did.
When my father went to New Orleans, I asked him to bring me something back. He brought back a copy of this poem. It was required reading for my parents growing up - I had never heard of it.
I confess I was probably hesitant when I sat down to read it. But in no time I was hooked. The poetic language is perfectly styled to slowly tell the tale of two Acadian lovers doomed by the path of Acadian history to separate lives. Reading this poem is like suckling slowly on a sweet nectar under the gently rustling leaves of an oak on the side of a gently flowing river. If this sounds appealing to you, then you will enjoy this poem.