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Smith has arranged a secret code which can be broken only by information in a message she intends to send after she dies. "The concept is that if you hear from me when I'm no longer on Earth, it should suggest that I've survived somewhere after death." She has established the Susy Smith Project at the University of Arizona for anyone else who wishes to leave their own secret code.
Smith has spent most of her life researching life after death, and she believes that modern science has validated many of her theories. She says "that this is what many of our scientists today are saying: that all matter, including the human body, is composed of energy or force controlled by consciousness-which lives in everything, forever." She adds that "at the death of the physical matter within which this awareness resides, the soul leaves, sailing forth into other dimensions of time and space."
Although she wondered even as a child about what lay beyond physical life, Smith resisted many of the insights she was given over the years. Trained as a journalist and scientist, she wanted evidence. She chronicles her doubts and the events that eventually led her to accept the validity of the information given to her primarily by her spirt guides.
Her guides have continually emphasized that "you do survive death and therefore how you live on Earth is important." She shares the guidelines they've provided her for the spiritual development we need to do in our physical lives in preparation for the life afterward.
Smith has devoted nearly fifty years to investigating spirit communication and survival of the soul. The Afterlife Codes is her thirtieth book on this fascinating subject. It's must reading for anyone who has wondered about what happens to the soul after death.
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Of course, it isn't just about the life and death of Charnas' father but about how little we know about one another, how horrible (though sometimes glorious) old age and death can be. This is a book about not knowing your father (a difficult relationship even for those of us whose fathers didn't leave us), about thwarted artistic aspirations, about the impossible choices old age brings, and the ways in which every human being has a story, a life, and some of the unexpected things most of us never find out.
I cannot reccommend this book more strongly. I have not been able to stop thinking about it. It's a book that really can change your life.
Don't expect saccharine, 'cause there ain't any. No sugar cookies and milk, this is molasses and tea: bitter, dark, and poignant. Revelations, yes, but not of the TV sitcom kind, which are easily provoked and resolved in half an hour. This is deep history, it's the sand in the backyard and the gnarled old olive tree.
It's a story told with exasperation and something like love. A story told brilliantly. Thought-provoking reading for those of us with parents heading into their last decade -- parents with whom we share a bad history.
Here's a woman who offers refuge to a man who is going blind, and who holds a menial job in a restaurant. She offers him a free home in the sunshine, and the chance to do art.
He arrives on her doorstep and proceeds to be exactly the same man he's always been: cantankerous, rude, and skeptical. He doesn't do any art -- not by choice, as it turns out. He doesn't have the emotional resources to make friends and have his own life. Heck, he doesn't even have the ability to make his own dinner.
It's a fascinating story, and Charnas is an amazing writer. We get an unvarnished portrait of this man, his daughter, and a series of glimmers into why he left her mother, and why he's such a crank. If another living situation would have been ideal, well that's too bad because they're caught in the vise-grip of American medical economics. He's here to stay, like it or not. Then when his health fails completely, maybe he's too sick to stay home, but maybe not sick enough for Medicare to pay for a bed in a nursing home. Do she and her husband bankrupt themselves to give him adequate care? Charnas' livelihood hangs in the balance, not to mention her sanity.
Who hasn't been there? And if we haven't been there, we will be soon. For those of us with difficult parents, it's enlightening to see how one woman's choices begin to unfold. She's no angel of the house -- her own discomfort comes through, and she combats it with exasperated humor.
MY FATHER'S GHOST left me with a lasting understanding of tradeoffs. Good parts, bad parts. What I could stand, and what I couldn't. I can't make the same choices she did -- unless, like Charnas, I have to. But the whatever happens, at least I'll go in girded.
The book will also inspire and motivate you as you continue pursuing this martial art. I was over 50 when I started and overweight. I also have "Essential Tremors" which can effect my balance. Suzy Chan's bout with cancer and surgery encouraged me that I, too, can improve physically through perseverance.
Can't wait for the sequel!
Very well written and inspirational, a must if you have ever suffered or known anyone who suffers with cancer - also great for those just interested in tai chi!
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Get it for anyone, young or old.
Even cat-haters will love it; and cat-lovers will adore it.
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Suzy Kline's story is apparently based on her 1998-99 third grade class and the "tag sale" telescope that took them on their first trip to the moon. Not surprisingly, "Horrible Harry Goes to the Moon" should inspired other teachers to try a similar approach in their own classrooms (my favorite scene is when Miss Mackle shows up with a suitcase packed full of stuff for a trip to the moon and the kids tell her which things she should not take there and why).
However, young readers wanting to read about what horrible things Harry does in this new adventure will discover he does not do anything particularly horrible at all in this story. In fact, he pretty much does the exact opposite.