Everything that you wanted to know or needed to know about African American Literature is contained in this eight hundred page volume. This comprehensive volume covers the historical and cultural contexts of African American literature that has been too long neglected.

Oxford's Companion encompasses the traditional genres of poetry, fiction and drama but goes beyond them. It gives the same analysis to special genres such as Slave Narratives, Oratory, Folk Literature, etc. that you don't normally find in reference works of this kind. These special features and others give this book a unique spot in reference works of literature.

From the moment I got this volume in my hands, I couldn't put it down. Its numerous essays, brief biographies and analysis of the various hues of African American Literature was overwhelming and enjoyable. A referance guide such as this should be in every home. It is user friendly, informative and entertaining. Most of all it will give you a deeper appreciation of the vast types of African American literature produced throughout the years.

I purchased this anthology to assist me in my African-American literature class. This book has given me great insight about the literature of African-Americans. Not only does it give great details about the many authors, but it also explains the nature of their many works. I strongly recommend this book to anyone taking an African-American literature course - regardless of the time period.

Narrated by Octavia Albert, this book documents the true stories of several former slaves, their personal views, their struggles, and their triumphs. The stories are heartfelt and the convictions of the author to pass on the history of her people are evident in her dedicated writing.

While it might easily be regarded solely as a criticism on slavery, Frances E.W. Harper's Iola Leroy is a novel that tackles an infinite array of issues affecting the black race, and America in general, during the late 19th century. These issues range from gender, to internalized racism among the Negro of lighter skin color, the infamous "Negro question," the hypocrisy of religion, and many others. Tne most undeniable value of the book, is the call that the author makes for literacy, temperance, and the uplifting of the race.

Harper, like Dubois, is optimistic about the future and potential of African-Americans. She sustains that now that the doors of education, religious freedom, and of economy and capitalism are open to the race the expectations are great both on the part of the whites and the blacks themselves.

The undeniable value of the book, is the call that the author makes for literacy, temperance, and the uplifting of the race. This novel deserves extensive study not only as a feminist or ethnic work; it is one of the basic works of American Literature which can be read and enjoyed by anyone interested in social issues and fine reading material.

This autobiographical condemnation of the south's Peculiar Institution puts a face on the suffering of the enslaved. American history is full of accounts of slavery which tend to broad overviews of the institution, whereas this book is written by an escaped slave who does not flinch at sharing every detail of her miserable life. Unlike other narratives which distorted the slave's voice through the perspective of the interviewers/authors who were notorious for exaggerating the uneducated slaves' broken english, this book is largely Ms. Jacobs' own words. She was taught to read and write as a child by a kind mistress, so she was able to put her thoughts on paper with clarity that surprised many. Ms. Jacobs had an editor, but this book seems to be her unfiltered view of the world.

It is one thing to hear about how slaveholders took liberties with female slaves, it is quite another to read in stark detail about women being commanded to lay down in fields, young girls being seduced and impregnated and their offspring sold to rid the slaveholder of the evidence of his licentiousness. The author talks about jealous white women, enraged by their husbands' behavior, taking it out on the hapless slaves. The white women were seen as ladies, delicate creatures prone to fainting spells and hissy fits whereas the Black women were beasts of burden, objects of lust and contempt simultaneously. Some slave women resisted these lustful swine and were beaten badly because of it. It was quite a conundrum. To be sure, white women suffered under this disgusting system too, though not to the same degree as the female slaves who had no one to protect them and their virtue. Even the notion of a slave having virtue is mocked. The author rejected the slaveholder's advances and dared to hope that she would be allowed to marry a free black man who loved and respected her. Not only was she not allowed to marry him, she was forbidden to see him or speak to him again.

The author shows us the depth of a mother's love as she suffers mightily to see that her children are not also brought under the yoke of slavery. Though she was able to elude her odious master, she does take up with some other white man in hopes that he would be able to buy her freedom. Her "owner" refuses to sell her and tells her that she and her children are the property of his minor daughter. Her lover seems kind enough as he claims his children and offers to give them his name, and he did eventually buy them, though he failed to emancipate them to spare them from a life of forced servitude. Ms. Jacobs noted that slavery taught her not to trust the promises of white men. Having lived in town most of her life, Ms. Jacobs is sent to the plantation of her master's cruel son to broken in after she continues to refuses his sexual advances. She is resigned to this fate until she learns that her children -- who were never treated like slaves -- were to be brought to the plantation also. It is then that she takes flight.

After enduring 7-years of confinement in cramped quarters under the roof of her grandmother's house, the author escapes to the North which is not quite the haven she imagined. Still, it is better than the south, and she makes friends who buy her freedom leaving her both relieved and bitter that she is still seen as property to be bought and sold like livestock. In New York Ms. Jacobs is reunited with her children and a beloved brother who'd escaped a few years ago while accompanying his master -- her former lover -- to the free states.

There is no fairytale ending to this story because the author endures plenty of abuse and uncertainty even after she makes it to the North. She is hunted down by the relentless slaveowners who were aided by the Fugitive Slave Law of 1850 and "The bloodhounds of the North." This is a wrenching account of this shameful period of American history, and should be required reading for all.

First published in 1861, this book is much more than a narrative about slavery; it addresses many issues of gender as well. To escape the philandering intentions of her master, and to try to win freedom for her children, Harriet Jacobs spent seven years hidden away in a garret over her grandmother's house, three feet high at its tallest point with almost no air or light, with only glimpses of her children to sustain her courage. Until the 1980's, this book was presumed by most scholars to be a work of fiction created by a white abolitionist, but Jean Yellin's groundbreaking research brought the real Harriet Jacobs to life. The book has been published several times since the 1960's, often in inexpensive paperback versions that are much cheaper than this edition (2000). However, I'd recommend either this edition (which includes the short slave narrative published by Harriet's brother John, A True Tale of Slavery) or an earlier edition edited by Yellin if you want the full historical background on the book itself.

Intended to convince northerners -- particularly women -- of the rankness of Slavery, Incidents in the Life of a Slave Girl presents a powerful autobiography and convincing writing that reads like a gripping novel but is organized and argued like an essay.

Incidents follows the "true story" (its authenticity is doubted in some places) of Linda [Jacobs uses a pseudonym] who is born into the shackles of slavery and yearns for freedom. She lives with a depraved slave master who dehumanizes her, and a mistress who mistreats her. As the novel progresses, Linda becomes increasingly starved of freedom and resolves to escape, but Linda finds that even escaping presents its problems.

But Incidents is more than just a gripping narration of one woman's crusade for freedom, and is rather an organized attack on Slavery, intended to convince even the most apathetic of northerners. And in this too, Incidents succeeds. The writing is clear, and Jacobs' use of rhetorical strategy to preserve integrity is astonishing.

Well written, convincing, entertaining, Incidents is an amazing book.

This book was VERY,VERY DISAPPOINTING!It had only 2 chapters on 30yrs.of being a SLAVE(if you can believe that!) and 13 CHAPTERS
on 4 yrs. in the White House!!
GO FIGURE!!!!! I am SO SORRY I had my daughter get this book for me for Mother's DAY!

The story/diary it self I found wasn't written very good.However I found Ms.Keckley's relationship with Mrs.Mary Todd Lincoln and her family intersting.
She gave some insightfll thoughts about Mary and Abraham that was quite a treat to read.

I got a copy of this book from a book fair not on purpose. As a non-native English learner, what strikes me is the ability of Keckley to express rich emotions in very simple words and sentences. I always like reading first person narratives, fictions or true stories, but seldom find one as captivating as this. A five-star from me and it's a pity she didn't seem
to have written other books.