As a self-professed 'Roma-holic', I was thoroughly absorbed by this book. It is probably the most comprehensive English-language walking reference for the city of Rome available. The authors truly love their subject and seem to be fully informed -- not just on facts and history, but also on the colorful side of myth, legend and hearsay that swirls through so much of this ancient city, like a sirocco wind. I'm very glad that I found it and will use it as a resource on my repeated visits to the city. But a word to the casual tourist: you would do better on your first trip to Rome to carry a less erudite guide; possibly the Eyewitness or Lonely Planet versions. Then if you find yourself hooked on Rome and return to explore its deeper layers, turn to Georgina Masson.

I highlighted my copy of this and plan to use it as my walking tour guide when I visit Rome this fall. This is a glorious, delightful, magnificent book, and if I could pick only one guide this would be it. I only wish THE COMPANION GUIDE TO PARIS was still in print

saying this is the best guidebook around doesn't do it justice, because quite simply it exists on a higher plane. consider yourself fortunate to have found this here; the book has long been out of print. snatch up this revised edition while you can--if you're heading to Roma you won't regret it.

This book is must reading for anyone interested in Civil War history or who lives in the areas between Monocacy Junction and Washington, D. C. where this action occurred. The book provides a detailed synopsis of the action and is loaded with details of the local history, much of which remains intact for anyone interested in retracing the course of Early's raid.

Mr. Judge does history a great justice by writing the history of the Invasion of Washington from its inception. He covers the early phase from a confederate defeat at Cloyds Mountain in Pulaski County just south of Blacksburg (VA. Tech), takes you to Lynchburg and Early's arrival and the subsequent journey to Washington D.C. Gives the reader the complete field of study of the campaign. Wonderful description of future Baltimore Police Chief Harry Gilmore who was a colorful confederate calavary leader as well as a vivid description of the hidden valley of the Shennodoah, Fort Valley.

good chronological account of Early's 1864 campaign many interesting side notes to a little studied Confederate actio

"Dreadful Lemon Sky," MacDonald's 13th in the Travis McGee series, is vintage McGee. I would put it right up there with the best of them, "Green Ripper" and "Bright Orange Shroud." It boggles my mind that MacDonald could write the abominable loser "Turquoise Lament" in 1973, and turn around and write this sparkling gem in 1974.

Carrie, a blast from the past, pays McGee a surprise visit aboard the Busted Flush with a suitcase full of suspicious money. She asks him to keep it safe for her, keep a $10,000 "fee," and if she does not return for it in two weeks, send it to her sister. Two weeks later and no Carrie; McGee goes out to earn his fee. Carrie has died in a car "accident." McGee mounts his white horse and vows vengeance for the lady. He finds drugs, danger, more action than even he bargained for, and meets a load of fascinating (if not righteous) characters. He discovers an all too happy singles only apartment complex apparently fueled by marijuana and presided over by a Big Daddy who is the benevolent landlord. A mysterious newly widowed Cindy Birdsong plays his Bond girl role, if somewhat diffidently. The locale is all Florida, purely Florida.

"Dreadful Lemon Sky" is superbly plotted with a surprising number of twists and turns for a MacDonald book. The character vignettes are sharp and right on the money. This is a Travis McGee not to be missed.

This happened to be the first novel of the Travis McGee series I read, back in the 80's, and I was instantly hooked. I grew up in Florida, and McDonald, as every reader familiar with Florida notices, knew the state intimately and paints that strange place with a master's touch. Travis McGee is probably the most perfectly realized character in series fiction, but what really grabbed me about this novel was the ultra-frightening villain. In fact, I think McDonald's greatest talent was the invention and development of his horrifying bad guys.

Running across a Howard Hodgkin exhibition forever revolutionized my formerly negative view of modern art. It has opened my soul to new areas of art enjoyment not experienced previously. This book has many plates of his work and provides very interesting reading. Let his beautiful art and colors wash over you... Enjoy!

This well illustrated and multifaceted book is an important addition to any library. If only for Marla Price's catalogue raisonne a very valuble addition not in other publications about this important artist. I found the exchange of letters from Hodgkin to John Elderfield insightfull and full of the sort of detail on techniques hard to find elsewhere.

Michael Auping has written a compassionate opening essay on this sensitive man and the development of his work.

Susan Sontag writes about Hodgkin and art after modernism,with a wry and wonderfull humour.

All of these writings are punctuated with marvellous colour plates.

This book is a must.

Gillian Solomon. END

I've read that John D. MacDonald had 4 or 5 of the first McGee's written before he decided to publish them. As a result, these 1st novels in the series can be seen as experiments in developing a series character. In this, the 3rd or 4th published in the series, we see McGee in a situation as close as he will ever get to a classic mystery novel. Before he can be hired by Mona Fox Yeoman to free her and her money from the clutches of her husband Jass Yeoman, she's shot dead right in front of him by a desert sniper. -And the police won't start searching for a killer until McGee can prove she's dead. Seems her body disappeared while McGee was calling the police and she was always threatening to one away with her lover and weren't they spotted on a commercial flight getting away, and-. Eventually, Trav is looking for the killer for Jass, who may not be the tyrant that Mona described to McGee. McGee tracks down the true story, ending up unarmed against a pair of killers in the desert. Classic McGee with a "Ross Macdonald-ish" twist at the end as the solution becomes mired in the Yeoman past.

AS always MacDonald spins an enthralling tale.

I have read all the T McGee books except one, and for some reason this one sticks out as my favorite. John D MacDonald is a superb wordsmith. Just ask Sue Grafton! MacDonald used colors, Grafton uses alphabet. It is tight, well-written, as descriptive as it needs to be and I didn't want to put it down! MacDonald is masterful in so many ways. He never resorts to profanity and he gets away with it. Unheard of, by today's standards! For those of you who've not read about Travis, I surely do envy you! Some great reading awaits you! Larry 'Possum' Ronnow

Bravo Of The Brazos: John Larn Of Fort Griffin, Texas by independent scholar Robert K. DeArment is the true life story of John Larn, a colorful Texas lawman turned frontier outlaw. No stranger to shootouts, Larn led a vigilante committee with widespread support and killed at least a dozen men before he turned 29. At first his killing of horse or cattle thieves on sight garnered approval, but then he started to kill for profit or revenge, and when Larn threatened to reveal the names of the people on his vigilante committee, a mob of relatives, former friends, and various associates ruthlessly silenced his threat and ended his life. Bravo Of The Brazos is a fascinating tale of power and corruption, as well as a welcome and appreciated contribution to academic American Frontier History & Biography collections.

Aside from the first Travis McGee story, this (the 11th in the series) may be the best. Here Travis and his buddy Meyer are driving on a remote road through the south Florida Everglades returning from a friend's duaghter's wedding, when trouble erupts. A girl runs across the desolate road, causing McGee to swerve and rollover into the swamp, and before McGee has gathered his wits he and Meyer are being shot at, and ultimately locked up and charged with murder.

The local sheriff, a "by the book" lawman with a history of deep personal loss, lets McGee out of prison while he investigates the case, confining McGee to the local county. Before we know it, McGee is bedding down a lonely but optimistic waitress, uncovering secrets about this sleepy little Everglades town including a call girl ring.

McGee is confident and clever, but there is a sense of vulnerability about him that is refreshing for a mystery series since you sense that he realizes the trouble he is in, as the bodies start piling up. I also thought some of the minor characters in the book, including the waitress Betsy Kapp and the evil Lilo, were very skillfully drawn. Without giving away any of the story, let me just say there were a handful of great twists and turns in the plot, with MacDonald building the suspense nicely. This is not War and Peace, but I give it 5 stars as one of the better mystery novels I have read in awhile.

I'm constantly amazed at the hold that MacDonald asserts over me as a reader, certainly with this character. The beginnings always seem to jump right off, even when they also seem to ramble, like in this one (McGee talking of late night rides, fishing, his old Rolls Royce truck) or the McGee novel that starts with McGee and Meyer fishing by the bridge. There's hook there, yes--a bit of action occurs within the first three pages that sits the novel rolling--but it isn't the immediate hook of the short story or the long rambling set ups of most novels (I'm thinking of the info dumps that start most SF/F/H novels).

The hook isn't the only thing going for MacDonald, though. The sentences and chapters seem to flow, to beg to be read. Since I was reading this novel on breaks, at lunch, and other different odd times, I tended to read only a chapter or two at a time. Rarely did I end a chapter when I didn't find myself unconsciously moving on the beginning of the next. Part of this is due to the standard technique of cliff-hanging chapters, which MacDonald has down well. But MacDonald's cliff-hangers aren't just situations, it seems to me, but the words themselves. I need to examine the chapter endings to see if I can identify what he is doing. Since I'm reading the McGee novels in chronological order, I'll try to do it with the next.

Take a night drive on a lonely highway in the everglades, and your life turns upside down when you swerve to miss a girl running across the road. This leads to attempts on your life, and then suspicion by the local law. Is somebody in the sherriff department working for the wrong side of the law? Travis must find out as he sorts his way through a cast of mysterious women in this highly entertaining tale. Our hero is stuck in Cypress County, by order of the sherriff. Somebody in the department almost beats the life out of Meyer, putting Travis into early revenge mode, and motivating him to get involved in a mystery where nobody requested his services. In the end, I was pleased and stunned by several facets of the solved mystery, and Travis weaves his way through many harrowing experiences to stay alive. This is clearly one of the best 3 McGee books (along with Amber and Green).

"Bright Orange for the Shroud" is the first novel by John D. MacDonald I've read. It certainly will not be the last. This is a thoroughly enjoyable story. Written almost forty years ago, MacDonald was ahead of his time concerning the observations he made about booming Florida and America. If you are looking for a good thriller that is probably better than 90% of what's being written today, don't hesitate to pick this one up. I'll be getting the first novel in the Travis McGee series shortly. BTW, this book has one of the hottest sex scenes I've ever read, written before the days of sexually explicit language. Believe it.

Travis McGee promised himself a trouble-free summer. But when the local nice guy turned up after having been nearly destroyed by a professional black widow, McGee reluctantly agrees to help. A tennis-playing brunette with a slightly shifty husband turns out to be more bait than anyone expected, and McGee goes hunting for True Evil in the form of this book's villain.

One of MacDonald's best McGee books, filled with the Florida detail and cynicism that are the series' trademarks. What makes it special is the almost unwilling belief in good that the main character nurtures in the face of so much human failing. One of those stories where nearly everything clicks.

All the ingredients of a great McGee tale are present here, including the essential South Florida locale. It's hard to believe these stories were penned almost thirty years ago, and the rare "tells" that crop up are pretty funny. The typical is a wardrobe description replete with dacron sailcloth slacks, white denim jackets with wooden buttons, and the omnipresent pale yellow ascot. Of course, money matters are a giveaway. Like a wealthy murder victims toney "$30,000 home".

That said, few authors nail a modern detective yarn quite like John D. Read this book, or any other in the series, and you'll see what I mean.

After reading all of John D. MacDonald's Travis McGee books, I would say that The Deep Blue Good-By is the best way to meet the greatest character of the detective-story genre. Imagine the best qualities of Hammett's Continental Detective Agency Operative and Sam Spade, Chandler's Philip Marlowe, and Cussler's Dirk Pitt combined with a unique personality that is impossible not to love. MacDonald's characterization is unmatched in almost all authors I have read, and his story-telling skills are amazing. But most impressive are his social commentaries voiced by McGee in interior monologue; nearly all the nigh-cynical observations voiced by Mcgee were true in MacDonald's time as well as ours. If you love a good story, regardless of whether or not you like mysteries, you will love this book. One word of caution, though-- once you read this, you will be hopelessly addicted to the world of Travis Mcgee.

This is the first of 21 books John Dann MacDonald wrote featuring Travis McGee, a sometime detective who comes out of retirement when he needs money to pay the bills for his modest houseboat in Florida. When Travis is on a case the houseboat is often rigged to detect unwanted visitors. Seldom is the unflappable McGee caught off guard on his boat or anywhere else, for that matter.

I've read all twenty-one books in the McGee series, at first not in order, but later systematically until I reached the last mystery, The Lonely Silver Rain. These books are a guilty pleasure. Sure, you could be doing something better with your time, but Travis McGee beats 80% of everything on TV. If you pick up one of these novels before bedtime, you might easily find yourself sleep deprived.

Travis McGee is a knight in tarnished armor. I think we like him better for the fact that, like us, he has lots of faults; but he is true to his friends and when he gives his word to a client, he is not afraid to put himself in harms way to resolve the case. Like Sherlock Holmes, he has a bit of the bloodhound in him and relentlessly follows the trail of clues and leads until the action packed end of the story.

Murder and mahem are an integral part of every Travis McGee mystery, but also thoughtful conversation with his economist friend Meyer and with McGee's own best friend, himself. He is a loner who is happy with his own company. He lives comfortably in the present until necessity or his own good will prompt him to act.

The magic of all the Travis McGee books is that we think we know him, we like him, and we are delighted to be taken along on his travels when he is on a case, but we are just as satisfied when we evesdrop on his quiet conversations with Meyer and learn something of the McGee philosophy. Disagreeing with McGee, not often enough probably, is part of the fun. I was disappointed when I put down the last mystery, but I know that, like the Sherlock Holmes mysteries, I'll probably come back for a second reading.

Sit back and relax. Start at page 1 and take the ride of your life with Travis McGee. This first book in the series is an excellent starting point for first-timers because all the ingredients for the McGee stories are here-a lady in distress, a stolen "treasure", and a brutal unrelenting villain. MacDonald had a talent for involving you so deeply that you find yourself going back to re-read passages that hit you hard the first time. Junior Allen is a perfect villain--A force of nature motivated by greed with an ever-deepening bent towards sexual brutality. This book contains storytelling so vivid that you feel the punches with McGee. This book, along with Donald Hamilton's Death of a Citizen, is the perfect example of the 50s-60s Fawcett Originals.

This is the last book in the Travis McGee series written shortly before McDonald died. Although it has all the classic elements of earlier works in the series, it lacks the emotional punch which made many of the earlier books stand out from the detective genre crowd.

McGee and Meyer travel to the Yucatan in pursuit of a typically malevolent villian who has wronged a beautiful woman with "cinnamon skin". The character development is up to McDonald's usual high standards, complete with the requisite philosophical flights of Travis' balanced against Meyer's earth-rooted reasoning. In an unusual twist, it is actually Meyer who overcomes the bad guy in the final scene which takes place deep in the Mexican jungle.

If you have been a fan of the McGee series, all of which contained a color in their titles, this story will not disappoint you. In fact, reading it alongside one of the early (1950's) Travis McGee books offers some fascinating insights into McDonald's personal development as his hero acquires the politically correct attitudes of the decade.

It has been rumored for years that there was a final McGee novel with the color black in the title in which the aging hero dies. Some have even speculated that "Spenser" author Robert B. Parker was working to complete the unfinished McDonald manuscript. True McGee (and McDonald) fans will be glad neither has materialized. Closing with this book, and never being heard from again, is a far more appropriate ending to a pair of long and storied careers

John D. MacDonald's 20th Travis McGee book "Cinnamon Skin" reads as well today as it did when published in 1982. It is one of the very few books I have ever re-read and it was refreshing to find that it is just as exciting, just as relevant today as it was when I first read it. In "Cinnamon Skin," we find Meyer's newly-wed niece Norma and her husband being murdered aboard Meyer's boat "The John Maynard Keynes"--and, of course, the circumstances are suspicious. Was the explosion at sea revenge for a drug deal gone wrong? Did it have something to do with Meyer's own past (after all, he'd been in Chile a few years earlier)? Regardless, it is greatly disturbing to Meyer who enlists his friend Travis to help. Meyer's loss is Travis', after all, Travis is rough and tough but philosophic,and the ensuing McGee adventure takes the two on a convulted odyssey from Ft. Lauderdale to Texas to Mexico. MacDonald holds us spellbound with his plot revelations, but he is also a master at capturing the local color (especially noteworthy here is his interesting "history" of Cancun), and of sparking his suspense with daubs of humor. MacDonald's works frequently touch on socially significant issues, such as the environment, and especially on the damages that developers have been plying on the Florida coast, from shabby construction to irresponsible waste disposal. He likes to remind us that we are, after all, in the 20th century. "Soon the bosses of the microcomputer revolution will sell us preprogrammed units for each household which (will provide for everything). It will be the biggest revolution of all, bigger than the wheel, bigger than Franklin's kite, bigger than paper towels." In his many books, sometimes MacDonald seems to assume the role of Cassandra outside the gates of Thebes, crying out his revelations and prophesies, yet he is doomed not to be believed. Tis a pity. "Cinnamon Skin" carries, brilliantly, the MacDonald/McGee mystique, and while the series is over thirty years old, the colors in the titles have not faded; Travis is as relevant today as he has always been. MacDonald's prose--if nothing else-- will transport the reader on a magical, mystical, enthusiastic ride, well worth the fare. Take a trip to Lauderdale--it'll be a treat.

In the last few Travis McGee novels, MacDonald focuses more than before on McGee's close friend Meyer. CINNAMON SKIN is a story in which Meyer takes the lead. He has to fight the demons of his past cowardice and also avenge the death of his niece. CINNAMON SKIN is one of the very best entries in the McGee series.