ABSOLUTELY FABULOUS!!!!!!

I love to know the behind-the-scenes of the days Gene Kelly made his magic at MGM, so Gene drew me to buying this book. Well, Mr Arthur Freed, if there could be more "bosses" like you today, the workplace would be a much happier place to be. Arthur and his "UNIT" or as I like to call them, "THE CREW" will have you laughing, maybe even crying and definitely astounded, amazed and so very happy that this man was the back bone and the money maker of this fabulous studio of the real movie days. His mind is one that could never be found again in any producer of today. They definitely cracked the mould when they made this man. So, I recommend that you buy this book, and even purchase the movie under the same title. Mr Hugh Fordin has done the most fantastic job on this book. You will feel like you are standing there in every scene that is described..

Hugh Fordin is an expert in his field. His detailed research is clearly evident throughout this work. His love of theater, film and particularly the Hollywood (make that MGM) Musical is revealed in the many interviews he conducted with people involved in every aspect of the productions he writes about.He shares small insights and many heretofore unknown facts about this disappeared genre of movie making. If this isn't a textbook at film schools, it should be. A superb work whose value increases over the years.

I was expecting this to be a straight biography of Arthur Freed with discussions on his films but instead I was pleasantly surprised to see that the entire book is a blow-by-blow account of how the films were made (which to a movie buff is pure heaven) and, as the author says, Freed's movies were his life anyway.

I think it says something that the title of this book is "M.G.M.'s Greatest Musicals", since the truly amazing thing is that one man was more or less responsible for all of them. Great behind-the-scenes stories.

This is one of the better books about Oscar Hammerstein, that luckily enough, is now back in print. Hugh Fordin writes a wonderful book that looks at the personal and the professional side of America's pre-eminent lyricist.
While fans of Richard Rodgers may be more inclined to enjoy the cynical wit of Larry Hart's lyrics, after reading this book, you can't help but be made into a Hammerstein convert. Here's a man with a sunny disposition, who believed in happy endings, and the best in people. One of the most telling stories Fordin recounts is how Hammerstein wrote "The Last Time I Saw Paris" (a pre-Rodgers song) because he was devastated by the fall of France in 1940. He would later point to that as the worst day of his life... not finding out his first wife had been cheating on him. That's the sort of guy Oscar Hammerstein comes across as in this book.
You'll also explore his early high-water mark of "Show Boat" and its important role in American Theater, followed by his pre-Rodgers drought.
If you read this book, you'll be glad you've Gotten to Know Him.

A wonderful, warm, authoritative biogrphaphy. It is obvious the Hammerstein family cooperatied fully with the author. The author is meticulous in his research. I advise next reading the autobiography of Richard Rodgers, and then reading the suburb biography of Stephen Soundheim, to whit, "Stephen Sondheim : A Life" by Meryle Secrest. Ockie was a great man...a man who never in his life visited a whore house and yet tried to write lyrics for a musical that was about a prostitute (i.e., the unsuccessful musical "PipeDream"). It fascinating how this book reprints some of the correspondance where John Steinbeck argues, in vein, for Oscar to stop sanitizing PipeDream to the point where the audience never knew the woman character was a lady of the evening. The book tells the story of every musical Hamerstein wrote lyrics for. I found myself buying CD cast albums as I encountered the story of each in the biography. The book is interesting and never boring, not even once.

This is one of the best theatrical biographies I've ever read. Hugh Fordin does a wonderful job of bringing Hammerstein, his family, and his times to life. Imagine a life that begins with Oscar's legendary grandfather, includes Jerome Kern and Richard Rodgers, then ends with Oscar's befriending young Stephen Sondheim. It's the history of the 20th Century American theatre reflected in one amazing lifetime. Every page is rich with interesting detail. Its one thing for a biographer to get all the research right (which Fordin certainly has); what's even more important is getting to know something the soul of the subject. This is that kind of book. I've re-read it with delight several times, and I could not recommend it more highly.