This is the second book by Dickens I have read so far, but it will not be the last. "Bleak House" is long, tightly plotted, wonderfully descriptive, and full of memorable characters. Dickens has written a vast story centered on the Jarndyce inheritance, and masterly manages the switches between third person omniscient narrator and first person limited narrator. His main character Esther never quite convinces me of her all-around goodness, but the novel is so well-written that I just took Esther as she was described and ran along with the story. In this book a poor boy (Jo) will be literally chased from places of refuge and thus provide Dickens with one of his most powerful ways to indict a system that was particularly cruel to children. Mr. Skimpole, pretending not to be interested in money; Mr. Jarndyce, generous and good; Richard, stupid and blind; the memorable Dedlocks, and My Lady Dedlock's secret being uncovered by the sinister Mr. Tulkinghorn; Mrs. Jellyby and her telescopic philanthropy; the Ironmaster described in Chapter 28, presenting quite a different view of industralization than that shown by Dickens in his next work, "Hard Times." Here is a veritable cosmos of people, neighbors, friends, enemies, lovers, rivals, sinners, and saints, and Dickens proves himself a true master at describing their lives and the environment they dwell in. There are landmark chapters: Chapter One must be the best description of a dismal city under attack by dismal weather and tightly tied by perfectly dismal laws, where the Lord Chancellor sits eternally in Lincoln's Inn Hall. Chapter 32 has one of the eeriest scenes ever written, with suspicious smoke, greasy and reeking, as a prelude to a grisly discovery. Chapter 47 is when Jo cannot "move along" anymore. This Norton Critical is perhaps the best edition of "Bleak House" so far: the footnotes help a lot, and the two Introductions are key to understanding the Law system at the time the action takes place, plus Dickens' interest in this particular topic. To round everything off, read also the criticism of our contemporaries, as well as that of Dickens' time. "Bleak House" is a long, complex novel that opens a window for us to another world. It is never boring and, appearances to the contrary, is not bleak. Enjoy.

After years without picking up a novel by Dickens (memories of starchy classes at school), I decided to plunge into "Bleak House", a novel that had been sitting on my bookshelf for about ten years, waiting to be read. Although I found it heavy going at first, mainly because the style is so unfamiliar to modern readers, after about ten pages I was swept up and carried off, unable to put the hefty tome down until I had finished it. This book is a definite classic. The sheer scope of the tale, the wit of the satire (which could still be applied to many legal proceedings today) and the believable characters gripped me up until the magnificent conclusion. One particularly striking thing is the "cinematic" aspect of certain chapters as they switch between different angles, building up to a pitch that leaves the reader breathless. I can't recommend "Bleak House" too highly. And I won't wait so long before reading more Dickens novels.

"There is little to be satisfied in reading this book"?? I couldn't disagree more. Bleak House left a profound impression on me, and was so utterly satisfying a reading experience that I wanted it never to end. I've read it twice over the years and look forward to reading it again. Definitely my favorite novel.

I don't know what the previous reviewer's demands are when reading a novel, but mine are these: the story must create its world - whatever and wherever that world might be - and make me BELIEVE it. If the novelist cannot create that world in my mind, and convince me of its truths, they've wasted my time (style doesn't matter - it can be clean and spare like Orwell or verbose like Dickens, because any style can work in the hands of someone who knows how to use it). Many novels fail this test, but Bleak House is not one of them.

Bleak House succeeds in creating a wonderfully dark and complex spider web of a world. On the surface it's unfamiliar: Victorian London and the court of Chancery - obviously no one alive today knows that world first hand. And yet as you read it you know it to be real: the deviousness, the longing, the secrets, the bureaucracy, the overblown egos, the unfairness of it all. Wait a minute... could that be because all those things still exist today?

But it's not all doom and gloom. It also has Dickens's many shades of humor: silliness, word play, comic dialogue, preposterous characters with mocking names, and of course a constant satirical edge. It also has anger and passion and tenderness.

I will grant one thing: if you don't love reading enough to get into the flow of Dickens's sentences, you'll probably feel like the previous reviewer that "...it goes on and on, in interminable detail and description...". It's a different dance rhythm folks, but well worth getting used to. If you have to, work your way up to it. Don't start with a biggie like Bleak House, start with one of his wonderful short pieces such as A Christmas Carol.

Dickens was a gifted storyteller and Bleak House is his masterpiece. If you love to dive into a book, read and enjoy this gem!