Instead of one central character, there are several, all of which the reader will feel like he knows personally very early in the book. I would give most anything if this book could be made into a movie, but the only way to do it justice would be to make it multi-part mini-series with Ken Follett writing the screenplay, and even then it would not have the same effect.
Obviously, I give this book my absolute highest recommendation. So, don't wait, buy this book right now and plan on losing some sleep, because you won't be able to put it down !!!
Early twelfth century England was a country in a state of flux. King Henry I had died without a male heir. His daughter Maude was to be queen. The English barons, for the most part, however, refused to swear fealty to her. Maude's first cousin, Stephen of Blois, then usurped her rights and proclaimed himself king. This was to plunge England into a civil war that was to last for many, many years, turning England into a virtually lawless and tumultuous land, until Maude's son became King Henry II of England.
For most people, however, life would go on with every day concerns being paramount. The book tells the story of a number of these lives. One story is that of Tom, a master builder, whose life long dream was to build a cathedral. The lives of Tom and his family would intersect that of a humble and intelligent monk named Phillip who would become the prior at Kingsbridge Priory. The fates would intervene and provide Tom with an opportunity to pursue his dream.
Their lives would intersect with a number of other individuals, some good, some evil, who would have a great impact on their lives and their goals. Tom would lose his first wife, Agnes, by whom he already had two children, brutish Alfred and sweet Martha, due to complications sustained during the birth of another son. This son was to provide a connection between Tom and Phillip of which Phillip would long be unaware.
Tom would ultimately marry Ellen, a strong willed independent woman of the forest, perceived by many to be a witch. Her son Jack, a sensitive, highly intelligent lad, whose father was deceased, would grow to manhood. His dream would begin where Tom's had left off. In Jack's background, however, was a mystery surrounding his deceased father, a French jongleur. That mystery in some way involved Sir Percy Hamleigh, Waleran Bigod, and Prior James, the old prior of Kingsbridge before Phillip.
When Earl Bartholomew of Shiring makes the treasonous mistake of siding with Maude in the conflict with Stephen, he ends up on the losing side. Sir Percy Hamleigh and his son William, siding with Stephen, attack the Earl's castle, and take Earl Bartholomew captive. Imprisoned for treason, he loses his earldom to the Hamleighs. His young son and heir, Richard, and his daughter, the beautiful Lady Aliena, are left to fend for themselves, but not until William Hamleigh has slaked his thirst for revenge upon them. You see, William had been engaged at one time to marry the Lady Aliena, only to be spurned by her to his vast public humiliation. This was the moment for which he had been waiting. Aliena and Richard would ultimately migrate to Kingsbridge to begin a new life.
Meanwhile, the church itself was having its own political intrigues. Phillip was tricked by Waleran Bigod, an ambitious arch-deacon, into supporting him for the post of bishop. Phillip would later best Waleran and incur his enmity for a lifetime. Remigius, a spy for Waleran Bigod, was a monk at Kingsbridge Priory who saw his dream of becoming prior at Kingsbridge dissipate with the advent of Phillip. He would spend a lifetime undermining Phillip and plotting against him. Moreover, the fate of Kingsbridge and the building of its cathedral would always seem to hinge upon the political vagaries of the time. Its fortunes would ebb and flow with the political winds.
Ever present throughout the destinies of all these characters is the age old battle between good and evil. Complicating it further were those who sought to do good but did evil, believing that the end justified the means. Spanning over fifty turbulent years, this is a spellbinding story of love, hate, faith, betrayal, revenge, and triumph. Against a backdrop of civil war, the sharply drawn characters grasp the imagination of the reader. Twelfth century England is laid out in painstaking detail, providing an unforgettable backdrop for the lives lived within the pages of this memorable work of historical fiction. This book is simply riveting. Bravo!
Este libro son muy agradable y tiene muchas historias entretejido con muchos carateres. No lo ponía bajo, lo es uno de mis favoritos como "Cien Años De Soledad" de Márquez.
List price: $10.95 (that's 20% off!)
El final esta un poco fuera de la realidad pero eso no le quita puntos al libro.
Nadel is a ruthless spy. No family no loved ones. Just the way he likes it. It allows him to concentrate on the matter at hand. Killing opposition spies.
This was absolutely amazing and a quick fun read. If you have read some of Follett's other books such as "Pillars of the Earth", "Key to Rebecca", "A Dangerous Fortune", then you know what his style of writing is. Although different in content, his style is almost invented within these book covers. If you've read other works of Follett's, then you'll enjoy this book as being on par, but on a different course than those aforementioned.
Eye of the Needle is a unique spy-thriller well deserving of 5 stars. I would suggest those books above, along with this one if you're looking for a good weekend/vacation reading. Please see my reviews of the other novels as they may help you to choose which you want to read first.
Great Reading!!!
It is easy to read this novel on a purely dramatic level. After all, "The Shining" is marketed as a book that is sure to "curl your hair and chill your blood." Although these promises of terror are fulfilled, King provides many opportunities for the reader to delve deeper- to move beyond his dramatic choices and examine the thematic issues that haunt the characters in the novel.
"The Shining" addresses the cyclical nature of history. History never fades: it surrounds the characters, forms their identities, and shapes their behavior. Jack's past is plagued by alcoholism, violence, and the memories of an abusive, alcoholic father. Wendy, Jack's wife, is desperately afraid of becoming her mother. She has come close to leaving Jack because of his violent behavior, but has stuck with the marriage. Clearly this is a family that has had a tragic and shaky past, but a past they have learned to survive thus far.
In Chapter One, King sets up the concept of history as manipulatable. Ullman is aware of Jack's violent past, and uses this knowledge to place him in a position of power over Jack. History holds a certain power for every character in the novel, but it is a power that can be fatal if not used correctly. Danny's unique gift: the ability to "shine," allows him to see events that have occurred in the past, and may occur in the future. This power places Danny, at times, at a disadvantage because of his youth and inexperience. Danny feels very alone, in that he cannot tell his parents about his visions, or his imaginary friend "Tony" who guides him through these glimpses into a possible future. Upon finding the hotel scrapbook filled with scandalous information concerning the hotel's secret past, Jack feels empowered to use the information to write the great American novel. Jack is so involved in the hotel's history that his own past begins to resurface: his familiar twitch, his craving for alcohol, his violent behavior. And what seems to be the catalyst for the resurfacing past? The Overlook Hotel. The very place Jack seeks comfort, focus, and isolation becomes his undoing. The Overlook not only isolates the Torrance's from society, it strives to isolate them from each other. The power of the family unit is thus tested. When the Torrance's are separated, they are vulnerable to both the Overlook's past, and their own. A recognition of the past is crucial for progression, yet this recognition can be abused (as in the situation with Ullman). If repressed, the past will most definitely come back to haunt. King inserts italicized phrases throughout the novel that function on a psychological level as indications of the repressed past, thoughts, or warnings. When Jack "unknowingly" sets the timer ahead during Hatfield's speech, the results, on a thematic level, are profound. This repressed past resurfaces when Jack yells at Danny to stop stuttering. The cyclical nature of history is also apparent in this novel's racial undertones. Doc's race works, both for and against him when he tries overcoming the challenges that keep him from traveling to the Overlook.
King structures this novel in five parts, referring to the Shakespearian Five Act Structure. Is it no surprise then that King manipulates this historical structure in an unconventional manner, placing the Inciting incident in the third section and pairing the crisis and resolution in part five. King transcends the ghost story genre to meet his own thematic needs. The thematic levels that underlie King's dramatic choices make this novel more intense and real than any suspense story I have ever read.
If your only acquaintance with The Shining is from the movie by Stanley Kubrick, starring Jack Nicholson, you've missed out on something. Nicholson's performance, while memorable (who could ever forget, "Here's Johnny!"), changed the whole story, and not for the better. Nicholson's crazed, wild-eyed looks let you know within five minutes of the opening credits that the main character, Jack Torrance, is dangerously close to a major breakdown. The rest of the movie is anticlimactic.
In the book, however, Jack Torrance starts out as a much different character. He's an author, a former heavy drinker who broke his son's arm once in a fit of rage, got himself fired from a teaching position by attacking a student, and has barely held his marriage and life together. But...he _has_ stopped drinking, he's mended his marriage, he's managing the anger, and he's taken a menial job (tending the Overlook Hotel) to support his family. And, because not enough time has passed to restore his good name yet, he's doing it all while enduring distrust from those around him, as well as occasional humiliating charity.
The caretaker job does have it's advantages though; long months of complete solitude in which he can step back from all the problems he's had, and can take the time to finish making things right with his family. Not to mention that it's a perfect place for him to finish his latest book, a story he can already see is very good - good enough to be proud of, and good enough to put some real momentum back in his career.
In other words...Jack is back, or at least well on his way; and even his first steps in getting it together show a lot of promise of things to come. Unfortunately, the Overlook, and its ghastly inhabitants, have other plans for him, his wife, and especially his son Danny, a five-year old psychic prodigy. The story that ensues is more subtle - and tragic - than anything Kubrick and Nicholson dreamed of.
At a later point, after writing those novels and studying medieval cathedral architecture, Follet got to write his 900 page novel centering around the British dispute of the crown between Queen Maude and King Stephen; these were the contestants who preceded Henry II, who is best known for his colorful History with Eleanor of Aquitaine, Richard the Lion Hearted and the gray King John.
Story centers around several commoner types, with a few exceptions, whose lives intertwine in the eventual struggle to build a glorious cathedral. Without revealing too much and generalizing this story has: lurid scenes of lust, violence, intrigue, political disputes, wars, loves gained, loves lost, main characters dying, a child abandoned at birth and much more. And, to Historian lovers, it even teaches readers of the period.
Highly advised reading, even if the dialogue is a bit informal and the structure sometimes isn't as focused as it could be. If those two points don't bother you, this is a great book.
Follett uses the thirty year building of a cathedral in 12th Century England to spin a ripping yarn. This is a historical novel that uses the format to both teach about the times and tell a gripping tale of the lives of a score of characters involved either directly or peripherally with the construction.
Its all here. Love. War. Torture. Rape. Lust. Greed. Told against the backdrop of an English Civil War and the more immediate struggle between a priory (monestary) and a local earl. The real life Kings Steven, Henry I and Henry II and Thomas Beckett provide the historical backdrop as does the era. If Follett has done his research thoroughlly, then the misery and challenge of medival life is well portrayed (except very few people die of disease and no children or their siblings succumb before adulthood -- an improbable situation given the times).
Besides being captivated by a very good story with many facets, you'll learn a bit about the majesty and technique involved in cathedral building, the economics, industry and agricultural practices attendant to survival, medival politics and the struggle within the church and between church and sovereign.
The characters are well drawn and varied. Follett populates his story with strong women, and although unlikely given the practices and predjudices of the times, these women help form the focal point of the story and are easy to root for (except for sometime-Earl William Hamleigh's mother -- a cunning villan). The men are more evenly split between good, evil and in between. These characters are not one dimensional and most of the major figures have weaknesses that challenge them and make them very human in this book.
A great read you'll not want to let go.
His primary strength in the book is his magnificent characters. By the end, Prior Phillip, Aliena, Jack, Richard, "Witch" Ellen, William of Hamleigh, Waleran Bigod, and a host of supporting characters are as real as people you know. Their strengths and weaknesses feel as sound as earth. I've just reached the part where the Cathedral is finished, and its magnificent image, built in love, hardship, and devotion, colors the whole book like light through stained glass. And I suspect the ending will be as immensely "right" as the entire rest of the book in its proportion in spinning out complicated human lives and emotions.
Follett manages to write of an age of religious devotion without tumbling into the two pits - making fun of medieval Christian faith, or uncritically adopting it. An IMMENSELY satisfying read.
I could quibble with what I feel is some gratuitous sex, some slightly contrived plot twists, but that's like complaining about some flotsam in the river as you're going over Niagara.
DO NOT MISS THIS BOOK if you love wonderful story-spinning and history.
Well done, Mr. Follett!
This is contemporary pulp fiction at its best. The characters have depth and believability and Follett seems to do a good job of evoking the look and feel of the period. The pages roll by quickly and the book is hard to put down. But, if it's so good, why didn't I give it five stars? Generally, I reserve five-star status for books of what I regard to be classic status. Caesar, Tolkien, Sherlock Holmes, Harry Potter (yeah, I do think Harry Potter will be around for a long time). Maybe Harry Bosch, although I may have gotten carried away, there. This is, after all, pulp fiction and it just doesn't have the depth of the above. It is very entertaining, though, and I think most readers will enjoy it very much. Consider it a strong four plus and give it a look.
worth the read.