This is a fantastic coffee table book. The photographer has captured so much color in each photograph, you almost expect some sort of visual explosion -- how can such a dynamically variegated palette be contained in a single picture?! The whitewashed cottages, the blue-green sea, the dun colored old castle walls... even the street signs are beautiful. I myself am half of Irish descent, and half of Italian descent. Although I must confess that in culinary terms, my Italian forebears had considerably more "on the ball" than my Irish ancestors, this book makes me appreciate some of the beauties that Ireland itself has to offer. It makes me determined to visit it at some point.

The book is divided into four parts. Each traditional ancient Irish kingdom has its own section -- Ulster, Leinster, Connacht, and Munster. Each section is also followed by a brief photographic essay, dealing with such topics as "Ancient Ireland," "Bar and Shop Fronts," and "Painted Villages." At the end, there is a useful map, a travellers guide complete with phone numbers and addresses of Inns and hostels, and a very handy little bibliography.

I would just like to also recommend, for anyone with an interest in Irish history, "The Atlas of Irish History" by Sean Duffy. It is out of print, but you should ask your local librarian if he or she can find it, using OCLC or inter-library loan. If, like me, you have Irish blood in you, you will be familiar with the feeling of being quite alienated from the broader sweep of European history prior to the settlement of America. I once looked in the index of an encyclopedia, and actually found more entries on Native Americans, who of course are considered to be a marginalized people, than I could find on the Irish. This book, and the atlas I recommended, can help remedy that situation, and "The Most Beautiful Villages of Ireland" can beautify any home. Two thunbs up -- check this one out.

This book gathers together some half-dozen plays presented by Ireland's Abbey Theatre in the early 90s. The title is somewhat misleading, as all of the plays were presented at the Peacock, the Abbey's new writing stage. Its main purpose is to make the plays available to readers and potential producers, and in this it succeeds admirably, although there are a couple of notable plays from the period that didn't get included, presumably because they were already available elsewhere. (This makes the volume somewhat unrepresentative.) The plays themselves are of varying quality. Michael Harding's "Hubert Murray's Widow" is an interesting, darkly funny tragicomedy (or comitragedy) about a dead gunman and the events surrounding, and after, his death; Donal O'Kelly's "Asylum! Asylum!" is a characteristically angry piece about the treatment of an African refugee, written some time before the number of refugees in Ireland skyrocketed, and thus anticipating a major current social issue. Tom MacIntyre's "Sheep's Milk on the Boil" is an impenetrable scrap of whimsy, and Niall Williams' "A Little Like Paradise" is a sentimental mood piece about the West, the kind of play that has since been stamped into a bloody pulp by the erratic genius of Martin McDonagh. Neil Donnelly's "The Duty Master" is dull but worthy, a portrait of an Irishman teaching in an English public school, and about as exciting as it sounds. There are some excellent production shots, but one is not told which actor played which role and thus identifying what scene is being depicted is not easy. Plus, the American editor suffers from a too-misty-eyed appreciation of Irish drama and the respective qualities of the plays, and tries to hard to fit them into the familiar canon. But a useful book, especially for those that want to put the plays on.