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Back in civilization, Greg discovers that Nahani has earned a reputation as a killer. There is a large reward being offered to anyone who can kill her and bring in the skin. Greg is naturally upset by this, and tries to convince people that the wolf is not a threat. He is opposed by a trapper named Dan who does all he can to stop Greg from helping the wolf. Concerned for Nahani's safety, Greg embarks on a 3-year quest to locate the wolf and save her if he can.
The story of how Greg manages to locate and track Nahani through one of the remotest and most inaccessible regions of the country is as inspiring as it is fascinating. Better still is the story of what happens when Greg eventually locates the wolves.
This story, which ends on a very positive note, is said to be true. It was told to the author (Robert Franklin Leslie) by Greg himself. Aside from the few places where human motivations and emotions are attributed to the wolf, the story rings true. It is a real treat for anyone who believes in the interconnectedness of all living things.
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It is flat out beautiful -- the beauty is that it is filled with the illustrations and notes by the authors. The book delves into the questions you might have, doubts that might arise -- and those get answered but the book allows and encourages creativity and growth through the nature journal process.
You'll find hints for what tools to pick for your illustrations and notes, tips for observing, what information you might want to include, how to overcome your critical mind, beginning drawing exercises and tips on how to enchance your creativity. You'll find a seasonal section that gives some good suggestions for documenting natural changes and events. Later there are more drawing exercises on shading, drawing flowers, anatomy, landscapes, etc. There are also samples of different journal techniques, tips on how to set up a nature study, how to keep records, how to journal for a scientific study or biological research project and still more!
Toward the end of the book group journaling and exploring is discussed. What you will also find are valuable tips for quizzes, writing, science, art, history, music and math projects. The suggested reading list and assessment scale for the journal or porfolio are also vital resources within this book.
If you are not convince now you never will be! One of the best personal journaling _and_ teaching books I've encountered this last year.
Some of my favorite pages in the book are city or country landscapes, including houses and buildings. The authors remind us that humans are part of nature, and what they build is too, just as a wasps' nest is. A drawing of a street in Cambridge MA made me a bit homesick...but it also reminded me that this would be our last year with a cabana at the beach. I started documenting our days there, and rather than take photos, I tried to record our days in pictures I drew. These are not amazingly Rembrant-esque, but they accurately reflect the days we spent. With a bit of help from this book, I was able to capture perspective and shadowing as I drew my children and the local flora and fauna, and add comments as I draw--the time and temperature, what the animals are doing, when the last rain fall was, or how I felt. The entries in this notebook include the buildings and benches, the fences and the kites--everything it take s to capture a scene.
Leslie and Roth talk about different types of notebooks, with examples. Seasonal notebooks capture the changing wilderness; scientific notebooks record observations with commentary. A notebook may include only flora or fauna. It may record a journey or special occasion.
A nifty section includes a discussion of materials and tools for drawing. Leslie demonstrates pens vs. pencils and markers, drawing the same leaf with several different tools. She tells us her preferences, but leaves us to choose for ourselves.
One side-bar includes the author's reflexion on teaching nature journaling: When asked about drawing in an nature notebook, one second grader said, "Well, I can draw the sky." That's how I felt about drawing...and yet that phrase says so much about nature notebooks. The sky is so big, yet so simple. I think this sums up the whole book. Keeping a nature notebook is so simple, yet such a big part of our education.
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Includes an introduction generally describing the vegetation zones of Alaska, and a key to identifying trees based mainly upon characteristics of their leaves. This reference is still cited in the academic literature today; and although it lacks color photographs (and plants are organized taxonomically rather than by color or other feature) I believe it would be an excellent reference for the non-expert who is interested in learning about the trees and shrubs of the arctic and sub-arctic Alaskan environments. Highly recommended!
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Regards, Wayne
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Field begins the book with the ascension of Queen Victoria to the throne. Because of the Salic laws passed by the House of Hanover in 1833, Victoria was prevented from becoming ruler of both the United Kingdom and Hanover. The kingdoms were split for the first time in well over a century. Immediately, King Ernest of Hanover--an uncle of Queen Victoria--demanded his share of the royal jewels, arguing that since the kingdom had been split, so must be the gems. Victoria disagreed, and the argument went on for two decades before finally being settled in favor of Hanover. Subsequently, Victoria gave up several important pieces of jewelry to her uncle's descendants--but was already well on her way to amassing an important collection.
Victoria was the first British monarch to make clear that some pieces belonged to the Crown and were for use by any Queen to follow her--and that some pieces were her personal property, and hers to dispose of as she saw fit. British monarchs have followed in her footsteps ever since and although Field showcases many sumptuous Crown pieces in the book, the bulk of what we see are the Queen's personal pieces. And what a collection it is!
The collection is vast and jaw-droppingly beautiful. Field wisely divides the book into types of stones, from diamonds and pearls to emeralds, sapphires, amethysts, turquoise, and more. We see everything from parures
(i. e., complete matching sets of everything from necklaces to brooches to rings to earrings and more) to necklaces and tiaras which were gifts from other governments or from such quaintly named organizations as "Girls of Great Britain and Ireland" to pieces designed by Prince Philip expressly for his wife.
Among the many stand-outs in the book are:
- Queen Elizabeth's three-carat diamond solitaire engagement ring, designed by Prince Philip for his wife and set with a handsome diamond taken from a tiara belonging to Philip's mother (p. 85);
- The Godman Necklace, which had been bought by an English naturalist in the 1890s while on holiday in Bavaria. His daughters, many years after his death, wrote to the Lord Chamberlain saying that they felt they owned jewelry once owned by Empress Josephine of France and that the Queen might be interested in it. Although it turned out not to have been of this provenance, it was undoubtedly a stunning and valuable piece, showcasing seven large emeralds and three smaller ones, and surrounded throughout with an encrustation of diamonds and platinum filigree (p. 95);
- The Cambridge's Lover's Knot Tiara, shown being worn by the Duchess of Cambridge in 1818, the Grand Duchess of Mecklenburg-Strelitz in the 1890s, Queen Mary in 1926, Queen Mary again in 1935 (this time without the upright pearls which originally adorned it), Queen Elizabeth in 1955, and Diana, Princess of Wales in 1985. This is powerful testimony that good design and fine jewelry are both timeless (pp. 113 - 115);
- Queen Mary's "Rose of York" bracelet, which is a breathtaking ruby and diamond pendant which was eventually turned into a bracelet (p. 143).
Of course these are but a few of the many treasures in the book. It is a fascinating read, and a wonderfully complete and detailed account of what is probably the finest jewelry collection in the world today.
The title subject is definitely covered in meticulous detail. Aside from the jewels it really is almost a complete mini-biography of most of the British Royal Family. After all the Men bought jewels too! It is amazing to see an 18th century piece on Queen Elizabeth and be able to trace it exactly from it origin through the centuries.
The information in text and pictures give a much better understanding of the whole concept of continuity, with many surprises along the way. Tidbits like how Queen Victoria stubbornly refused to return gems that another Royal House insisted it owned. How important Jewels were to Queen Mary, not for their monetary value but because of their family historical importance. Its the little details like this that give you a much more personal understanding of monarchs, without being dishy or gossipy.
Both the front and back inside covers gives a complete family tree dating back to Henry VII. Inside, thirteen categories/chapters cover everything from Diamonds and Emeralds to Sapphires and Amethysts, explaining who favored a particular kind of gem or style over another. Do not expect a very in-depth education on gems, however you get a great understanding of the history and importance of gems through the centuries as a symbol of power and status. There is a generous amount of color and B&W photos perfectly balanced with the text. Generations of Royals Portraits set-up three or four to a page wearing the same Jewels over scores of decades are some of the picture highlights. I really don?t think you need to be a Royal Watcher to appreciate the images. From all the individuals listed in the Acknowledgments many of them with titles you understand this book was published with the complete cooperation and help of the entire Royal Family. Its the photography that makes you appreciate this. A perfect example of this is the cover subject. A magnificent necklace part of a set named: The Cambridge and Delhi Durbar Parure. Inside there is another full color page showing the complete set, however throughout the book you can see no less than ten or twelve different royals wearing some kind of configuration of it. Including the World Famous snapshot of the late Princess Diana wearing the necklace as a headband.
You cannot help but feeling like you know the members of the various royal houses a little better after reading a few excerpts. The entire volume gives you an impression that the author truly respects, enjoys and is highly educated on her subject. This is one of the few books that I own, that I know I will never post for sale used. I hope you enjoy!
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Simply wonderful.
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I despair of ever seeing this story done properly on film, but there is one person who could do it justice - Hayao Miyazaki, master storyteller from Japan, known the US for "Totoro," "Kiki's Delivery Service," and "Princess Mononoke." (He could also do a worthy animated "Diary of Anne Frank." With the eye and heart of a spiritual magician, and artist's touch to match, I wait for him to bring Nahani alive on the screen. In the meantime, I'll just have to keep reading the book itself...