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Despite having had my copy of 'Poems of Childhood' for ten years, I know absolutely nothing about Eugene Field save what I can infer from the poems in this collection. From their recurring themes, and the order in which they appear, I can guess that Field lost a child who was very precious to him . . . was slowly healed of his grief by the love and presence of other children . . . and was given a second chance with the birth of a new baby.
There are about 15 poems that hint of that lost child and a handful that juxtapose sleep and death, making me wonder if the baby died in its sleep. Other sad poems are merely wistful about beloved children who have grown up. Thankfully, there are just as many happy poems as sad ones: cheery verses about toys, imaginary creatures, and playground games. Field also wrote several 'lullabies' that are perfect for rocking children to sleep, whether or not they are put to music.
I don't know any other poet who has brought such dignity to "babytalk." Toddlers in his poems are called names like Pittypat, Tippytoe, Googly-Goo and Luddy-Dud. His imaginary fairies include Amberglee, Daisybright and Pilfercurds. Moreover, I'm sure that no other collection of children's poems has this many terms for "dreamland"--Blinkiwink garden, Shut-Eye town, and Hushaby street, to name a few.
Though Field could be accused of writing the same poems over and over again, most of his verses have such distinctive _personalities_ that this is not entirely true. What they _all_ have in common is his delicate touch--yes, even the ones in which his voice turns rustic and homey--that has endeared him to children and grown ups alike.