I read John Ridley's first novel, 'Stray Dogs' and was pleased. Beyond that, however, it didn't blow me away. It was nasty, compact and smartly written, but in the end I deemed it merely servicable. Thank God I picked up his sophmore effort to show me exactly how much Ridley has grown as a writer. Love is a Racket is smarter, funnier, edgier, more densely plotted and filled with a cast of deeply written characters. Plus, the ending was brilliant; both unexpected, and, if you think about it, the only way the whole thing could have ended up. All great writers get better with age; it's part of the evolution of their craft. With a second book this good, I can't wait for the release of Mr. Ridley's next book, 'We All Smoke in Hell.'

John Ridley's new novel put's him right up there in the company of America's greatest crime writers. His first novel, "Stray Dogs", was a smart, nasty little noir, all full of twists and turns that kept Ridley and his book at least one step ahead of the reader, but in "Love is a Racket" he tells a great story and he creates some of the most memorable characters you'll meet in any recent fiction. He's also got a wonderfully sly sense of humor . This is a novel where someone's always the brunt of a con or a good joke, the reader included. (Yep, and when you've been fooled by a master -- and Ridley is a master -- it's surprising how good it feels.) Read "Love is a Racket" and you'll be reminded that Elmore Leonard's just a pit stop on the way to better stuff.

John Ridley gets better with every book I read. I look forward to his novels with baited breath. I read Stray dogs (it became the movie Uturn, I believe) anyway The book was soo much better than the movie and then Love is a racket blew me away with the action and the things that can happen when you least expect it and then Everyone smokes in hell came out and I liked that even more, if he keeps it up he will be the only author I like enough to buy hardcover! if you like Quentin Tarantino movies you will like John Ridley's books even more. He is one of the best thriller/action fiction writers of his time.

This book contains the text of actual letters received by Tom Brokaw, in response to his original successful book "The Greatest Generation." Letters written by and to soldiers, wives, families and friends give a first hand account of WW II and great insight into the WW II generation, as they lived through the depression, went and returned from battle, and came home often finding that their lives would be changed forever. Many of the letters were written at the battlefront, others at the kitchen table, and paint a true picture of the scene for the reader. Families of many of the forgotten heros were anxious to pass these gems kept in old boxes and dresser drawers, on for others to examine. Readers will experience a variety of emotions as they peruse these irreplaceable jewels from love to loss, loneliness to joy. It doesn't matter if the reader agrees with how and what took place or doesn't, but every human being can learn and benefit from the experiences of these people and their families. A great reading experience, and one that you won't soon forget. Read it, and encourage others to do so.

This book contains the text of actual letters received by Tom Brokaw, in response to his original successful book "The Greatest Generation." Letters written by and to soldiers, wives, families and friends give a first hand account of WW II and great insight into the WW II generation, as they lived through the depression, went and returned from battle, and came home often finding that their lives would be changed forever. Many of the letters were written at the battlefront, others at the kitchen table, and paint a true picture of the scene for the reader. Families of many of the forgotten heros were anxious to pass these gems kept in old boxes and dresser drawers, on for others to examine. Readers will experience a variety of emotions as they peruse these irreplaceable jewels from love to loss, loneliness to joy. It doesn't matter if the reader agrees with how and what took place or doesn't, but every human being can learn and benefit from the experiences of these people and their families. A great reading experience, and one that you won't soon forget. Read it, and encourage others to do so.

As the daughter of a Korean War Marine veteran, I must say it was the best gift I ever purchased for my father. This book brought light into the eyes of those who lived during this incredible time and who understood the consequences of war. I believe my father felt relieved to read the stories and letters-to see the images and to realize that his experiences as a soldier and a civilian were very similiar. I am so glad our children have a book of reference such as this; especially after the tragedy of 9/11.... it will help them to understand and appreciate the price of freedom and to better understand the stories of their grandparents. Hats off to you Tom Brokaw!

This was the first book I read on computers, when I didn't know anything about them. That was two years ago and now that I look back it was a decent book. I remember reading it and being fascinated, even though some stuff was a little complex. All in all this was a good book. If you're an absolute newbie then read it.

This book is not good for advanced users though. Whether it claims to be or not, DON'T BUY THIS BOOK IF YOU KNOW A FAIR AMOUNT ABOUT COMPUTER HARDWARE ALREADY. If you do you will be disappointed. That's why I always go for books that are more advanced to push myself.

.. I was not overly impressed. Being new to the inner workings of a PC I was immediately lost. I've had to read chapters over in order to understand what the authors are trying to say. What has helped me was another computer manual that was beutifully illustrated and helped me to recognize the parts & pieces of hardware that Mr. Norton referred to in his book. I did like the glossary though. This book is definitely not one to recommend to beginners.

Peter Norton's Inside the PC, Eighth Edition, and holds your attention better than most other technical books. It is written in a conversational style, which is easy to understand. Norton lays out his topics logically beginning with basic hardware information and becoming increasingly more complex. He uses pictures, graphs, and tables sparingly, only when necessary. Some of the most interesting sections are his Historical Asides, Notes, Technical Notes, Tips, Standards, and his own Principles, which come from his personal experience. There is a Quick Navigator inside the front cover that tells you where in the book to find general areas of information. The book has a useful glossary and a cross-referenced index. This is a good informational book at an intermediate level.

While Ellison's skill as a stylist is undeniable (on the level, possibly, of even Joyce or Proust), and while with INIVISIBLE MAN he may have very well written one of the ten greatest books of the 20th century, what we have in his long-awaited, highly anticipated follow-up is nothing but a "momentary glimpse" at the greatness it could have been.

One cannot help but wonder what JUNETEENTH would have been like had the original copy not burned in Ellison's legendary house fire. Would it, in fact, even have been called JUNETEENTH? Callahan says he believes this is what Ellison intended to title his multi-volume epic, but we will never know. It is merely speculation. It is an "editorial decision," as is the whole book. And therein lies the problem with the novel.

JUNETEENTH is a monumental testament to the power of friendship and editorship (Callahan and Ellison). I am not denying the bravery and dedication it had to have taken Callahan to sort through all the disparate notes, and passages of dialogue, and sections of narrative told in the bits and pieces that Ellison left behind, and then to dare to somehow put it all together in some sort of coherent form. It was a monumental task, and Callahan is to be commended. But the final result is messy, incomplete, and largely unsatisfying.

As the editor of an unfinished volume, Callahan was left with making authorial decisions on the line of narrative structure, and character development development, etc. He had to repeatedly ask himself (as editor) questions that only an author can fairly ask, and so I'm afraid the book is finally more Callahan's than Ellison's.

While there are scenes in JUNETEENTH that hint at Ellison's lyrical and haunting brilliance, the "jigsaw puzzle" effect of the storyline is finally disappointing, leaving me with a mixture of emotions--sadness that Ellison never lived to finish his great life work, and anger that JUNETEENTH, as we have it, is a novel that maybe never should have been published.

As with any other unfinished work (The Love of the Last Tycoon, The Garden of Eden, etc.) it is difficult to read this without wondering what it might have been if Ellison had finished it. On the downside, there is much here that needs explanation and fleshing out. There are interesting nods in certain directions that leave the reader longing for more. And there is the inevitable feeling that a much richer story lies just beneath the surface. However, there are rich passages of prose in this book which are a welcome addition to Ellison's body of work. The concept, the plot, and the route taken to get there is full of rewards along the way. "Juneteenth" is a sketch of something that could have been truly magnificent, but is still nevertheless a fascinating look into the mind of one of America's greatest writers.

Of course, this book was difficult to read at times. Anyone who has read Invisible Man had to expect that. Nonetheless, there is a complicated genius that emerges in Ellison's life-work the same way Joyce's Ulysses rewards those who make it to the end. I tried reading this book at the beach, which was a mistake. I was more successful finishing it at home with a serious outlook, an overstuffed chair and long sittings. Whatever you do, don't quit in the middle.

Ellison captures the ambiguity of racial and ethnic heritage in the identities of individual characters. While the large racial drama has played out through our country's history, individual players have lived in their own unique spaces within the play. Hickman and Bliss are exquisitely drawn examples.