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The section at the end of the book about organizing your closet is almost worth the price of the book. I feel like I've got permission to finally get rid of the things I never wear, but keep out of guilt.
The book has some flaws, however.
Despite the 2000 publishing date, it seems curiously outdated in some places. Does anyone still remember the knee-length knit vests that Bea Arthur wore as Maude, thirty years ago? Feldon apparently does.
It's like the low-rise bootcut pant was never invented, either. All the pants shown are high-waisted, pleated and straight (or worse, tapered!). It would be nice to be shown how to wear the new silhouette, which is everywhere, and is definitely a trend, not a fad. (Feldon tells us to buy the trend, and avoid the fad.)
Feldon also describes herself as a black-aholic. Most of us probably already have tons of black in our closets, and are possibly wondering how to phase color back into our lives now that the nineties are over.
I also agree with one of the other reviewers who found fault with the illustrations. The figures are all tiny, with grotesquely disportionate legs, (the legs look like they are three times as long as the bodies.) It's difficult to see how these mutants could possibly want to look any taller or thinner. Still, they do illustrate the clothing styles discussed in the text, even if they don't represent what those styles might look like on an actual human.
I would have liked it if Feldon had given some recommendations on what constitues a basic wardrobe, too, and how to build one that gives you something to wear for any occasion. For that reason alone, it will not be the only fashion book I will be purchasing this year.
These detractions don't spoil the book for me, however. Feldon gives advice for women with short-waists, long-waists (and tells you how to decide which one you are!), pear-shapes, large busts, and other variations and most of us will relate to at least one of these types, and can benefit from advice in this book.
As a short, sturdy person who is not overweight, but who has always had a hit-or-miss history of clothes-buying, I suddenly find myself looking forward to my next shopping trip. Finally, I know what to look for - and what to leave for my taller, younger, or thinner friends.
Feldon maintains that even if we don't want to be judged by appearance, the fact is that we are. Instead of worrying about changing ourselves, Leah gives us what she has dubbed "Camoflage Chic" -- looking good while minimizing flaws. This is the basic premise of most "art of dressing" books, but Feldon's engaging style make it an easy and encouraging read.
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Be warned-this book is from 1982. Nancy Reagen is often held up as a rich dressing woman to emulate. (What?!)Most of the fashion drawings show very heavily padded shoulders and wide belt styles a la 1980s. But worst of all, the 1980 advice often contradicts Leah Feldon's 2000 advice. For example: 2000 advice: wear dark colors-author's wardrobe is mostly black & dark colors-looks richer.1980 advice:off white jackets and slacks are "fashion essentials." (Miami Vice?) Even the cover is a contradiction-in the book the author states that long hair never looks elegant hanging loose,yet the cover shows a woman with a mane of hot-rollered slightly frizzy long hair hanging loose.
Sure the book covers basic concepts like cashmere makes for a rich sweater, and the fashion "types" in the first chapter are interesting. Had I been able to see this book in person though, I would have immediately dismissed it as dated. Buy instead, her new book from this decade.
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