I teach playwriting. Not long ago, I had a roomful of students watching the splendid video version of his LEMON SKY. They were wiped out. I was stunned that they hadn't encountered the play before. For more than thirty years, Lanford Wilson has been quietly building a catalogue of writing that has few equals in the American theatre. From early work such as LEMON SKY, BALM IN GILEAD, HOT L BALTIMORE and FIFTH OF JULY to the recent SYMPATHETIC MAGIC, he has maintained an extraordinary record of charting the subtext of America. I can't think of another American writer who has reflected more of this country's voices and concerns. This book is a swell introduction to him.

Readers should note that this site does not distinguish between the various editions of Shakespeare, so the reviews you read may be for audiotapes, modern translations, etc. I am reviewing the Kenneth Branaugh BBC Radio recording of Hamlet. It is adequate, which I consider high praise for this challenging play. Like Branaugh's movie a few years later, it includes the entire text of the play, which is a nice way to remind yourself of some issues you may have forgotten.

The performances are pretty good, and include Branaugh (of course) as Hamlet and Derek Jacobi as Claudius, giving us a hint of the performances they would later give in the movie. No one's performance really blew me away, although Jacobi was excellent.

Ultimately, the play loses quite a bit when transferred to audio only. There's a lot to be conveyed with stage placement, physican action, expression, etc. Somehow, listening to the play limited my imagination on those issues, preventing my from using my "mind's eye" to the fullest.

If you could read only one thing in your lifetime Hamlet should be that one thing. It is Shakespeare's best work by far, and within its pages is more meaning than you could find within the pages of an entire library full of books, or plays as the case may be. A mere review, a couple words, cannot do Hamlet justice. At times I realize that the language of Shakespeare can be difficult that is why I recommend the Folger version because it helps to make the images expressed by Shakespeare's characters clear to the reader, and allows them to get their own deep personal meaning from Hamlet, Shakespeare's greatest work, with out being bogged down in trying to decipher and interpret his antiquarian English. Don't just listen to what I say, or read what I write, read the play on your own outside the cumbersome restraints of a classroom and see for yourself what I mean.

If you're not familiar with Hamlet, a pox on you! Hamlet is the most famous failed law student in Western culture. Go see a live production. Read the play. Or get a video, or listen to an audio version. Do all four. Versions of Hamlet have been done by Laurence Olivier, Nicol Williamson, Mel Gibson, Kenneth Branagh, Derek Jacobi, or the unattainable version done by Baylor University Theater in the 1950s - the film version won a world film festival in Brussels in 1957. (Yes, I know Jacobi plays the King in Branagh's version, but Jacobi himself played Hamlet - - about the time when Branagh was 15 years old. It's better than his I, Claudius.)

Hamlet, like Shakespeare's other plays, has created a huge cottage industry of scholars, actors, theaters and books. The force of Hamlet's personality dwarfs all others, however. To see a man driven mad, and while mad, feign madness, is one of the most clever story twists of world literature. The mind and heart of Hamlet has been thrown into great, tortured pain by several levers -- the death of his father, the overhasty marriage of his mother to his uncle, the usurpation of his throne by his uncle, the threat to the entire kingdom from Fortinbras, the horrifying appearance of the ghost of his father in purgatory torments, the news of the murder of his father from a supernatural phenomenon. The rejection by his lover, Orphelia, and his ensuing mistrust of her, adds nuclear fission to the fire.

You must experience Hamlet. Oh, for a true friend like Horatio!