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For many years we've been reading Michael Farrell in the National Catholic Reporter. There was a suspicion that he was cloaking vast erudition in a veil of edgy humor and pungent style. Over the years, his articles on various aspects of current religion, from Zarathustrianism to Buddhism to Vedanta, betrayed a subterranean religious strength. But, whether because it was of his own interest, or the major concern of the top-class paper for which he wrote and of which he is now editor, Roman Catholicism was his major concern.
Several years ago he began to do a regular humor page under the enigmatic headline SIC! Since then, each week, on receiving the paper (NCR) in the mail, our reading friends (including professorial colleagues), like ourselves, first turn to look for the SIC! page. It is there that one finds the flair and verve which distinguish Farrell's writing
When word of Farrell's novel, Papabile, leaked (to borrow from the current lexicon of tabloid-laden political jargon) there was a ready readership in our home, and among fellow-readers.
Papabile is more than a good novel; it is a great experience. It is a book about faith, a quest of fidelity. The muscular Christianity of it, the non-trendy piety, the torment of religious probing at its deepest, bespeak a Dostoyeskian torment. Others have noted the headlong rushing stream of the story. But, no matter how gripping, it is not the story that matters. It is the agony of what Victor Frankl called "man's search for meaning."
It is a given that readers, like the protagonist, are true to their convictions. What is not a given is which, among conflicting claims, is deserving of conviction and fidelity. Papabile neither preaches nor teaches; it airs the raw anxiety of a soul seared and torn apart by conflicting polar fidelity-claims. To believe or not to believe, that is the question. Papabile is as serious an attempt to portray the dilemma as one is likely to find in our time.
Denis (Ph.D.) and Marlene Hickey
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This book reads more like a story than a history book, and I enjoyed it very much because of the accessible writing style, the subject matter and the photographs. Anyone interested in streetcars or old-time Baltimore should find this book fascinating.
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Farrell's history is not simply a curiosity, however. His treatment of Northern Ireland's early history (1920s through 1950s) is far more in-depth than more recent texts, which tend to gloss over the state's formation and pick up the story with the beginning of the present "Troubles" in the late 1960s. Additionally, Farrell is a good history writer and his narrative style is often more engaging than more recent, balanced accounts. Those who read extensively on Northern Ireland and wish to add a unique volume to their shelves would do well to track down a copy of this book.
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It is hard to find well-written, intelligent espionage fiction these days. When is the next book coming out?