If you own any of the Bear Family label's CD collections, you know why they're worth the expense. Meticulous is an apropos word for the CDs as well as this book. Not as irreverent as some other rock books on 1950s artists, but not too monotone, either. Lots of interesting info that even longtime rock lit readers should appreciate. Check it out and then browse some of BF's CD offerings...

Colin Escott and his compatriots in the great Bear Family family have been bringing the finest and most intriguing American music to light for decades through their persistence in packaging completist retrospectives for serious listeners. Early rock and roll and its precedent musical forms--country, rhythm & blues, even popular vocalists--have never been better served than by their responsible reissues and thoroughgoing, often hilarious, always insightful liner notes. ALL ROADS LEAD TO ROCK is a must-have for anyone who cares about this music--these are the liner notes that helped me fall in love with it years ago, and to this day I look forward to new Bear Family sets with the knowledge that even on the infrequent occasion that the music isn't immediately to my taste, the liner notes will be an entertainment unto themselves.

Coming from an age group that barely remembers the days of Sun Studio's most talented performers and songwriters, this book drives home the importance and impact of the many talents that emerged from this Memphis-based shrine.

This is a must read for anone who loves rock-n-roll, blues, jazz, or just wants to learn more about the hardships, the triumphs and the many lessons learned in the music industry.

Many top idols are present, but what makes the book such a worthwhile reading are the writings on those less known. My hats off to a true tribute for the sounds and artists of the south!

Have you heard the news? Good Rockin' Tonight is the encyclopedia for all fans of Sam C. Phillips' groundbreaking Memphis Recording Service and Sun/Phillips International labels. Colin Escott and Martin Hawkins, whose expert commentaries appear in the liner notes of many Sun CD reissue packages, deliver thorough accounts of the players and events in the Sun story. Full chapters are devoted to Sun's best-known players (Sam Phillips, Carl Perkins, Jerry Lee Lewis, Johnny Cash, and Elvis Presley) and the landmark events (the recording of Rocket 88, the arrival of Howlin' Wolf, and the birth of Rockabilly), but the real highlight is the attention to the lesser-known players like Joe Hill Louis, Scotty Moore, Sonny Burgess, Billy Riley, and Roland Janes. They didn't top the charts, but were as important to the creation of the "Sun Sound" as Perkins, Lewis, Cash and Presley were to its export outside the Memphis city limits, and in Good Rockin' Tonight they receive the recognition they deserve. Escott and Hawkins round out the Sun story with a complete discography of all the Sun and Phillips International singles, EPs and LPs released while both labels were active.

Sun was the first powerhouse independent record label of Rock & Roll music. It's catalogue, performed by rough-edged musicians who turned out consistently innovative material and a Top Ten hit here and there, has been exhaustively reissued over the past ten years, much to the delight of Sun connoisseurs. Sadly, the same can't be said of material written about Sun: most of the books (several also written by Escott and Hawkins) are now out of print. Good Rockin' Tonight stands alone as the most comprehensive work dedicated to Sam Phillips and the record label whose influence on popular culture deserves much more.

I found the breif account of Hank's life to be one of the most accurate in modern times of overhype sensationalism. It shows and tells about the real down on earth Hank who was all too familar with pain and sorrow as well as love and joy. Like many other Greats, Hanks' life was not a very easy one. It shows Hank as just a regular guy who enjoyed doing his Thing... MUSIC!!!

Biographical essays of well-known as well as fairly obscure musicians and industry types. Escott has made a career out of telling outrageous, sometimes salacious, tales -- he gets to the rawer, visceral side of the story pretty quickly, which is relatively easy when you're talking to folks who worked in the scraggly, scruffy early years of country, rock and blues. He's an engaging, consersational writer, and this latest collection is a delight. Includes essays on artists such as Dale Hawkins, Don Everly, Johnny Horton, Tim Hardin and a particularly cruel skewering of Pat Boone. In one of the most fascinating sections, Escott profiles the founders of record labels such as Decca, King, Starday and Hi -- a fascinating and very illuminating appoach to presenting the history of popular music. Beautifully laid out, well written and highly recommended.

This groundbreaking work offers the reader insight to the world of Stax in the sixties and seventies. It allows the reader to understand the forces behind the ascension and eventual decline of one of the greatest recording labels in the history of modern music. In the course of absorbing this wonderful book, the humble reader is able to gain an understanding of the societal, cultural, and racial catalysts for the music produced. In the latter part of the book, the reader sees the painful decline of Stax from their pinnacle to their nadir in the course of only a few short years.

Extremely highly recommended -- the best musical history book I have read.

Also recommended: The Complete Stax/Volt Singles, Volumes I, II, and III (box sets with excellent liner notes by Rob Bowman)

Also -- It Came from Memphis' for a good background on the lesser known, but nonetheless important musicians who originated in Memphis.

This Book was all that.Staxx is as Important as Motown.It's a Incredible Story.especially when A Black Label Blows up Down South in the 60's.you only ever here about Sun Records &Sam Phillips and his discovery of Elvis Presley.so this is Very Important on a Social Front.The Many Great Artists on Staxx.this Book is strong from start to Finish.

If it was 25 pages longer, I would have given "Snapshots" five stars! It's a wonderful treasure trove of fascinating, previously unseen photos, interviews, first person narratives and long-lost song lyrics. If you're a Hank Williams fan, you know what an impressive researcher is Colin Escott. His earlier bio of Hank stands as the most complete picture we're likely to have of a singer who, almost without fail, gave complete heart and soul in the recording studio. Finally, we have a book that attempts far more than a grim post-mortem on Hank's well-documented personal miseries. This is a celebration of Hank Williams: musician and performer. Wait until you see all the incredible photos of Hank and the Drifting Cowboys on stage, playing to excited, packed houses in places as far flung as San Jose and Ottawa. By all accounts, Hank was the most charismatic live performer of his time. Many of the hand-written scraps of unpublished song lyrics are very moving, especially "I Wish I Had A Dad." If only Hank had been given enough time to put the words to music and record them, his string of classic hits would have, without doubt, continued. I am not a starry-eyed admirer. I realize that Hank was abusive to his wives, often cruel and secretive. (By the way, photos here show what a teenaged knock-out was Hank's second wife, Billie Jean.) The "hillbilly Shakespeare" lived most of his brief adult life as a tortured, late-stage alcoholic. But "Snapshots" takes care to balance the picture, too. It depicts Hank Williams as millions of record-buying fans saw him: an enomorously gifted singer/songwriter and electrifying showman. I hope that Colin Escott and Kira Florita keep searching for hidden treasures: "More Snapshots From The Lost Highway" would be welcomed by this reader! Also needed is a single volume that details (as much as possible) all of Hank's live perfomances, TV and radio appearances, such as Mark Lewisohn's "Complete Beatles Chronicle" and the book on Elvis' live perfomances, "King On The Road." Please buy "Hank Williams: The Original Singles Collection...Plus" (CD), Escott's biography and "Snapshots From The Lost Highway." Escott and Florita are "settin' the woods on fire"!

Although he never made it to 30 and died nearly a half-century ago, singer/songwriter Hank Williams continues to exert tremendous influence on all spheres of popular music. The country crooner also continues to invite biographical treatment. In 1998, music historian Escott (Hank Williams: A Biography) and Florita, former marketer of the Hank Williams catalog for Mercury Records Nashville, produced the Grammy-winning, ten-CD set The Complete Hank Williams. While working on that project, they amassed a huge number of photographs, documents, and published and unpublished song lyrics. That iconography forms the basis of Hank Williams: Snapshots from the Lost Highway, an appealing coffee-table book that is being cross-promoted with the tribute album, Timeless. Composed of captions by the authors and excerpts of interviews with Williams and his family and friends, the text is somewhat sparse but to the point and well written. Rick Bragg also contributes an elegant foreword. Koon's Hank Williams, So Lonesome was first published as Hank Williams: A Bio-Bibliography (Greenwood, 1993). This second take features expanded biographical coverage and important discussions of Williams's songs. Also significant are the author's attempts to separate the facts of Williams's life and work from the mythology of the musician and his thoughtful assessment of sources. In eliminating the reference-book qualities of the earlier Greenwood volume, Koons has made a significant contribution to Williams literature for fans and scholars. As a pair, these books nearly perfectly complement each other, but, unfortunately, neither contains a discography. In addition, the Escott and Florita volume lacks a bibliography (perfectly acceptable for a work of this kind), and the Koons book contains only a scaled-back one. Despite these shortcomings, both books avoid sensationalizing their complex subject and are highly recommended for public libraries and academic libraries with a popular culture focus

In assembling 1998's 10-CD The Complete Hank Williams, Kira Florita and Colin Escott found far more material than their box set's book could contain. As a result, they put together this book, a behind-the-scenes look to hold his devotees spell-bound.

Fans who've read Escott's biography Hank Williams will treasure the new material: an extensive collection of informal photos, long-sealed court depositions, the accounting ledger with the $30,000 payoff to his naïve teenaged bride Billie Jean to abandon her claim to his estate, etc.

Among the handwritten copies of 30 unpublished songs and song fragments ("I Wish I Had A Dad," "The Broken Marriage") is "Then Came That Fatal Day" found on the floor of the Cadillac where he died en route to a December 31, 1952, concert. The newly revealed lyrics capture his love-hate relationship with his first wife, Audrey. Meanwhile, a draft of "Cold Cold Heart" accompanies Hank's and Audrey's conflicting accounts as to whether it was "inspired" by an abortion.

Numerous details emerge in the book, like Billie Jean's humor, and Hank's problems with excess measures in song lines. Letters from his publisher/co-author/editor Fred Rose (a recovered alcoholic who tried to curb Hank's substance abuse) find Rose trying to help the volatile marriage to Audrey while - like many others - harshly assessing her.

Audrey, who died in 1975, was an ambitious woman who attempted plenty of spin on her exhusband's legend, but she was probably right in saying, "If some woman, equally as strong as I am, had not come along, there never would have been a Hank Williams. He did not want to live when I met him."

It's an intriguing cast of characters, which build upon the already colorful Hank Williams legend. Check it out today!

I just finished reading this biography of Mr. Williams, and came away feeling very sad for Hank and his son Hank, Jr. Although the book chronicles the real contributions that Hank's mother and wife Audrey made in starting his career, the two women seemed to use Hank as a gravy train, with little love shown for this sad, lonely man. Particularly disgusting was the vulture like behavior exhibited immediately following his tragic death. Thank heaven he had Billie Jean, if even for a short while. She seems to be the only woman in his life that really loved him. Between his back pain and loneliness, it's no wonder he drank.

There was a lot of interesting detail in the book, sometimes too much info for my taste. Mr. Escott went into exhausting detail giving the background of practically every soul Hank ever met. It also seemed Mr. Escott disliked Roy Acuff, which I found interesting, since he has always been portrayed as a virtual saint. Also, Mr. Escott's descriptions of what would have become of Hank and his career had he lived were very interesting, and probably true.

I wish Hank, Jr. could have known his father, it was obvious that Hank loved him, but addictions and circumstance kept them apart.

I'll listen to Hank's music with a much deeper knowledge of the pain that influenced his songs.

Wonderful biography of ole Hank! Not to harsh and not to patronizing. Editors notes were great. I couldn't wait to get to the next page. Even if your not a big reader, this book will hook you, and you won't put it down until its finished, then you'll read it again. Great pictures. The history of "ole Hank's" family, really explains why he was so great and had such a tragic departure from life. Great book. FIVE STARS to the author!!! Highly recommended reading.

There are a few passages in the book where Colin Escott explains the dilemma of writing a book on Hank Williams: Even the people who were close to him said that they didn't know him very well (and a lot of people claimed to know him). And, a good majority of the people in the book have passed away, so Escott is left to interpret the facts.

The obvious problem with that is that you never feel like you know what Hank was going through or how he felt. So what happens is that there's a lot of "Hank did this" or "Hank did that." He never let anyone know what he was thinking or how he felt. He left that for his songs.

The book doesn't paint Hank as a saint, but nor does it trash him (most biographers would be tempted to go either way). Escott mostly stuck with the facts, and for the most part leaves it up to you to form your own opinion.

I enjoyed reading this book and it only took me two days. I'm a relatively new listener of Hank Williams, but when I saw that Colin Escott wrote this book, I didn't hesitate to buy it. I presumed, and correctly, that Escott would give an authoritative biography. I also knew that Escott was an avid fan of the music, so it would be loaded with the type of stuff that fans want to know, such as first recording dates, sessions, important concerts, last appearances, etc. Recommended.

Hello. I read "Cowboyograghy" this past christmas. I knew Ian's life was was influenced by W. James after viewing the NFB film "Alias Will James". But reading that book gave me more insight about Ian's life. I missed his concert here in Nepean last year (1997). This year, October 1998, I will be there, seeking Ian Tyson's autogragh, right on his book "Cowboyograghy". I am Will James great nephew, and it would be an honour to meet Ian. Can you let him know?