Great graphics, imaginative design, fabulous period reference. Outstanding in every way!

Vogue editor Diana Vreeland once said that no one in the 20th century had a greater influence on fashion than Erte, this desite the fact that he worked for a competitor, Harper's Bazaar. That's an indication of just how revolutionary his work was for the times. Working with virtually no direction to blunt his creativity, Erte published paintings and sketches of ingenious fashions that are as playful and lighthearted as they are luxurious and exquisite. He envisioned modern women (from 1915 to 1926) as goddesses, ultra-chic stars, children of nature, and totally feminine creatures to be adored and exalted. His fashions reflect this, individualistic and charming, colorful and startlingly functional. The 8 color covers and many B/W illustrations show insight into a dimension of fashion that one normally sees only on the show runways: the never-ending well of creativity brought to life by a truly inventive mind unhampered with concerns of marketability. Peruse the illustrations and notice allusions to gardens, paper-weaving, architecture, tennis, various members of the animal kingdom, ceremonial draperies, sailing ships, and flames. Dresses, coats, masks, swimming costumes, sleepwear, and gowns all ornamented with beads, fur trim, sheer draperies, corded lacings, silver embroidery, leather and straw. Practical? Not really. Mass manufacturing? Not in a million years. This is extreme fashion, the stuff of couture, such as would be worn to the salon of writers and intellectuals. Erte loved best to design for the stage, and the drama and fantasy of theater is in evidence in each ornate illustration. Although for 3 years he produced designs for Altman and Bendel in NY, most of his work was strictly conceptual, and many readers of Harper's saved covers and sketches to muse over as they would an art history volume, as evidence of another world. Ignoring fashion trends, Erte generated innovative and outre designs that still amaze and delight those of us who appreciate true originality. I'd recommend this book to anyone interested in textile or fashion design, but also to graphic designers, sculptors, and those who really enjoy art for its own sake. This book is, in one word: luscious.

Erte at 95 is a collection of colored prints by a wonderful artist. It's oversized (about 9x11) and the copy I've seen has many pages missing, but even without all its pages the book is a work of art in and of itself. The introduction speaks about Erte's life and methods. The rest of the book is devoted to full-page color reproductions of his prints, which run from vaguely Asian themes to double-printings that contrast to 20's art-deco. Quite a volume.

To be remembered as an artist is one of my life's dreams. Erte was an artist, in the true sense of the word. His works are a visual masterpiece of beauty and grace. This collection of his works is something that can be called simply amazing. His art captures a decade that still reverberates through time, and one that can be appreciated in this new millenium. This cd-rom connects two worlds, the art of yesterday and the technology of today. Perhaps with this melding, a new way to see art has been created.

Erte is one of the most creative designers of all times - drawing upon many cultures to create outfits that are simply gorgeous. This book is a very cheap way of studying some of his designs. Well worth the price!

The Russian born fashion and costume designer Romaine de Tirtoff was known as Erte for the simple reason that was the French pronunciation of his initials "R.T." Erte was one of the most prodigious designers of the twentieth century, known for his colorful and audacious Art Deco designs. Even if you do not recall his name, I bet your remember having seen his work before. "Erte's Theatrical Costumes in Full Color" offers 49 plates from 1911 to 1975, with captions, of the work Erte did for theatrical productions, where his imagination was most unfettered and where his popularity lasted considerably longer than it did in the real world of high fashion. Erte was designing costumes for Mata Hari way back in 1913 and was still designing costumes and sets for a production of the opera "Der Rosenkavalier" in 1980. From a worshipper of Horus and the wife of Russian boyar to Aladdin and Faust, Erte displayed a wide array of exotic and historical styles in his dazzling costumes. The only real complaint with this collection is that there are only 49 gorgeous plates of some of his most stunning creations.