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translation) after having read Pindar (in C.M. Bowra's
translation--Penguin Classics) is to read (for me)
shorter, fresher, clearer poetry.
Yet, strangely, in his "Introduction" Fagles finds
it necessary to defend Bacchylides against the greater
fame and tradition of admiration for Pindar -- but
Fagles does a very good job of making his case for
Bacchylides (and, of course, the poetry speaks
in translation in favor of Bacchylides as well).
Interestingly, Bowra has written the "Foreword" for
Fagles' edition of Bacchylides. Bowra says that
Bacchylides is hard to translate -- but the advantage
for Fagles is that Bacchylides has had few translations,
since the remains of his poetry were not known to
modern times until 1896. Bowra says that since Fagles
is not hampered by so many previous earlier versions
of translations, he makes almost a fresh start, and
with unusual courage, judgment, and creative insight
has produced a work which is both a faithful translation
of Bacchylides as well as a work of art in its own right.
That is high praise indeed, from one classical translator
to another.
In his "Introduction," Fagles admits early on that
the usual perception of Bacchylides has been that he
was considered "a dull and slight, or, a sweet and
sometimes charming practitioner of the kind of poetry
which Pindar created with profundity and magnificence."
But Fagles won't let that unfair judgment go...so
Pindar is by far the greater poet, is he? --well,
Bacchylides handles the genre differently, with his
own distinct virtues, and he is interested in different
things from Pindar. Fagles says that Bacchylides does
not consider himself to be a prophet as Pindar did.
Bacchylides stands back from his work and "prefers to
consider himself a craftsman." The element of
narrative (as in Homer) is more important to Bacchylides
than in Pindar. Fagles says, "Bacchylides lacks the
inwardness of Pindar...He is cooler, brighter, more
objective." Fagles says that in narrative grace and
crisp elegance, Bacchylides is the superior to Pindar.
This volume is divided into sections of different
types of poems: Epinician Odes [14] (to honor victorious
athletes in the various games held in ancient Greece--
Isthmian Odes, Olympian Odes, Pythian Odes, Nemean Odes);
Dithyrambs [15-27] (concerning various mythic figures--
The Sons of Antenor, Heracles, Theseus [2 poems], Io,
Idas, Cassandra, Pasiphae, Chiron) -- Fragments, Fragments
of Uncertain Genre, and Doubtful Pieces.
There is also a section of "Notes" in the back to
explain some aspects of the poems.
Though Bacchyides' sentences tend to be a bit more
complete, to me personally, I get the same freshness
from reading Fagles' renderings of these poems in
their short, clear impact after reading the rather
turgid Pindar (in translation), as I get when
I read Emily Dickinson after having had enough
of a dose of bombastic, droning, tedious
Walt Whitman in his longer, "prophetic"
pieces. Walt can be glorious, mystic, intimate,
delicate -- but he can also be tiresome.
Try Bacchylides for a refreshing easement.
_______________
Men can maneuver no hold
Over wealth or stubborn war
Or the feuds that rock a state --
But raking her clouds from land to land,
Destiny -- that Pandora -- ranges.
-- Bacchylides.
* * * * * * * * *
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If it touched Burns, it's listed here. This is not a collection of Burns poems, but a companion to them. An excellent work for people just becoming acquainted with Scotland's beloved poet and need to understand the poetry better. Many editions of Burns works have glossaries to help with the Scots, but it still leaves the general reader or student with a lot of questions. This book fills in the gaps, so should be used as a study companion piece to books with Burns' complete works.
Highly recommended for fans of Burns wanting to understand the man and the period he lived.