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This is the most readable account since Plato, and quite a bit more truthful.
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The story is about David London, a forty-nine year old university history professor, and Tracey Gillespie, his much younger girlfriend, a beautiful graduate student who studies archaeology at another university. From the opening chapters it is clear that the two have a volatile relationship, one which alternates between passionate love-making and trivial disagreements that have a way of simmering until they boil over into curse-laden tirades. David thinks he goes the extra mile to accommodate Tracey's every wish and need. But Tracey thinks that David can do nothing right, is insensitive to her feelings and, worse still, can't even feed her cats properly! Yet some thing or things keeps them together-the fulfillment of his fantasies of a young and dazzlingly beautiful student, her emotionally scarred need for the wisdom, stability, and security of the older professor (or father) type?
Something's got to give and the two decide to take a trip together in a tour group to the Middle East to see and experience the wonders of ancient Israel and Jordan. Surely this will solve all their problems-of course not-but it is always the two people in the relationship who need to see this the most who do not see this. The tour might just as well have been on a rollercoaster track as on the dirt roads of Petra as the trip makes things only worse for the ill-suited lovers. Further complicating matters are the other members of the tour group, a motley crew who range from the saintly Alexandra, an older woman to whom David increasingly finds himself drawn for comfort and wisdom, to the down to earth Joel and his wife, Julie, a thirty-something couple who quickly become David's drinking buddies, to the wretched Berta, a loud, bossy, bloated epitome of the ugly American tourist, to the competent, if somewhat tacky, Yuri, the Israeli tour guide who must cater to the varied and often unreasonable demands of the members of the tour group. These supporting characters are not just window dressing or, worse still, "types," but fully developed human beings who are also skillfully weaved into the plot as essential players in this tragic-comedy.
Ellis doesn't tell us what should be in a relationship, just what all too often is (for many of us, at any rate). David and Tracey are two people, intellectually and emotionally incompatible, yet drawn to each other by physical passion and their own fantasies of what they think they want out of a relationship and out of life, fantasies that end up smashed by the steel hammer of reality. But as the song says, "you can't always get what you want, but if you try some time, you just might find, you'll get what you need." For if there is any lesson in Ellis' tale, it comes from the character of Alexandra, who had a long, stable relationship with a husband who was compatible with her in a real way, and not just some figment of her fantasies. One can only hope that the same readers who mutter to themselves, "how true, how true," or, "been there, done that," when reading Ellis' book (and I'm sure there will be many, for this reviewer is among them) also take the lesson to heart and break the cycle of their own failed relationships. Even if they do not, though, at least readers of Walter Ellis' _Reflections on the Academic Life in North Dakota_ will have had a few laughs, a little truth in art, and a darned good read.
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College students enjoy nicknaming the best and worst professors, and those at UCLA are no exception. Sebastian Bateman, who seems to enjoy failing and humiliating those studying with him, is called the "Terminator." Coming up against our villain is Warren Stelling, a young graduate student, who has a low opinion of the status quo. Warren runs into Evie Bateman, the Terminator's wife, at a record store, and it is love at first sight. She moves in with Warren, who must face humiliation at Bateman's hands, the oral exam for his doctorate when he is not doing well academically, and Evie's dipsomania.
In his usual clever way, Ellis adds more seemingly hopeless entanglements as he gradually unravels the knots and moves to a satisfying conclusion. All those who have been through the college system will be drawn to THE TERMINATOR'S WIFE. Students currently living some of this will especially appreciate Ellis's wit. And all who have been involved in the war of the sexes will eagerly follow the love stories in the main and minor plots.
Ellis's flawless style should be noted. Not all read for style. But those who do will heave a deep sigh of satisfaction.
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It seemed to be a pretty quick book, the kind you would hide behind on the subway to avoid any kind of contact with the other passengers. But I ended up reading the whole thing, finishing late that night while my upstairs neighbor was dancing to a Bruce Springsteen CD.
I cannot describe the sense of grief I had after finishing this book. Taking Merlin Black's (i.e. Miles Davis) final affair as its starting point, the author picks up various points in the trumpeter's life, using psychological rather than plot connections to explain who this man really was. Talk about an anti-hero! And yet you accept Merlin's sleaziness as his natural condition, rather like dealing with a life-long disease. It becomes impossible to judge him.
I would highly recommend this book.
Now this book fit with the pattern that I can see, going the places he went, and thinking of his music, which I memorized, all of it. I've talked to some people who actually knew him, but not big light people, and the picture you get is like the one drawn by this man Walter Ellis. He wasn't a nice guy, but mad all the time and even kind of violent when he wasn't too messed up to kick. This is the real picture. And Ellis starts the story when Miles was flopped, a sorry rich man who hadn't played trumpet in five years. By flashbacking to all the separate times he got somewhere and then got down with the dogs again, he gets you into this man's mindset, which was failure and all kinds of ways to fail in dealing with failure. And when you understand that, you'll understand the music.
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Ellis allows us the chance to actually live in Ancient Greece and to personally meet the people who seemed, until now, trapped n legend. Political plotting, wars, exile, the plague -- all are present in this informative yet fascinating tale.
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