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I disagree with the reviewer who said that there are no colorful characters in this narrative and that the narrative is boring -- I found the book full of interesting characters (politicians like Boss Tweed, reporters such as William Randolph Hearst, and influential people like John Jacob Astor). Moreover, I found the narrative engaging enough to make it difficult to put down at times.
My only complaint is that the editing job is shabby. Not so much with typos or grammatical errors, but the sentence structure and the narrative flow is a bit awkward at times. Every now and again, Ellis will switch gears without any warning or explanation. It gets a bit frustrating.
Also, there are NO maps in this book. I used 4 different contemporary maps -- 2 for Manhattan/Queens, 1 for Brooklyn, 1 US map (for references to Boston, DC, and the south). At a minimum, you'll need a Manhattan street map and a NY state map to accompany your reading.
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That little passage suggests that, though he may be an excellent diarist, Ellis must have been a lousy reporter, one completely lacking in the objectivity supposedly required by the
profession. If Elvis had had access to Ellis' diary, he might have answered Ellis' question with a question of his own: "How can YOU justify asking ME that question when you did not ask it of Grace Kelly, who not only acquired enormous wealth in her acting career, but married into more millions by bagging Prince Rainier of Monaco?"
Ellis interviewed Kelly in 1956, an experience detailed in his entry of January 11 that year. His questions to her are never more challenging than this one: "Will you see the prince today?" (p. 232) Ellis didn't ask Clark Gable's widow how her late husband justified the millions he made when school teachers were underpaid, nor did the reporter grill composer Irving Berlin on the matter either. Apparently it was alright for Kelly, Gable, and Berlin to make millions because Ellis appreciated their "talents," but Presley and rock and roll didn't pass muster with "America's Greatest Diarist," as Ellis is called on the jacket of his book, and, therefore, it was wrong for Presley to strike it rich. The question, if it was worthy of being asked at all, should have been directed at a society that values performers more than it does the teachers in whose hands our children's education is placed.
That being said, Ellis' book is a worthwhile read for anyone interested in fine writing and a purely subjective (and, as noted, sometimes hypocritical) account of life as it was lived and observed by Ellis in the 20th century.