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Eisler's guide at the end of each chapter tells us where to go from here: from thinking to next steps action and even more.
Great for book study groups, peace and justice groups and even for an individual who is ready to take a leadership role, or even just one next step.
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Cudos to the author for putting forth a recipe for a more hopeful future for the world.
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Apparently, according to Eisler, there really was a golden age when human societies were as close to perfection as is humanly possible. The key, she tells us, to that perfection was worship of "the Goddess" and an "equalitarian" society in which women were more equal than men. Great stuff if you're interested in political and social theory, particularly of the faddish kind, the problem with "The Chalice and the Blade" is that it pretends to base this theory in arceological fact -- historical fact, unfortunately for Eisler, actually having a written record of what people believed and how their societies were organized.
Eisler's penchant for putting theory that agrees with her premises above an actual pursuit of real knowledge of the ancient world is revealed in many elements of the work. In the way she equates matrilineal and matrilocal societies to peaceful communities that come off as being something akin to a combination of agrarian commune and art colony, rather then evil, "dominator" warrior societies which are the doing of men and men alone. This, I'm sure, would suprise the descendants of the numerous historically attested cultures that were very much warrior societies that were both matrilocal and matrilinial, the Maori of New Zealand, and most of the Algonquin speaking Indians of eastern North America including the Iroquis and the Powhattan Empire, for example.
Another example is her reliance on only two sources for the bulk of her archo! logical support, and of these, Gimbutas is really the primary source of Eisler's history, to the extent that I began to wonder if I was just reading a rehash of Gimbutas work paraphrased by Eisler.
The most striking fault I could find, however, was the degree to which Eisler (and I'm assuming from the footnotes, Gimbutas) see to be able to derive entire social structures, religious beliefs and socio-political philosophies of people who left no written records (or in the case of the Minoans, no records yet translated) from the scant material remains -- foundations of buildings, grave goods, potsherds, and small decorative items -- that would seem to this trained historian to be relatively mute on such matters. Yes, there have been found several small statuary renditions of female figures. But it is a leap of faith to claim them as icons of "Goddess" worshippers when they could just as easily be votive items, decorative items, attempts at portrature, etc... When people start making definitive statements about what prehistoric art must have meant to its makers, they've left the realm of history and archeology and stepped into the land of speculation. Unfortunately, Eisler seems to have crossed that boundary before she even began work on this book. Her almost constant use of emotionally charged adjectives such as "brutal" and "insensitive" also makes it clear to me that an objective history of social/sexual systems was never what she had in mind. Instead of a work of history, she has presented us with a screed masquerading as history.
Of course many people who've read this far have probably labelled me a reactionary anti-femnist for the tone of this review, and that's unfortunate, because, I do believe that many elements of Eislers theories have a basis in fact that has been underappreciated outside of academic circles. But politicised social theory made up to look like history isn't the way to go about bringing those facts to the light of day. It should not be necessary to ! manufacture a feminine "golden age" to demonstrate that nomadic herding cultures appear to have tried very hard to stamp out fertility based religions of conquered agriculturalists, just as its shouldn't be necessary claim all Greek culture came from Egypt to prove that Black Africans could produce Egyptian culture, or that the framers of the Declaration of Independence and the Constitution of the United States were evangelical Christians to prove that Christian mores played a role in the development of the US government. I don't object to Eisler's femnism, or even to most of the thrust of her theories, it's her disregard for proper historical interpretation that ultimately soured me on "The Chalice and the Blade."
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