I didn't mean to like Winnifred Eaton. After all, she was a bit of a fanfaronade and very much of a poseur, not at all the sort I wanted in my circle of intimates.

But Diana Birchall's sparkling biography changed my mind. Writing with unblinking honesty, Birchall describes the many lives that her chameleon grandmother lived, from journalist and novelist to story editor and screenwriter. Of most interest to me were the stories of her career as wife in two unconventional marriages and mother to four children. Birchall's graceful use of language is enhanced by her wit and intelligently ironic style. She concludes this delightful biography with the acknowledgment that sharing what she has learned about her grandmother has been a privilege and a joy. Surely it is no less a privilege and a joy for the reader.

Birchall's fascinating and beautifully written account of her grandmother's life is an important work for scholars in women's studies, Asian-American or American studies, Canlit, and the movie industry, and for the general reader seeking a compelling biography.

Other reviewers have mentioned Eaton/Watanna's background. I will stress instead the absorbing interest of Winnifred's successive reinventions of herself in societies that had no ready place for her. Like a brilliant slackrope walker with an increasingly awkward load, Winnifred managed to shift her balance not only to survive, but pulled off one tour de force after another. Her performances as a Japanese-American novelist, as a screenwriter and as a rancher doyenne would win applause from Daniel Defoe.

Eaton/Watanna has become a focal interest of American scholars in recent years. As her granddaughter, Birchall had informaitonal advantages in writing on her. Her graceful, well-considered book shows how glad we should be for Birchall's advantages.

"A jolly, laughing lady" are the first words of the bigraphy; the last ones are: "To be able to share what I have learned with others has been a privilege and a joy. Has not this journey been an enviable inheritance in itself?"

Inbetween these words Birchall indeed shares with the reader the life of Winnifred, in personal and intimate detail. Birchall also seduces the reader into not just reading, but thinking about the culture and times Winnifred faced in her own inimitable style, from her life in Canada as young girl down to the years of Hollywood.

Normally I am none too fond of biographies but this one enchanted me, by the content and by the style of Birchall's writing. Full of zest, lifely images and easy to read on and on. As non native reader I appreciated this very much; it was a joy and a privilege to share. Would that all biographies were such a good read!

This book is a wonderful reference for someone who wants to study asian american woman writers. Although Winnifred Eaton, originally called Onoto Wantanna, published this book anonymously, it was widely acclaimed. It discusses her adventure and troubles as she travels out of Canada at age 13 and travels to Jamaica and then America. It is simply written, easily to understand and quick reading book.