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The Max who is willing to lie and cheat to get onboard near the start of the book is not the Max of the end of the book, who is not willing to do so to protect himself. He is matured by role models such as Astrogator Hendrix, and, surprisingly, by the rascal Sam. Yet he has effects on those around them. Max's influence changes Sam from rascal to hero.
The dated elements, such as the '50s style computers that can do little more than simple calculations and cannot even store logarithms and the like (the characters must use bound log tables and other references) do not detract. I should note that it's a bit strange that Astrogator Chester Jones (who no doubt inherited his position from a father or other close relative) would have a brother who is a hardscrabble farmer. At least, the question should have been explained.
Written in 1953, Starman Jones is a solid work of craftsmanship, of interest both to adults and children. It outlines a crowded Earth in which satisfying, interesting work is truly scarce, locked into a strict system of guilds. Faced with that barrier, what is an ambitious, talented boy like Max to do? The book deals in large part with the ethical dilemmas created by this situation, and by Max's subsequent forgery of documents enabling him to land a position aboard the starship Asgard. In the mysterious, wily old starship crewman, Sam, Heinlein creates a memorable, complex character, much in keeping with the Swope Park hobo/hero Heinlein mentions several times in speeches and writing (A good account of this story can be found in Expanded Universe). All in all, Starman Jones is a fast-moving, yet weighty read.
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