Dr. Lawrence Frank's exploration of the social, ethical, psychological, and philosophical diminsions of Dicken's work is utterly delightful and highly readable -- a must for any Dickens affcianado or burgeoning scholar! You'll find a whole new level of meaning to all of Dicken's most endearing characters like Mr. Dick (from David Copperfield) and Master Bates (from Oliver Twist).

Egad! It's a pitiful reflection of the almost savage intellectual torpor that has settled upon academia and our nation as a whole that this fine work is out of print. I suggest you try Amazon's execellent out of print books search and order yourself a copy today!

As far as I am concerned, there was ne'er a book on Dickens penned prior to Mr. Frank's superb treatise. I have never been so proud of Mr. Chas. Dickens, a fellow Brit (and, I might add, a fellow writer)--or of Engerland, my home and native land. A true boon to mankind, Mr. Dickens was, and likewise this blessed text. I weep for joy.

The Saga of Galanor crossed the ocean and reached me in a royal blue journey; a typical Brazilian one. I took a day to open the book - I feared it somehow. When I did, the barriers of time vanished and I was thrown into the fantastic realms of Atlantis and beyond; somehow so familiar to me and, until then, so long distanced in my memory. The story is an image poem; and, the book itself is a film! Watch out, it has a magical effect!

Not only is the book a great adventure, it is beautifully put together. This book is amazing in it's artwork, it's format. It is a book like nothing you have ever seen. This is a book that you will want to pass down from generation to generation. I enjoyed it and look forward to the next saga.

Galanor, a strong leader in a fantasic fantasy tale, that will keep you wanting to read about his next adventure.

The author, a premier folklorist from Texas, writes about the Southwest and the type of treasure with which nature consoles the seeker -- "shadows for want of substantials." Unlike Coronado, the author seeks the treasure that emanates from the heart and mind. This is a fine book written seven decades ago and improves with each reading.

Dobie talks about this land of shadows where we meet Alice Henderson, who faced down fifty cow thieves; Don Milton Favor, who built his own fort while making treaties with hostile Indians; and Cheetwah, a mystic Indian chief who vanished into the mountains to keep vigil over hidden treasures. These and other characters spring from the pages of Dobie's book with a vigor and purpose that makes the heart sing.

The Texas of the Big Bend country is where Dobie's prose satisfies, "Outlandish pictures painted down the sides of caves by aborigines which no white man can now decipher...a jagged and gashed land where legend has placed a lost canyon, its broad floor carpeted with grass that is always green and watered by gushing springs, its palisaded walls imprisoning a herd of buffalo...somewhere in this land credulity has fixed a petrified forest with tree trunks seven hundred feet long."

The author claims, "After I hear a tale I do all I can to improve it," and this is an understatement. Readers who possess a sense of wonder will enjoy this book. History often cloaks personages with dusty trappings, stuffy sayings, and mixed motives so time has faded the awe that Drake, Cortez, Raleigh, and Coronado experienced. Dobie illuminates the wonder of the children of Coronado as they chase their dreams and draws us into their world of enchantment.

Francisco Coronado never found his golden riches or the fabled Seven Cities of Cibola during his time in the Southwest. When he returned in 1542, and told the truth about his barren search, he wasn't believed. One person who did believe said, "Granted he did not find the riches of which he had been told -- he found instead a place in which to search for them."

And the search continues. For centuries Coronado's vision of wealth has lured countless thousnads to the Southwest where tradition and myth have marked mountains, rivers, and ancient ruins with boundless treasures. This book follows long forgotten Spanihs trails, buffalo trails, cow trails, and areas where there are no trails as searchers dig for riches which eludes their grasp. Others, rather than searching, have sat and told stories of lost mines, buried treasure and of ghostly patrones who guard the treasures -- adding layers to the myths that abound in the land of Coronado.

This book lovingly describes Spanish influence and tradition on the Sountwest and combines a terrific cast of characters, interesting situations, and Dobie's unmatched skill at weaving a tale. The author's footnotes are at the end of the text and are filled with tales and legends of lost mines and treasures. There's an interesting section on the elaborate Code of Treasure Symbols used by the Spaniards. An excellent glossary of idioms used in the Southwest follows that section.

There is more to the American West than gunfighters, farmers, bankers, cowboys, and miners. The author has given us the realm of the dreamers.

Perhaps the best folklore book ever written about lost mines and buried treasure, caves full of gold bars, and Spanish silver. As in most of Dobie's writings, this is not straight history but Dobie's version of other people stories with a large dose of Dobie in all of them. A Texas classic.

I read this book 30 years ago. I am now 75, and I rank it as one of the most fascinating books of my lifetime. It opened up a whole world of places and things that are long gone, but which deserve to be remembered. I believe that I have since read almost everything that Frank Dobie has written, but believe this is still the best.

I'm not sure why, but this book just completely captured my imagination and ran with it. This is one of m favorite books of all time. What I really love, though, is the copy I read was a musty old tome, probably printed in the 30s or 40s, from my library, that just had the mosr wonderful smell and the comfortable, dusty feel. If at all possible, read a copy like that.

What would the Old West have been without the Mustang? Frank Dobie regales the reader with tales ranging from the legendary Pacing White Mustang to more obscure but nonetheless fascinating legends such as Blue Streak and Starface, to insight into the mysterious origins of the breed.

I read this book for the first time years ago, and I still can't get enough of it! This book is must-read for any horse lover or Wild West enthusiast!

Dobie tells the story of the impact that the introduction of the horse had on life in the Americas, with an emphasis on the American West. His historical research is good, citing a number of written sources (and even giving new perspective on Fremont or Pike).

But the real color of the book comes from his anecdotes, many of which come from discussions with cowboys and mustangers who lived through the final days of the open range in the American West. Great color, great stories throughout!

Highly entertaining, yet with good research and historical value. Wonderful insight into the character of horses.

A LAND SO REMOTE

Prior to the holidays, I received a great gift, a copy of the beautifully produced three-volume study A Land So Remote, authored by Larry Frank and Skip Miller, and published by Marianne and Michael O'Shaughnessy of Red Crane Books, Publishers, Santa Fe.
Creation of a successful publication of this magnitude can only be accomplished by many who work in concert, in this case scholar, editor, publisher and, of course, those who are willing to share their treasures with anyone wishing to turn the pages in this landmark study. Frank and Miller have devoted a large percentage of their lives carefully studying and painstakingly handling objects-some of religious importance, powerful images that were the subject of daily devotion, while other objects that served a useful function in the lives of hundreds of thousands attempting to make their lives easier. To the Hispanic, Native American, and the Anglo, these objects were an integral part of daily life-whether as an expression of their spirituality, their intense religious devotion-- or to enable them to perform certain physical tasks-- cutting wood or baking bread.
The authors, in concert with photographer Michael O'Shaughnessy, have treated each object sympathetically, whether it be a santo or bulto, or packsaddle or carreta wheels, with the same level of care, even reverence. The real joy is in seeing so many diverse objects fashioned out of wood and other materials in significant numbers. How often have we had the opportunity of examining page after page of images beautifully organized and described. The authors, of course, treat us to a display of work by lesser known santeros, as well as the most celebrated, notably José Rafael Aragon. Volume two devotes pages 288 to 377 to some of the most powerful religious images by Aragon and his followers that the reader will ever experience.
Since 1974, I have been a frequent visitor to New Mexico and have written a few books on the Anglo painters. After reading Miller's and Frank's essays, I said to myself, "I wish I had written these words. Both scholars write with conviction and authority. They also write in a style I have labeled "an easy read." They have organized their material so that it makes sense. You understand why the objects were created, who created them and importantly, how they were created. Happily, these objects, some still in the churches in Ranchos de Taos, Chimayo, Taos, and chapels throughout the Southwest, others in museums and private collections, have been "gathered" and presented to the reader and viewer in a beautiful and effective manner (I was tempted to use the phrase elegant but refrained).
All reviews of the publication praise A Land So Remote for its visual appeal, handsome photographs," fascinating account of the history and culture of Hispanic New Mexico," scholarship, a major contribution to Hispanic studies. One critic even suggested that, before being placed in a glass case [with other rare books], it might serve as a coffee table book. Never! If anything, it will be a banquet table book, and will be the scene of great feasts-visual and literary. But their words, like mine, fail to express the impact this handsome three-volume study will have on you-the participant. This study will, like the objects that it treats, transcends time. Secure your copy. I can assure you that it will never gather dust (although it will go out-of-print).

Dean A. Porter, Ph. D.
Director Emeritus, The Snite Museum of Art
Professor of Art History
University of Notre Dame

Published by the vaunted Red Crane Books of Santa Fe, New Mexico, this three volume set on religious art and wooden artifacts of New Mexico is a rare, rich visual and intellectual repast. It would be a treasured gift, one to which collectors and aficionados will return time and again.

Larry Frank is remembered for "The New Kingdom of the Saints" (1997), while Skip Miller is curator and director, Taos Historic Museums.

With 842 stunning color photographs and 848 pages A Land so Remote surely holds the most comprehensive and accessible information on this subject. Many of the photos included are of rare objects gleaned from nine museums and a number of private collections. Carefully selected for the part each plays in this artistic corpus, photos are accompanied by concise essays that enhance knowledge while still piquing an interest to know more.

Volumes I and II beautifully present the growth of religious art during a period of over 125 years. It was a time when in order to undergird their faith Spanish settlers turned to santos, visual representations of saints. Thus was born an art form unique to America which once was of great import in churches, communities and homes.. Santos were, if you will, incarnations of the hopes and dreams of these immigrants.

"Rightly understood," author Frank remarks, "santos are a kind of 'liberation theology' written in the language of wood, plaster, and paint, an understanding of Christianity that empowers the poor to free themselves from unjust socioeconomic and cultural structures in the larger world and within themselves.

Volume III centers on wooden objects, such as tools, furniture, toys, and domestic utensils. These objects testify to the influence of the Spanish on the traditions of the indigenous inhabitants of this region.

Photographer Michael O'Shaughnessy described his task as a "...wonderful, often awesome, experience of having such close contact with material that radiates the love and importance that their makers brought to their creation."

Such is the case with readers as they leaf through the pages of these landmark volumes.

- Gail Cooke

First off let me point out that this book leaves out most biographical information about Sinatra -- it focusses on the recordings themselves. It examines Sinatra's approach and technique to recording and singing. That makes the book extremely interesting and is its greatest strength.

Unfortunately, that is also where its weakness comes in. The book is quite clincial and could use a few more anecdotes and stories -- more "colour" if you will. I'd like to hear more interviews with musicians who worked with Sinatra and from Sinatra himself to get a better idea of the people making the music, because I feel that that the force of Sinatra's personality counts for something in his performance. I personally think that "chemistry" counts as much as technique in music and would like more of that brought out in the book.

This is not enough of a flaw to stop you enjoying the book, it is very engaging and will appeal to anyone who loves Sinatra's records. I still highly recommend the book.

I hestitate to add one more criticism -- Obviously one can not go into exhaustive detail about every single Sinatra recording, but I found it odd that Sinatra's greatest album "Songs For Swingin' Lovers" is barely mentioned while an entire chapter is devoted to the out of print (in US) "Close To You". I realise this is a personal preference, but I found it disappointing.

Chuck Granata's book, placed on the shelf next to Will Friedwald's SINATRA: THE SONG IS YOU, gives the admirer of Sinatra's art a superb and fascinating look at WHY this man was the greatest popular singer of the 20th century. Where Friedwald goes into great detail explaining the unique musicianship of the man, Granata gives his readers the knowledge of how this artistry was captured and preserved for generations of listeners. Anyone interested in Frank Sinatra, great music, the recording industry or the technology of sound recording must own this book. In an age when innovation is often hard to come by, Granata truly has broken new ground! --Scott Allen Nollen, author of the forthcoming SINATRA AT THE CINEMA (Mindnight Marquee)

No book has ever captured the experience of a recording session and the recording experience like Charles Granata. Long known as an authority of Frank Sinatra's work, this book actually conveys why Sinatra's recordings are classic and still speak to us. Granata's viewpoints are fair and, in the case of the controversial Mitch Miller recordings, as balanced as a writer can be in presenting all sides of the story. His interviews with such under-appreciated musicians such as arranger George Siravo ( who contributed far more to the canon of Frank Sinatra than most people realize) are particularly valuable. I am delighted that he has quoted extensively from Nelson Riddle's arranging book (which I edited for publication), which has much valuable information about how Nelson worked with Sinatra. The history of the recording field, rare photos and even reproductions of score pages simply make this a must-have volume.

I purchased my first Thompson Chain Reference Bible as a new believer back in the 70's. It was and continues to be the best study Bible for those who desire to search out the Word for themselves and compare scripture with scripture. And, the extensive Bible study helps in the back of the Bible do add a rich dimension in addition to the topical chain references.

I was a little concerned about the "new" TCR's as several reviewers mentioned degradations in quality and I certainly didn't like the thin glossy paper I saw in the hardbacks in the bookstore. I was delighted today when I received my large print deluxe leather edition Bible.

The Bible I received has excellent flat, opaque Bible paper perfect for note-taking. And, the binding appears to have stitching in addition to the glue, so I'd say the quality of the binding is fine and should serve one well for years.

One caveat in regard to the large print edition--It is LARGE! Not the print (it's 9 point instead of the regular 8), but the Bible itself. It's not so unwieldy that I would think twice about using it, but if size is an issue for you, check the dimensions and choose accordingly.

I can't say enough good things about this Bible. It has my highest recommendation; you won't be sorry in choosing this Bible.

I have owned one version or another of the Chain Reference Bible since I was a teenager in the seventies. My 'standard' Bible has been the large print KJV for many, many years and it remains the first Bible I pick up. I purchased the NIV Chain Reference, but just didn't like the translation, it just didn't 'read' right for me. I've enjoyed the NAS translation, but it is awfully dry reading when the heart desires poetry. So, I ended up purchasing the NKJV. It has been a real pleasure to read, combining the elegance of the KJV with a modern and accurate adaptation.

As for the chain reference system used by Thompson, it's such a part of my Bible reading and study that I'd have a really hard time switching to another system. Some of the illustrations and charts have been revised from my older KJV, but not to an extreme. The Thompson system remains, for me, the quickest and easiest way to study a topic through the Bible, or just through either the New or Old Testament. The Bible also includes an excellent concordance; for someone new to chain reference study they can start with the traditional concordance and work their way into the Thompson system. Also included are excellent maps, revised from the earlier versions, and a historical dictionary with photos of significant Biblical locations, with explanations.

I agree with another reviewer that Nelson Bibles are, in general, not made for people with serious intentions on daily Bible use. They are constructed down to a price, which isn't necessarily a bad thing, as these can provide a very inexpensive introduction to the Bible. However, when one is ready to use a Bible in a serious, daily way, a better Bible will easily pay for its higher price.

Though this Bible is well-made, it is NOT as well made as my older, large print KJV. My older Bible has whipstitching clearly seen in front and back, with pages secured as well today as when I bought it. This newer Bible appears to have pages that are glued in like cheaper ones. Additionally, the paper is comletely different than my older edition, and thinner. The older paper had almost an eggshell texture, whereas the newer paper is much slicker and thinner. In first use it's really quite difficult to get the pages apart. However, it's still a very well-made Bible, just not up to the standard of the older ones. That should in no way deter someone from buying it, though.

As a one-volume Biblical library, I haven't seen anything to beat the Thompson's. As another reviewer noted, it's also refreshingly free of editorial bias, which certainly can't be said of all its competitors. Most of all, each of us needs to find a Bible they can live with daily, and any Bible available is better than none at all! Thompson Bibles aren't inexpensive but they will last twice as long as cheaper Bibles, particularly if kept in a cover. Also, the supplemental atlases and historical additions might well save purchase of other books to accompany Biblical study. Highly recommended!

I love the New King James Version, put out by Thomas Nelson, but I loath Thomas Nelson Bibles. This is how I happened upon the Thompson a few years ago as I was relieved to find a NKJV not made by T.N. I first bought an NKJV in bonded leather. After 2 years of very heavy use, I bought an NKJV in genuine leather, and later a handy size KJV in genuine. All three of these Bibles are wonderful in every way.

The Thompson Study system is very helpful and they've graciously spared us from a myriad of religious cliche and personal opinion. The page layout is smart. The Bible text actually fills the page and all study helps and references are relegated to the side margins. There are so many ways to use the studies and references, I am unable to number them here. The concordance is as extensive as any I've seen. The 14 maps are colorful and very well done. Simply put, it's a complete, Jesus-exalting study Bible designed with excellence.

The construction of these Bibles is equally impressive. The paper is just right--not too thick, not too thin. The print is dark and sharp. Their font is subtil and very appropriate for the Bible, if you ask me. The red words of Jesus are RED. They're not muddy brown; they're not pink; they're bright, deep, beautiful red. They are printed consistantly page to page, not some pages lighter or misprinted, as the Thomas Nelson folks are plagued by.

Now that I own three Thompsons, I feel about them the way a good ol' boy down in the South feels about shotguns. "I have more than I need, but not as many as I want!"

Eugene Manlove Rhodes spent the better part of his life in turn of the century untamed New Mexico as a horseman and cowman, and in his late life wrote western novels and short stories about his unique and exciting escapades. Most of his novels deal with real characters from the real Wild West, and the stories offer those of us interested in it a splendidly honest account of the "good men and true...humorous and happy and care-free and polite...But when it came to putting something over on them or their friends...these men were hard, and stern, tireless, loyal and grim, courageous and resourceful." Gene Rhodes knew men whose lives changed the Wild West and New Mexico, men like Pat Garrett, Senator Albert Fall, and Oliver Lee. He understood the wild land and the people who settled there but never tamed it. In this biography, author Frank M. Clark offers readers the letters that passed between Rhodes and his long-time friend, editor and publisher Charles Fletcher Lummis. Both were unusually gifted men, articulate, generous-spirited, and loyal; both knew the West and understood it in all its paradoxes and complexities. Author Clark brings Rhodes and Lummis to life in an intriguing way that makes for great reading for lovers of the West. Clark has the gift most biographers hope for: the ability to paint a generous yet honest view of his subjects. This biography is a must for every fan of the real Wild West and the true Western genre.

The Stories taken from the "Tales of Terror and Mystery"tion are good but the others are quite horrible. Also the version I have has 1 story missing "The Confession" and a fantastic tale from "T&M" is not part of this collection. Production values average. Buy that collection instead. A much better deal.

Writing in the early part of this century, Doyle (best known for creating Sherlock Holmes) created a series of horror stories with a bent towards spiritualism and mystery. The selection is a good range of work with some very strong entries. "The Case of Lady Sannox" and "The Leather Funnel" are particular stand-outs. Some of Doyle's is more dated than others, but still definitely worth a read.