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While the formula is now become traditional (man from our world transported to a different universe), this story is an absolute delight to read. The prose is very descriptive and evocative without being flowery or tedious (a very difficult tightrope to walk), the characters quickly develop depth and personalities, and it is very, very easy to suspend disbelief and immerse yourself in the story. The ending prepares you for the next book without really being a cliff-hanger. Sword and sorcery, sort of -- with a twist. Does Clarke's Law explain everything? You decide..
I'd rate this 'G.'
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You're missing out (especially if you write fantasy) if you judge this series by its cover art. ;)
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Read these books, and read them again.
The characters remind me of Dungeons and Dragons Roll Playing Games (D&D RPG's). The hero is a 7th level swordsman who picks up a 7th level priest as a travelling companion. There is the same satisfaction of watching a companion swordsman advance through the ranks as there is developing your own character's skill levels in an RPG. There are also some other character types familiar to RPG's (archer's are held in contempt). This is not one of those cheap knockoffs on a D&D game though. This is just one element of the world the author has created which is kind of fun.
The author created a universe with a multitude of gods, like the Greek and Roman gods. While this is very common in the sword and sorcery genre, Dave Duncan has made the gods active participants in his story. One god makes repeated appearances, talks with the hero, and performs the occasional miracle. The author is able to keep the gods from completely overshadowing the human characters by stressing how they value "free will" for there own purposes. The author's brilliant use of deity characters (a recurring element throughout his best series) add facets to this story which lift it above a simple Conan type "guy with sword" story.
This trilogy has a detailed, multi-leveled plot which twists enough to keep you in suspense right up until the ending. And the ending reaches the appropriate dramatic climax, then has a satisfying denouement where the characters reap their rewards and the author ties up any loose ends. When this book ended, I was left saying, "Wow, imagine that!"
The only thing I can even think of that I didn't like about this trilogy is that it ended. The author really wrapped things up for the characters. It would be almost impossible to continue the story. I do hope that Dave Duncan comes back to this world with some new characters though. Maybe the old characters can have a cameo in the new story. . .
The final book in this series, 'Destiny' isn't as easily read on its own as the first and middle books ('The Reluctant Swordsman' and 'The Soming of Wisdom'). However, this is that rare thing: a trilogy conclusion that really concludes the story. It's an happy ending, no fear -- and it leaves you feeling good and fulfilled, so there's no need for Duncan to write more. (It *could* be done, of course, as McCaffrey did with 'Nerilka's Story,' but it isn't a foregone conclusion that it will be -- or even should be.) Excellent reading; a real page-turner.
This one's rated 'G' by me.
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Meticulously researched and beautifully written, De Soto unfolds like a riveting novel as it follows the explorer from his impoverished youth to his anti-climatic death near the Mississippi River. To anyone interested in the European conquest of the Americas (or in the decimation of the Indians and their cultures) this book is a must read.
In addition to Soto, the author chronicles the achievements and savageries of such other notables as Cortez, Pizarro, Balboa, and Coronado. The book cleverly references and analyzes the works of American and Spanish historians, including those who were present as the conquerors murdered, raped, pillaged, enslaved, proselytized and bravely explored in South, Central and North America. Where there is a disparity in the record Duncan examines the conflict and suggests the account he considers the more reliable. At times the contemporary American Soto enthusiasts and the Spanish historians who are referenced throughout the book prove almost as intriguing as their subject matter.
Given the tremendous undertaking this work represents, Duncan manages to produce a highly readable and lively book. Even if the author can't help but reveal his personal revulsion at Soto's blatant inhumanity, Duncan also is objective enough to acknowledge flashes of true heroism and bravery. The Soto that the author presents is a historic Indiana Jones figure who descends into a Conrad-like Heart of Darkness.
The book cleverly incorporates maps, charts, paintings, and other graphics into the text. Further, although it may be tempting to skip the footnotes due to the length of the text, the reader is well advised not to do so. Buried in these footnotes are clever thoughts, insights and explanations.
This book richly deserves five stars and a second look by anyone who skipped it when it was first released.
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Still, somewhere out there is the rare reader who likes the challenge an epic presents, loves to get lost in fascinating, multi-layered characterizations and plots that expand over decades.
For those readers, there is David James Duncan's 1992 offering, "The Brothers K." It excels on all those fronts I just mentioned, and on several more.
But when a friend recently handed it over to me, suggesting that I take a look, I too balked at its size:
"Look at it! Are you trying to kill any semblance of a social life I may have? This thing is mammoth and unwieldy!"
But my friend was persistent and so I went home and took a look. And soon became lost in the words, the story, the characters.
"Brothers K" is about the Chance family. Father Hugh is a mill worker who used to be the most promising baseball player around, until an accident at the mill cost him his dream. Mother Laura clings obsessively to her Adventist religion, since it once protected her from the darkest hour of her past.
Together, they have four boys and two twin girls. Everett is the oldest, a charming, witty rogue who doesn't share Laura's faith. Peter is next, and is a fellow cynic. Irwin is the large and innocent third child. Kincaid is a blank slate, who serves as the readers' eyes in the guise of the book's narrator.
The twin girls, Bet and Freddy, come later and more or less fulfill the role of younger sisters to the four brothers and little else, although they have a heartbreaking scene involving their grandmother's death that paves the way for the story to come full circle later.
Those are the characters. There is a plot, but Duncan takes it so lackadaisically and slow across the sands of time that in essence it can all be summed up in one word: Lifetime. For this is very much the saga of the Chance family, and all of their adventures therein.
We literally see the Chance boys grow up before our very eyes, watch as their characters age and grow, or regress, experience life and flirt with death.
Around halfway through the book, the four brothers (the "K" is an allusion to "The Brothers Karamazov," by Fyodor Dostoyevsky) each go off in search of their own way; Everett becomes a draft-dodger, Peter a philosopher, Kincaid a hippie, and Irwin goes to fight in Vietnam.
There is no rush on Duncan's part to tell the story, and so there can be no rush from the reader to finish it.
For this is a book in which the getting there is very much the draw, and readers are rewarded their patience by Duncan's sense of humor, sometimes gentle, other times abrasive, many times subtle and always hilarious.
But if you're the sort who seeks immediate gratification and "lite" escape from your reading, "Brothers K" is told in a series of broken up chapters and chapters-within-chapters, making it easier to simply pick it up, read a section or two and then return to whatever else you were doing.
If you can, that is. It's a hypnotic, intoxicating read, which will make putting the book down difficult.
And when you finally do finish, if you're like me, you will be so moved from the whole experience you will have to leave the room and walk the book off. It's that good.
Upon returning to your room, of course, there will be the brand-new temptation to pick it up and start all over again.
The Brothers K is my favourite novel of all time. Yes it is about baseball, religion, the 60's - but mostly it is about family. You will love reading this book but hate turning the last page.
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I am certain that The River Why would be read and understood 60 different ways by any 50 people who read it. For me, it was a compelling journey of a young man, trying to navigate the waters of understanding between what is true, what is not, and finding that those two extremes don't exist. Old ways of seeing the world didn't work when he was confronted with real life "stuff," like death, love, time, and the creatures with whom we share this little wet planet. Over the course of a year on one of any Coast Range rivers of western Oregon, he discovered the "middle path," a path that made sense to him, brought him peace, brought him understanding, and ultimately brought him love, reunion with his family, and a sense of his place in the universe.
This is a book for those who are drawn to nature and native wisdom as doorways to spiritual insight. It is a book I will give away as gifts to special people whom I believe it could touch as it touched me. Spend 15 minutes with it, and you, too will be "hooked!"
If you read this series (and I urge you to, several times), pay attention to the Hamlet references, the repetition of "power corrupts", and the water/jewels imagery. These are books that reward deeper readings.