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While the formula is now become traditional (man from our world transported to a different universe), this story is an absolute delight to read. The prose is very descriptive and evocative without being flowery or tedious (a very difficult tightrope to walk), the characters quickly develop depth and personalities, and it is very, very easy to suspend disbelief and immerse yourself in the story. The ending prepares you for the next book without really being a cliff-hanger. Sword and sorcery, sort of -- with a twist. Does Clarke's Law explain everything? You decide..
I'd rate this 'G.'
Author David Duncan creates a medieval world close to our own, but separated by the existance of magic. The magic of the blades--a band of trained warriors who become bonded to the man (or woman) who pierces them with a sword through their hearts, adds a level of fascination to the story. Beaumont might be a little too smart, too clever, to be believable, but his situation demands exactly that from him and he doesn't disappoint. Duncan's strong writing compells the reader forward and the close parallels back to our own world ground the reader.
Ned is born in a rich Alderman's household as the cook's[son]. While never acknowledged by his father, he lives in this household for almost twelve years. Upon the master's [demise], however, he is shipped off to Ironhold.
When Ned arrives, Sir Roland has just become the acting head of Ironhall upon the [demise] of the Grand Master. Roland makes time to interview the boy and decides that he is too young. He shows such promise, however, that Roland arranges for Ned to work at a nearby farm for a year.
At his delayed admission to Ironhall, Ned choses the non-traditional name Beaumont. Although now the Brat, he wins admirers among the staff and students and is even allowed to dine with the Sopranos. While he is smaller than average, he is stong and nimble and quickly becomes proficient with all types of swords.
Upon becoming prime, Beau is told that he, as well as Arkell and Oak, are to be bound to Lord Wassail. A loyal supporter of the King during the Thencaster affair, Wassail had adamantly refused to bind Blades to himself, but had been overruled by the King and was convinced by Roland of the necessity. He had been chosen to escort Princess Tasha, niece to the Czar of Skyrria, back to Cavil to become King Athelgar's bride. Thus, the Blades are an honor -- and actual -- guard for the future queen.
Waissal, the Blades and their company take ship to Isoland. In Lavalle, Beau falls in love with Isabelle, an local girl working in the Chivan Ambassador's household. From there the party travels overland to Skyrria. Beau completes his mission and returns with Princess Tasha, but has to leave other members of the mission behind. Worse, his ward has died on the return journey, with homocidial affects among the Blades. Upon their return to Lavalle, Beau marries Isabelle and takes her back to Grandon with him. After reporting to the King, Beau is released from his bond, becomes Ned Cookson once again, and lives as a casual laborer in Grandon.
All this is preliminary to the loss of the paragon, which takes Ned back to Skyrria to conclude the affair.
Duncan provides a vivid portrait of Medieval Russian character and environment. Igor is loosely based on Ivan the Terrible, but even more evil. Fedor, his son, is only casually evil through selfishness. Sophie, Igor's wife, is delightful and her younger sister, Tasha, is naive but good-natured. Dimitri, the older brother of Sophie and Tasha, is loyal and protective, but also naive.
This story has a larger scope than the previous novels. It provides a deeper look at the geography and politics of the Euranian continent and some more about Athelgar's family.
Duncan has surpassed himself with this novel. It has all the hallmarks that you expect him -- likeable but eccentric characters, political chicanery, swordfights, mysterious occurances, etc. -- as well as probably the most notable protaganist of his career, a Beau Geste of substance. With his release from the King's service, Ned is truly a paragon lost.
Don't miss this one!
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You're missing out (especially if you write fantasy) if you judge this series by its cover art. ;)
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Read these books, and read them again.
The characters remind me of Dungeons and Dragons Roll Playing Games (D&D RPG's). The hero is a 7th level swordsman who picks up a 7th level priest as a travelling companion. There is the same satisfaction of watching a companion swordsman advance through the ranks as there is developing your own character's skill levels in an RPG. There are also some other character types familiar to RPG's (archer's are held in contempt). This is not one of those cheap knockoffs on a D&D game though. This is just one element of the world the author has created which is kind of fun.
The author created a universe with a multitude of gods, like the Greek and Roman gods. While this is very common in the sword and sorcery genre, Dave Duncan has made the gods active participants in his story. One god makes repeated appearances, talks with the hero, and performs the occasional miracle. The author is able to keep the gods from completely overshadowing the human characters by stressing how they value "free will" for there own purposes. The author's brilliant use of deity characters (a recurring element throughout his best series) add facets to this story which lift it above a simple Conan type "guy with sword" story.
This trilogy has a detailed, multi-leveled plot which twists enough to keep you in suspense right up until the ending. And the ending reaches the appropriate dramatic climax, then has a satisfying denouement where the characters reap their rewards and the author ties up any loose ends. When this book ended, I was left saying, "Wow, imagine that!"
The only thing I can even think of that I didn't like about this trilogy is that it ended. The author really wrapped things up for the characters. It would be almost impossible to continue the story. I do hope that Dave Duncan comes back to this world with some new characters though. Maybe the old characters can have a cameo in the new story. . .
The final book in this series, 'Destiny' isn't as easily read on its own as the first and middle books ('The Reluctant Swordsman' and 'The Soming of Wisdom'). However, this is that rare thing: a trilogy conclusion that really concludes the story. It's an happy ending, no fear -- and it leaves you feeling good and fulfilled, so there's no need for Duncan to write more. (It *could* be done, of course, as McCaffrey did with 'Nerilka's Story,' but it isn't a foregone conclusion that it will be -- or even should be.) Excellent reading; a real page-turner.
This one's rated 'G' by me.
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Silvercloak's main characters are Stalwart and Emerald. Stalwart is a sort of undercover agent for King Ambrose, king of Chivial. His fondest wish is to become a King's Blade - one of the group of warriors that protects the king. Emerald is a White Sister - a person who is trained to detect magic.
Now the story is taking place during a time when Silvercloak, a famous assasin, is planning to kill King Ambrose. Silvercloak has already killed two armed Blades, which is no easy feat. Both Stalwart and Emerald are sent undercover to try and catch Silvercloak.
The beginning of the book mainly tells about Stalwart's and Emerald's going undercover. Stalwart becomes a stable boy in a town near Ironhall, the place where Blades are trained. It is believed that Ironhall is where the assasination attempt will take place. Emerald is placed in Ironhall, as a Blade-in-training, disguised as a boy.
Halfway through the book, the action begins. Stalwart chases Silvercloak to Ironhall and soon all the major characters are gathered there - Stalwart, Emerald, King Ambrose, and Silvercloak. The story goes on to the point where Stalwart is the only defense between the king and assasin as they are trapped on a catwalk with no other help in sight. So, if you want to find out whether, and, if so, how Stalwart and Emerald defeat the invincible assasin, you'll just have to read the book. After all, I can't tell you everything.
Silvercloak is an awesome book throughout, but personally, I think the ending is the best. Silvercloak would be among the top five if I had to make a list of my favorite books. And I read a lot too. It is a wonderful story, very exciting. Probably people that enjoy a sort of medievel story would like it best, but I think it would capture anyone's attention. As for age, it's probably best for ages 11 on up. Silvercloak is one of those books that you can't put down until you've finished it.
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I have since tracked down and purchased all of the novels in hardback, since I consider them an essential part of my fantasy collection. As I said in my review of the first book, this book is a shining example of the high fantasy genre, on par with, if not surpassing Tolkien.
Combining lively, likable characters, a grand and tangled plot, and a vivid world this book is superb.
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Too bad he doesn't write more of this series.
Great interesting stuff that doesn't try and copy tolkien.
very d&d
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I could not enjoy this book as much I would have because the typeface and the way the print was aligned were terrible! To be honest, the book looked like an amateur printing job slapped together with a cool cover. So if you're like me in that straining to read the word on the edge of the page frustrates you, I would try to find a different edition of this book....and the story is as good as the other reviewers state.
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If you read this series (and I urge you to, several times), pay attention to the Hamlet references, the repetition of "power corrupts", and the water/jewels imagery. These are books that reward deeper readings.