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I really enjoyed this book because it was very exciting, even though there wasn't a lot of 'dodging missiles and bullets' action. There was a lot of excitement and suspense. For example Edmond gets in a duel and Edmond is dragged to the bottom of the ocean. One thing I didn't like about the book was that it didn't start out that exciting. It is though, a book you can't put down.
I believe this book has a very good message. The message is: 'help your friends and they will help you'. I think this because: Edmond helped an abbe` and the abbe` helped him, and Edmond saved Morrel's and Valentine's life and they were his eternal friends. I really enjoyed The Count of Monte Cristo.
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Love, war, fantasy and politics are delicately woven into the fabric of the story. Highly recommended.
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The first couple pages are basically one long paragraph that doesn't make sense unless you're re-reading it and already know the characters and what's going on. I was tempted to put it down, but I wasn't going to back down. By about page 30, it was easy to read, and I began to get into it.
What I discovered was that this is possibly one of the best pieces of fiction ever written. I couldn't put it down, and spent a whole Saturday reading it. I never expected it to be what it was from what I'd read on the back. But then, the plot is so complex, and there are so many sub-plots that you wonder how anyone can do it justice.
I read once that many people associate the word "classic" with the word "boring". As I've discovered, this is entirely not true. When I thought about it, the reason books become classics aren't because they're old and boring, but because people love them, because they are read by millions. The reason that they lasted for so long is because people kept them alive. I'm sure that in a century from now, only a select few books that we enjoy will still be in print, and those particular books will be the best of our time, just as The Three Musketeers was the best of its time.
I'm sorry if this review didn't suffice, I'm just hoping that maybe somebody will read it and give it a try. So far I haven't talked anyone I know into reading it, but they're not bookworms like me. People are intimidated by its size, but from my experience, the best books are the largest. When an author really has a story to tell, one that you will enjoy, one that has a complex, satisfying plot, then it's going to be long.
Okay, I'm done lecturing anyone who got this far. :)
2 Initially, this book did not interest me at all. What a funny kind of language it has is what I thought. I wondered as to why it is such a famous classic when I am unable to find first few pages so interesting. But when I convinced my mind that this must be the language of times to which the book belongs (1844) and proceeded, It was evident why it is a classic. Masterly woven story line and plot. Thrill of not knowing what to expect next, the intrigue of the French court, helplessness of the Queen and power of the Cardinal all add to the boiling pot of this book's plot. Rise of its commoner hero D' Artagnan through intelligence, luck, hard work and musketeer friends has been convincingly developed. Even after long time from its release in 1844, 'Three Musketeers' holds the readers captive till the very last page. A MUST READ.
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Twenty Years After is the second part of the Musketeer Cycle (after The Three Musketeers and before The Vicomte of Bragelone/Louise de la Valliere/The Man in the Iron Mask). It contains everything that makes Dumas, Dumas: unmatched adventure writing, wonderful prose, and beautifully developed characters.
I can't recomend this story enough.
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This book was originally serialized in a French magazine back in the 1840s. As a consequence, there are repeated cliffhangers at the end of every chapter. Now I don't mind cliffhangers (hey, they move the plot along) but after 116 of these it got a little old. In addition, some of the character transformations seem implausible and Dumas gets some of his facts mixed up from the early part of the novel (I probably would as well).
I could pick bones about some part. What was the purpose of the whole Cucumetto bandit story? Maybe Dumas was saving him for later but he never does. They plot also needs a miraculous set of confluences to happen in say, well, every part of novel. Entertaining, yup, but at times I just said, "Oh come on now!" The character of Monte Cristo is a very interesting one. If he could ever hook up with Hannibel Lector, another guy who has the highest level of expertise in nearly every field and endeavor, the rest of us would be in big trouble.
Buy this book and enjoy it. It's really quite fun and you'll learn a lot about French history and culture.
The book starts it's story in early 19th century France in a small fishing village called Marseilles, where we first meet youthful Edmond Dantés who is engaged to the most beautiful woman of his village and is soon to be the captain of his own vessel. Though ignorant and naïve, he is beloved by all who know him and has amassed a great deal of friends, however, one with such good fortune also amasses many enemies. Through a series of events plotted by Fernand, who desperately covets Edmond's betrothed, Mercedes, and Danglars, a fellow sailor jealous of Edmond's new promotion to captain, Dantés finds himself in prison for a crime he did not commit. Still ignorant of the scheme that put him in prison, or the plotters who ruined his life, Edmond waits in prison. This changes, however, when he meets his cellmate, Faria, an ancient abbé who is considered mad. This "mad" abbé will reveal an amazing secret to Edmond that will change the course of his fate forever, and hope is finally in his view. Dantés emerges out of prison changed and worn cynical by a long and terrible imprisonment of 16 years. Though he assumes many identities, he gradually adopts the identity as the Count of Monte Cristo, an immensely wealthy and indifferent nobleman as he returns to Marseilles to wreck his much-thought over revenge individually on his plotters. His last words as the former Edmond Dantés after he rewards one of his loyal friends are:
"And now," said the unknown (Edmond) "farewell kindness, humanity, and gratitude! Farewell to all the feelings that expand the heart! I have been Heaven's substitute to recompense the good -now the God of Vengeance yields to me his power to punish the wicked!" At these words he gave a signal, and, as if only awaiting this signal, the yacht instantly put out to sea.
-The Count of Monte Cristo
However, Edmond cannot remain under the cover of the illustrious Count of Monte Cristo forever, and he will soon find that a heart even so indifferent and cold as his own cannot remain lifeless for long. This is an amazing novel of suspense, romance and betrayal. Alexandre Dumas weaves many stories into one enthrallingly suspenseful and complex story of love, hate, betrayal and loyalty. This book has no equal and I would recommend it to anyone who appreciates classic and elegant, while exciting and adventurous, literature.
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I highly recommend that the reader keep a couple of sticky notes and a pencil handy. Be sure to compile a list of names and a brief description for EVERY character introduced...you'll need this reference as events unfold.
The book cover/binding itself is rugged and can take a serious beating. For any story that's this compelling and 1400+ pages, the quality of the book itself becomes important since you don't finish such a long story overnight. My book survived the London subways, streets of Paris, German autobahn and my luggage to/from Ukraine--all without any problems. The font is larger than any paperback (or hardcover for that matter) and is easy on the eyes. As with any Modern Library production, the quality of this book is exceptionally top notch.
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Alexandre Dumas creates a fabolous tale of revenge and hate in which Edmond Dantes, a young sailor in love, is betrayed by three men of power. Edmond wastes 13 years of his life in the Chateau d'If, a terrible prison in which Edmond loses faith and all chances of ever being with his love again. While there, Edmond learns of a treasure buried on the island of Monte Cristo, and creates a master plan to seek revenge on his enemies, if and when he escapes.
I highly recommend this book, and if you're too lazy to actually pick it up and read it, at least go and see the movie!
Each chapter includes a specific idea to the plot that keeps you wanting to read more. I would bring this book to work and read a chapter a day during my 15 minute break and would go overboard reading two chapters because it just keeps getting better and better! Each new idea came as a surprise for me, and so much is in it that I would recommend it to anyone who wants a good book.
Alexandre Dumas sure knew what he was doing when he read this, so I definitely recommend this.
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Overall it is fast paced, but long. I liked the action sequences and the author's creation of distinct personalities for his heros. While I had to read this over a long period of time, I found I enjoyed it most when I could put in a couple of hours at a time and fully submerge myself in the author's world. I would recommend picking this up for a vacation book or if you know you'll be able to keep at it night after night.
The author uses a convincing historical and period backdrop for his tale. It feels real which aids the story. The romantic nature of his heros leads to a wonderful story of comradship and loyalty, good versus evil, etc. Many things to like, but I did not find it deserves quite as lofty a pedestal as most of these other reviewers do.
In the original French, there are only three (3) books - 1. The Three Musketeers 2. Twenty Years After and 3. Ten Years Later. But when translated, most English editions split the behemoth Ten Years Later into a Trilogy (and some four - which make it all the more confusing!).
The reading list should be 1. The Three Musketeers 2. Twenty Years After and 3a. The Vicomte de Bragelonne 3b. Louise de la Valliere and 3c. The Man in the Iron Mask. Five books - that's the total series!
I highly recommend this series from Oxford University Press containing the complete unabridged and annotated versions of all of these books. The notes are located in the back of each book so as not to slow down the flow of the text. Most of the notes give additional info on historic characters and places. And a few point out that Dumas was a better storyteller than historian, as keeping dates seems to be such a nuisance!
Based mostly around the character of D'Artagnan, a young man trying to enter the Musketeers, the personal bodyguard of the King of France. Befitting a King, his bodyguard contingent is very large, but D'Artagnan befriends three of the company: Athos, Porthos and Aramis, in addition to their captain, whose name I cannot recall as I am writing this review. Befitting the central character, this book is written with the exuberance of youth in such intoxicating measure that the reader cannot help but feel genuine affection for the loyal, heroic, though occasionally hotheaded D'Artagnan and his well-matched friends.
The book slows down near the end for some rather unexciting, though very important, character development which itself leads to a vital development in the story. However, despite the fact the plot does tend to drag a bit in this section, it is, indeed, very important and, more importantly, the slowdown in that portion allows the frightful pace of the next few chapters to feel that much more urgent.
All in all, this book is just a rollicking good time. For people who want to read a well written book with an intense plot, characters for whom one can feel genuine affection and a vivid sense of setting: this is a book that belongs in one's personal library.