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THE FERRY WOMAN is such a tale; so far as I know, the only one. By seeing the incidents and events of those dark days through the eyes of a fictional storyteller, the conflicts and struggles and relationships become personal and emotional, hence more affective than a cold recounting of history. Throughout the book, Emeline (the ferry woman) wrestles with faith, loyalty, authority, loneliness, love, and hate in very human and understandable ways.
The story's end is, maybe, a mite tidy. And some Mormons will be offended by Grimmett's portrayal of Brigham Young, legendary builder of the West. It is well to remember, though, that in THE FERRY WOMAN we see this complex man solely through one set of eyes--Emeline's--and as her view is distorted by her experiences, it is both authentic and acceptable.
A primary feature of early Mormon social relations was the aggressive practice of polygamy, which was only abandoned officially by the church as part of a strategy to prevent a military confrontation between Utah, whose leaders were also those of the church, and the US Army contingent then on its way to enforce Mormon compliance with federal laws against plural marriage. The Ferry Woman was one of the wives of John D. Lee, one of those leaders whose directed mission within the church was to settle and develop the Harmony area between Cedar City and St. George Utah. Grimmett is at his best describing the interactions between his characters and their environment.
This reader confesses to some uneasiness in the early pages, at the prospect of accepting a woman's perspective from the narrative pen of a male writer. That is dispelled by the surprising sensitivity and care apparent in the effort. One observes that if this is not true to the way of thinking and self-expression of a young orphaned immigrant serial wife of a much older man, and a formidable, hard-working community leader, devoted husband and father, well it should be. Reading, one is overtaken by a growing sense of the book as literature, especially remembering that the Ferry Woman, although realistically and plausibly detailed in the narrative, is still a fictional construct.
Knowing its subject already, I went into this book skeptical of its potential for a full and courageous exploration of the dark scenario at its heart. After the first 100 pages, I couldn't stop reading it. I closed the book at last with the feeling that the author had succeeded in something extraordinarily important here. Grimmett has skillfully illustrated how even a humanity motivated, in extremis, by patently flaky beliefs about the nature of existence, can thrive. This is a book with legs, and the time was well spent reading it.
A reader with roots in that area of the US that is today within the sphere of influence of the Church of Jesus Christ of Latter Day Saints (LDS), with its epicenter in Salt Lake, is likely to agree with the statement of the Poet Laureate of the State of Utah, as quoted on the jacket, that the reaction to the book by modern descendants of the times and personalities described in it, is awaited with eager anticipation. The story is told with a surprisingly precise sense of the supernatural aura that surrounds Mormon history itself, especially as it manifests itself in the 'testimony' borne by modern believers. To a gentile growing up surrounded by it, an ardent love of the church and its teachings is one of the most salient characteristics of expressions made about it by its followers. A less blatant expression, but no less potent one, is a fear of the church and its retribution for non-conformity or apostasy. At the time of events narrated in the novel, when the young church collectively labored not just for legitimacy but for survival, that fear may have been the predominant organizing principle, especially where the rights of women were involved.
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