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Many people disagree with me, because the thumb mark is made in a way different from the Norwood builder's. But this is really a minor issue. Once the author decides the thumb mark is fake and actually conveys this idea to the readers, it is no good to spend much pain on how it is made. A detective story is not supposed to be a science story. The former emphasizes on DEDUCTION rather than profound science knowledge, because not every reader is a PhD or MD as Freeman. Even if someone is, he might well be in a different discipline. Doyle is in no way less educated than Freeman, but he always applies the most practical method with the least scientific knowledge in the conducting of a crime. This makes Doyle's story not only full of surprises (Watsons would say: ah, it's that simple), but also more read-able than Freeman's lecture. Even in the view of science story, people would question whether Polton's (Thorndyke's assistant) various patents are realistic.
Nevertheless, I can't deny it is helpful for Freeman's future career, which makes Thorndyke a distinct character rather than a mimic of Holmes. The only difference between Doyle and Freeman is that the former is a genius while the latter is just talented.
In this first Thorndyke story by R Austin Freeman (the first of many in the series), Thorndyke takes on a new assistant Dr. Jervis. Dr Jervis is the foil to Thorndyke, just as Dr Watson is to Conan Doyle's Sherlock Holmes. Thorndyke also explores more than just the case, by having Jervis fall in love. Dr Jervis' love affair is an interesting diversion in how it reveals middle-class values at the turn of the century.
The basis of this story is interesting: can forensic science be wrong; can you fake fingerprints on evidence ? The book is not a 'who dun it' in the conventional sense. Most readers will identify the obvious villain early on. The challenge is to work out how the crime was done and then to prove that it was done that way. Of course, Thorndyke frees the innocent man in the end.
Thorndyke is a more scientific detective than Holmes and achieves surprising results, even within the primitive knowledge and techniques of his day.
The novel concerns Thorndyke's attempts to clear the name of a young man accused of stealing diamonds from a safe. A thumb mark (finger print) near the scene of the crime is the only evidence against the young man, but it is decidedly damning. Add a little romance, a sinister villian lurking in the background, and you have the ingredients that make up this story.
I found the work to be wonderfully exciting. Watching Thorndyke break down the evidence against the young man is a fascinating expereince. Though a person could argue that too much detail is given to the "science" aspect, you have to understand that these scenes are the backbone of this type of detective story.
In a day and age of corporate villiany, brutal crime bosses and hideous serial killers, The Red Thumb Mark might seem to some readers as painfully old-fashioned. Freeman's writing is similar (and often compared with) Conan Doyle, and there's little doubt that Freeman found inspiration from the Holmes canon. However, the novel's old-fashioned flavor is the very reason to recommend it. It's fun to walk the streets of Edwardian England, to see the sights, to hear the gentlemanly discussions, to share the thought processes of one of the great detective minds. This is the real magic of the novel.
Sadly, most of Freeman's work has long, long been out of print. I would recommend hunting among the used book stores for his other great mysteries, especially The Silent Partner, The Eye of Osiris, and my all-time favorite Mr. Pottermack's Oversight. These great novels are as highly recommended as The Red Thumb Mark. Someday, I hope the world rediscovers this highly talented writer and that he is placed along side with the other great names where he belongs.
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