While the Nutshell book is more of a reference guide, Aho's shows how to really use the language with practical examples.

From basic examples to flatfile reports and using Awk to try out language issues in compiler design.

For those who know Awk there are some great ideas in here. For those who are just starting out it's an excellent way to ease yourself into writing Awk scripts.

A script writers must have.

This is THE bible for awk users. If you refuse to use perl, which incorporated most of awk, or have to maintain old awk scripts then this is the text. I like the O'Reilly text for learning the basics, but after that you need this guide. For some tasks awk is the premier solution, for others, use awk as part of the solution along with perl and a shell script. Still a cool language. And this book is very helpful for both beginning intermediate programmers of awk and advanced users.

The AWK Programming Language was written very well. The first couple of chapters describe the language and the rest are full of real-world examples. The exercises at the end of each section are very helpful and expand on the examples given. Any one who works with flat data files should be familiar with awk, and this is the book to get the job done.

Wow. I'm 33 years old and thought I am probably the only adult who would pick up a Three Investigator's book and read it. I am here looking for some of The Three Investigator's books for my girlfriend's son. I saved a few of the books I had as a child, a couple of them in hardback, with the intent of saving them for my children. Most of the books I read in the series I checked out at the library. Reading these books provided some of my fondest childhood memories. The young man I am buying these books for has just discovered a love for reading and I believe that these stories will hook them just like they did me. Amazon, please act upon the suggestions of others and release the entire series if possible.

The Alfred Hitchcock and the Three Investigators series was the best juvenile mystery series I ever read, and is of such high quality that I can still read and enjoy it as an adult. In fact, I only need "The Mystery of the Cranky Collector", the last book in the original series, to complete my collection.

For far too long these books have been out of print, though I understand they're still being published in Europe. With their return, a whole new generation of readers can thrill to the adventures of Jupiter Jones, Pete Crenshaw and Bob Andrews.

In "The Secret of Terror Castle", Jupe, Pete and Bob, whose motto is "We Investigate Anything", investigate an allegedly haunted house in order to prove their mettle. Author Robert Arthur not only gives the boys distinct personalities, rather than making them "types", he also has them conduct their investigation in a logical, methodical fashion, even as they deal with a trouble maki! ng rival. He also plants clues throughout the text to give the reader a sporting chance to solve the mystery.

Arthur and his successors further respected their readers' intelligence by making the endings of the books logical developments of the stories, rather than coming up with a contrived solution. Granted, the means by which Jupe, Pete and Bob become involved in "The Mystery of the Silver Spider", a later book in the series, is a bit contrived. However, that story is also good, and throughout the series as a whole, the writers don't talk down to their readers.

Readers of the original hardcover editions may remember an illustration on the endpapers that depicted Hitchcock in profile behind a spider web on one page, while the facing page showed Jupe, with magnifying glass, Pete, with tape recorder, and Bob, with a home made walkie-talkie, making their way through a cemetery at night. That drawing exuded an atmosphere of mystery, and Random House might want to! consider duplicating it, sans Hitchcock, of course, in the! current paperback reissues.

In fact, Hitchcock's absense is the only negative aspect of the revised version. He added a touch of realism, because he was a real person. Now, he has been replaced by the fictional characters of Reginald Clarke and Hector Sebastian, and the illusion that Jupe, Pete and Bob might have been real people is gone. This is a minor point, of course, and doesn't affect the stories themselves.

At least not until the series gets to #31, "The Mystery of the Scar-Faced Beggar", the first post-Hitchcock volume. Jupe, Pete and Bob meet Hector Sebastian for the first time in that story-- a meeting which is central to the plot. I hope the series will continue to sell, so we'll see how that problem will be addressed.

Better still, I hope Random House publishes new adventures after the old ones have been reprinted.

At one time I used to own the first 23 titles of AH & The Three Investigators. As I've grown older, I've lost titles until I recently realized I only had two left. I've lamented to my wife, after searching used book stores high and low for the other titles and not finding them, that this was a great blow against childhood reading. I was so glad that they are still being printed and read! The format may be different and Alfred Hitchcock is lamentably missing, but they are still as readable and enjoyable as they were when I was a child!

I highly recommend this series for young readers who dream of adventure and suspense. They invigorated my youth and helped interest me in reading and writing. I hope to God that there are more coming out!

And for those of us who remember Alfred Hitchcock, maybe Random House could put out a collectors series of the books as they were originally released - covers, illustrations and all. I would certainly snap them up!

'Ecological imperialism: The biological expansion of Europe, 900-1900', by A. W. Crosby, is a cogently argued and well written book. The main thesis of the book is that the expansion by Europeans to the Americas, Australia, New Zealand, and a few other enclaves (what Crosby calls the Neo-Europes) wouldn't have succeded if the biota the Europeans brought with them had not suceeded. This biota included not only humans, of course, but pathogens, weeds and grasses, and horses, cattle, goats, and pigs, among the most important. Crosby addresses the reasons why this biota was so succesful in the new territories, and concludes that, in general, the climatic regimes there were sufficiently similar to those of its European origins and the indigenous biota was so 'naive' that 'victory' was almost assured to the invaders. To be sure, this is not an original conclusion, but the wealth of data Crosby uses, along with his synthetic power and sense of humor, makes of this book an enjoyable and thought-provoking read. People interested in searching for the biological causes of the successes (and failures!) of Europeans in the world should read this engaging book.

Alfred Crosby's "Ecological Imperialism" is a provocative, well-written and definitely fascinating book. Crosby examines the reason Europeans were able to defeat the Indigenous people in American, Australia and New Zealand. Crosby argues that the biology and ecology factors played tremendous roles in their win. Crosy argues that the weeds, animals and the Europeans best allies, the germs or diseases that they brought with them to the New World dominated the Indigenous people. The Europeans sought to make the New World as similiar to that of the Old World. It was interesting for me because we were taught that the military superiority of the Europeans was the main factor. In addition, Crosy also examines the unsuccessful attempts of the Europeans at dominating Asia and Africa.

"Ecological Imperialism" definitely is a groundbreaking book in the field of environmental history.

The Europeans' displacement and replacement of native peoples in the temperate zones were more a result of "superior" biology than military conquest, according to Crosby in this book.

Europe held an unassailable biotic mix that some native peoples and ecosystems could not withstand. This biota fucntioned as a team wherever Europeans took it. European germs swept aside native peoples. Europe's cattle, pigs and horses filled native biotic niches. European weeds and agriculture squeezed out native plants. This biological expansion of Europe created "Neo-Europes" which still function today in North America, Australia, New Zealand and southern South America.

European imperialism often failed or was considerably delayed in areas where Europe's biota could not prevail. In China much the same biota was already present. Africa, the Amazon and southeast Asia were too hot, too fecund and too disease-ridden for Europe's animals, plants and humans. These areas were among the last to be dominated as a result, and then only briefly, when Europe's technology gave temporary edge to its armies.

I first read this book when I was 14 or 15 years old and it lead to a lifelong interest in the fur trade era and the history of western expansion. I have re-read it several times since and continue to be amazed by it's power. Guthrie's love of the land about which he writes is obvious. His writing is perhaps the most evocative of place that I have ever read. I have never been to the plains or the Rockies, yet from reading this book I have come to feel as though I knew these places when they were still wild. His characters are real and believable people, with strengths and weaknesses and distinctly different personalities. Dick Summers in particular stands out in his humanity - a strong character with a gentle and compassionate side. Guthrie has also obviously studied the details of the mountain man's life. His descriptions of dress, mannerisms, and customs add depth to an already remarkable book. Although certainly not necessary, it might be helpful to keep a good map and/or a guide to Native Americans at hand while reading this book in order to orient yourself to places and tribes as you read. A great book.

I have read The Big Sky three times, and scanned it many more. Having grown up in Browning, MT, this book really takes me home. What sets Guthrie's work apart from other writers of the mountain man genre, is character development. The way characters like Jim Deakins, and Boone Caudill, and Dick Summers, become complete people, is uncanny. The internal dialogues each carry on is fascinating. Jim's thoughts about god are succinct, and( I feel) right on the money. Boone Caudill is a misfit in any society, and the only way he could possibly live and let live, is utterly on his own. He becomes "broody" when in the company of others, and is nowhere near likable. His demeanor is completely opposed to that of Jim Deakins, who is carefree, and refuses to take anything too seriously. Boone's words, upon their meeting, "A man would have to be willing to stand by his partner, come whatever" (a paraphrase), turn out to be very ironic. Dick Summers is really the main character, as his saga continues through "The Way West", and "Fair Land, Fair Land". He is the balance between the two, and the glue that holds the partnership together. This book chronicles the heyday of the fur trade, and signals the end of that era, and the open west. I'd highly recommend it to anyone, be it for it's accurate descriptions of the time, or it's sociological implications. It is not just another mountain man story.

The Big Sky, by A.B Guthrie,tells the too-real-to-be-fiction story of Boone Caudill, Jim Deakins, and Dick Summers. The great description of the area, Northwestern Montana, is 100% accuate, from the indian tribes found in the region, to the local dialects of the men. Guthrie wrote this story as if he were actually in the place of the men, and if everything actually took place in the story. Boone is the stereotypical "mountain man" of the story, the rough, rugged, hard nosed hero. His best friend, Jim Deakins, is the anti-Boone character. Jim can also be considered a mountain man, but his personality is completly different then Boone's. Throughout the book, the characters come to life, where the reader becomes concerned and scared for Boone, Jim, and Dick through their trials. The tone almost throughout the entire story is Paranoia. Thsi is true, because Boone and Jim start to realize their paradise in Montana is becoming new stomping ground for people coming west to settle. Boone then becomes paranoid of people around him, where he finally isolates himself in the woods, with no human contact beside a few blackfeet indians. Boone also becomes weary of staying inside a house, or any space where he is not outside in the free land. He becomes depresed if he is taken out of his habitat for a great period of time, perhaps because he is paranoid that he won't be able to stay in nature any longer if he is stuck outside it. This becomes clear when his father dies, and he travels back to Kentucky. He describes his feelings of Kentucky as follows "He had felt at home outdoors. It was as if the land and sky and wind were friendly, and no need for a pack of people about to make him easy. The wind had a voice to it, and the land lay ready for him, and the sky gave room for his eye and mind. But now he felt different, cramped by the forest that rose thick as grass over him, shutting out the sun and letting him see only a piece of sky now and then, and it faded and closed down like a roof. THe wind was dead here, not even the leaves of the grat poplars, rising high over all the rest, so much as trembled. It was a still, closed-in, broody world, and a man in it went empty and lost inside, as if all that he had counted on was taken away, and he without a friend or an aim or a proper place anywhere."(page 357) Overall, this book is a great book if you love reading a passionate story about a man and his one true love, nature. Boone represents the man with the call of the wild in his soul, and his struggle to keep what he has while he can. Living in Montana, this book is also an interesting story that depicts the lives of people living where I now call home in the 1830's.

"If i think, it all seems absurd to me; if i feel, it all seems strange; if i desire, he who desires is something inside of me."
Sums up the book perfectly. Pessoa explores one of his many personalities. "The Book of Disquiet" explains, in complete depth and faith, the beauty of a lonely, existential, moment by moment life. He explains the beauty that people forget. He explains the world, his perception, as if every moment were the last.
"The book of disquiet" is one of the most insightful books a person can read, but only if one has imagination and an ability to let go. Bernardo Soars, Pessoa's personality who wrote the book, is extreme and eccentric. It isn't easy reading, and it won't affect you if you can't overlook the fact that life doesn't go on like Soars'; that there is more in thinking, dreaming, and desiring than Soars admits. What makes the book so special is how Soars can forget everything but the thought and the moment, and how he can analyze and critique and put into words something that most of us forget to remember. "The book of disquiet" reminds me, at least, of how to appreciate my own mind. It is the only philosophy-like book that i enjoy (as yet) because it is the real thing and encompasses a forgotten part of real life.

What, in all sincerity, can be said of Fernando Pessoa's Book of Disquiet? The book presents us, as with any superb literary work, with a problem of translation. That is, of translating into value (good, bad, average) an expressive incoherence (the aphoristic style) that is manifested in the heteronyms that Pessoa was, in the dispersed identities, and in the fragmentary incursions into the absurd(real) that pervade the book and brings forth the 'disquiet-ness'. 'Conventional' writers need a 'plot'(could be a subject-person, an event etc) as an anchor in which to secure coherence and from which meaning is derived. Pessoa's genius (like Kafka, Beckett, Lawrence, Blanchot) lies in his deliberate abandonment of (monotonous)anchors and his intrepid embrace of diversity(in the most general sense imaginable) and immanence(one feels 'floating' within life). This author will, I am certain, be recognised as one of the greatest European literary genius.

Pessoa was a true acrobat of the imagination. The Book of Disquiet is a collection of epiphanic journal or diary prose kept by Pessoa and found decades after his death. The prose is truly some of the most gorgeous musings about everyday life and existence that any reader could ever find. The poet's world is laid out exquisitly and paradoxically for the entire benefit of those who read.I can't say I've ever found such beauty in the pages of a book before. If you like literature albeit simple or complex this book is something that you will immediately cherish for a very long time.

I have had this book for two and a half years, and it was the first version of the I Ching I ever read. I am writing this review now, after reviewing and comparing quite a few other versions, to tell every person who loves the I Ching to get Master Alfred Huang's, which is by far the best of all, and to all newcomers to the I Ching to save money by buying this version, which is all they'll ever need.

To quote Master Huang, "Many Westerners know the I Ching, but they do not know the Tao of I". I means change; this book is about Changes, a master template to understand change and our place in it. There is no other I Ching I've read which so clearly expounds the Tao of I, the central yet difficult to discern theme of the I Ching. Many versions are limited to defining the meaning of each Hexagram in isolation, or dwell at length on the Yao (Line) texts, neglecting a thorough treatment of the situation expounded by the complete hexagram. Master Huang's Complete I Ching presents the text as a coherent, interrelated whole. The names of the hexagrams are carefully chosen to reflect this connection. The moving lines present the hexagram that will appear after the line changes from yin to yang or viceversa, making it easy to see what the progression of the situation will be. The text presents lots of additional reference information for each hexagram, useful for intermediate to advanced students. The Author also presents fascinating interpretations of the hexagrams based on references to the historical period when the I Ching is said to have been written. All this, compounded with a lucid, terse prose, make this book fascinating and easy to read (so you can keep going back to it time and again).

Master Huang mentions in his preface: "Sometimes when I have used English translations [of the I Ching] to divine, I have felt so depressed....When I use the Chinese text... there is always hope", and comments on his intention to recover this spirit in his translation. I believe he has attained this objective, and surpassed all other translators in presenting this greatest of Chinese classics for the western reader. Bravo, Master Huang! I Ching enthusiasts and newcomers, BUY THIS BOOK!

Alfred Huang is a tai chi master and Taoist professor living on the Island of Maui, Hawai'i. His two books (Complete I Ching published by Inner Traditions and Complete Tai Chi published by Charles E. Tuttle) are both scholarly works. The approach taken by Alfred's translation of the I Ching is different from the Wilhelm-inspired tradition. Most such books, following the Wilhelm mode, have provided interpretation as part of their translation. The Chinese text of the I Ching is even more imagery oriented -- more inscrutable, to some -- than most such translations tolerate. The strength of that imagery is its ability to inspire personal insights. Alfred's book presents a careful transposition of Chinese images of the I Ching into English, with as little elaboration as possible. He then provides his own separate interpretative ideas and comments, but the text of King Wen and the Duke of Zhou are rendered as closely as possible to the original Chinese metap! hor. Alfred's book also introduces more detail with regard to the nature of the names of the gua, implications of their ideographs and nuances of their meaning. It is a scholarly, ground-breaking work that should capture the interest of Western readers. Additionally, Alfred has introduced the concept of the Tao of I that is inherent, although not expressed directly, in the I Ching. He also explains how the sequence of the gua is not random but has coherence, representing a recurrent cycle. Alfred explains how the I Ching describes the unity of Heaven and Humanity and further explains in some detail how specific aspects of each gua are associated with his interpretation of the history of King Wen and the Zhou Dynasty. The Complete I Ching is a carefully researched and meticulously translated rendering of the original Chinese text that should be appreciated for the accuracy of its metaphorical imagery.

ALL of the English translations available have failed to achieve the open-endedness of this work. In the beginning of one's study of I Ching, one does not notice so much that the translation is actually muddying the waters. After many many years and digesting many situations, one comes to feel by intuition that the translations, especially Wilhelm, go completely off track at many points. For one thing, it is difficult to live in a world as delineated into "Superior Men" and "Inferior Men" as the Wilhelm translation has it. The terms are so absolute that thinking of one's fellows in them can actually CAUSE errors in action or perception when one is using the book as an oracle. Master Huang uses much less severe terms, which do not carry the harshness of many translations. He himself commented that his own experience with English translations used for oracles could depress him so badly he didn't want to try again! I agree completely from my own experience. This is just something one has to experience through many years to appreciate. The translation is EVERYTHING.

Master Huang's is the cleanest, clearest, least "contaminated" version available I think. "Neutral" might be a way to state this.

Reading the reviews of this book, I expected a thrilling, well-told adventure. It exceeded my expectations and, like many other reviewers, I found that after a certain point in the book I simply couldn't put the book down. It would have been like leaving those brave men alone in the freezing ice and water. The events described in this book are so well known, suffice to say this is the story of Earnest Shackleton's 1914 Arctic expedition, in which Shackleton and his men hoped to cross the continent on foot. They never even made landfall, and their ship was trapped, and then slowly crushed in the ice. Thus begins the incredible story.

One of the strengths of the book is the elegant, slowly building power of Alfred Lansing's prose. He hits the perfect pitch, not sensational and yet not a dry retelling of facts. His writing is very clean, cuts right to the quick, and is full of perfect details. The book is also full of journal entries from several of the men, and most of these are masterpieces of understatement and courage. I won't even begin to describe the elements and details of the hardships these men faced. I simply don't know how they kept going, kept trying, in the face of such awesome, soul-crushing circumstances.

This book, to say the least, is a testament to the survival instinct in men - the surprising deep need the human animal has to simply stay alive, no matter what. And, of course, the book is a testament to the men of the Endurance. The author puts it best in the book's dedication: "In appreciation for whatever it is that makes men accomplish the impossible."

The suspense is real - it is cold as ice - and it builds and builds, in Lansing's superb retelling, until the final climax.

Many Amazon.com readers will realize that Lansing's tale is actually a fairly old book right now. It was written after World War II when many of the members of the expedition (but not Shackleton) were still alive and could be interviewed. This book is their story as much as that of the author, Lansing.

In their stories we see a bunch of men from the Edwardian British Isles - one of the most class-ridden societies the world has ever seen - learn to work together. These men were not perfect. Every reader will find someone in the "Endurance" whom he or she will identify with. Whatever their flaws, they were able to accomplish the impossible.

Most people who read this review will know how the story ends, so I am not giving anything away when I say that it is just as much a triumph of the human spirit as it was when it was first told, decades ago. Today Lansing's book is both a classic and a best seller, a tribute to the fact that we need stories like these, and are not ashamed to admit the fact that we need them.

After turning over the last leaf of Lansing's riveting account, I was compelled to drop everything I was doing and get on a ship headed to South Georgia, where I humbly paid my respects at Sir Ernest Shackleton's idyllic resting place right on the shores of Grytviken Harbor. This remote island figures prominently in a story that gives revitalized meaning to words like "adventure", "hardship", "soul", and of course "endurance". From the book's very first proclamation ("The story you are about to read is true") to its final implication ("These were men!"), Lansing engages the reader with successively awe-inspiring and head-shaking tales, anecdotes and journal quotes. Lansing's narrative is also more engaging than personal accounts written by the protagonists themselves (Shackleton's "South" and Worsley's "Shackleton's Boat Journey") because their very acts of heroism are modestly downplayed in the first person. Lansing holds nothing back in his respectful tribute. The only drawback is a lack of illustrations and maps on the original hardcover version.

Finding Buck McHenry

By Danny

Imagine that you were on a baseball team with no coach and the worst team then you'll love Finding Buck McHenry by Alfred Slote.
Jason has a decision to make is worrying about baseball cards or about Little League. Jason is a normal character not looking for much but a coach for his Little League team. About a couple of later he finds a coach named Buck McHenry and a sponsor and a couple of good key players. Now there team is unstoppable. A hit here and there puts the team in the championship. In the championship Jason needs on more hit to drive in the runner at third for the winning run but dose he get it you will have to read it to find out what happens to Jason and the miracle team of Little League.
This book is a fictional book and an excellent choice to read for a book. So if you like baseball and some adventure (when finding coach and championship) then pick up a copy of Finding Buck McHenry by Alfred Slote.

I knew we had a great book on our hands when my son called me into his room and begged me to read the last two pages of this book because they "brought tears to his eyes." I knew then that Finding Buck McHenry was the book that had turned by son from a person who reads,into a person who enters the heart of a book and is transformed by it. Hurrah! Not only does this book have a compelling story, but it teaches a good deal about the old Negro Leagues and the heroes of those long forgotten times. This touching story inspires all who read it

I can feel it in my bones, this old Negro League book touched me like a jagged bolt of lightning! This heart- wrenching novel is a dramatic masterpiece. It made me feel good because I can really relate to Buck. I know that when I was being chased down the street by someone who thought I was Mickey Mantle, I was just as upset as Buck. In fact, it brought me to tears because Buck was not a real person and I could not talk to him about our similarities. The closest I could get to Buck McHenry was talking to the picture of him on this extraordinary novel. Watching the movie, starring Ossie Davis as Buck, is the highlight of every day. I watch it religously at 12:24pm and 7:02pm, and sometimes at 3:46am when I've got Buck on the mind. He is truly the biggest inspiration in my life. Jason (hottie) Ross believes the school janitor is an old negro league player with a scar like a jagged bolt of lighting, from a scrape with the law, on his leg. I could feel it in my bones that Jason would find the scar shaped like a jagged bolt of lightning on the old Negro Leauge player. Jason, Kim and Aaron alone make up the team "Sluggers", coached by who is thought to ba an Old Negro League player. However, we will not ruin the ending of this story, like Bridget (you know who you are) did for me. Thanks a lot! :( One thing I can tell you about the end of the movie is there is an exciting cheer from a crowd screaming: BUCK! MACK! BUCK! MACK! This gets my heart racing, causing me to take my medication, every time. There are also humorous supporting characters such as the baseball card shop man who says: "Since when did I become an adult! " This line gets me reaching for my medication every time! I am so crazy about this movie! In fact, all my clothes have the 4 which the newscasters wear embroidered onto them! I recently visited the town in which they filmed this movie and took the sign welcoming me to the city. It is now hanging above my bed where I can view it every night. I would recommend this book and the movie to anyone because it is wonderful, inspirational and a joy to read or watch again and again and again. It has made me believe in myself, that yes, I can be just like Buck! Buck McHenry is my hero, and the hero of anyone who will take the time to read this book.

For anyone interested in why computers and the net are the way they are today, this entertaining and well-written account is essential. Using Licklider as the fulcrum, it covers the origins of computer science, interactive computing, and the internetworked PC world we live with today in a very personal way. It provides an insight into how these ideas evolved and how the personalities behind them animated that evolution. It is admittedly a very MIT/ARPA centric history, but given that's where many of these ideas had their genesis, it does a good job of covering a large amount of the territory of modern computing history. The one question the book leaves unanswered is why the field has not evolved further in the last twenty years. After all, as Waldrop demonstrates, the seeds of what we take for granted today were demonstrably in place 20-25 years ago.

Everyone has heard about the amazing ideas and systems from Xerox PARC, but few realize that this lab was was the culmination of JCR Licklider's vision of personal, interactive computing, not its birthplace. Licklider provided the vision and impetus to form the ARPA-funded core of computer science research, which lead to Douglas Englebart's windows and mice, Xerox PARC's innovations, and the Internet. The next time that you hear someone saying that government can't do anything well, give them a copy of this book.

This book is a fascinating, well-written exposition of Licklider's life and work, and even more interestingly, the birth of computer science in the United States. I've never before seen this story as a continuous whole, as opposed to a collection of independent breakthroughs. It is a fascinating narrative, and this is a great book.

If The Dream Machine were a novel, you might conclude the author used every writer's technique to make it a thriller. Even though you know the outcome, you wonder how the many "miracles" and lucky breaks it took for the dream to become reality.

"Daniel Deronda" is George Eliot's last and, perhaps, most ambitious novel. It has great literary merit, but I do not think it is her best work. The novel contrasts the lax moral attitudes of the British aristocracy with the focused dedication of the Jewish Zionists. Given the typical anti-Semitic sentiments in Victorian England, and the little known world of the Jews and the Zionist Movement, Ms. Eliot's made a brave and idealistic effort by writing this book.

Ms. Elliot describes the lives of British Jews, a society-within-a-society, of which most of her contemporaries were oblivious, through her hero Daniel Deronda. Through her heroine, Gwendolyn Harleth, who marries for money and power rather than love, Eliot explores a side of human relations that leads only to despair.

Daniel sees Gwendolyn, for the first time, at a roulette table. He is fascinated by her classical, blonde English beauty, and vivacious, self-assured manner. When Ms. Harleth is forced to sell her necklace to pay gambling debts, Deronda, a disapproving observer, buys back the jewelry, anonymously, and returns it to her. This is not the last time the deeply spiritual and altruistic Deronda will feel a need to rescue Gwendolyn.

Daniel was adopted by an English gentleman at an early age. He has received affection, a good education, and to some extent, position, from his guardian. However, Deronda has never been told the story of his true parentage, and sorely feels this lack of roots and his own identity. Not content to play the gentleman, he always appears to be searching for a purpose in life.

Daniel's and Gwendolyn's lives intersect throughout the novel. They feel a strong mutual attraction initially, but Gwendolyn, with incredible passivity, decides to marry someone she knows is a scoundrel, for his wealth. The decision will haunt her as her life becomes a nightmare with the sadistic Mr. Harcourt, her husband.

At about the same time, Daniel inadvertently saves a young woman from suicide. He finds young Mirah Lapidoth, near drowning, by the river and takes her to a friend's home to recover. There she is made welcome and asked to stay. She is a Jewess, abducted from her mother years before, by her father, who wanted to use the child's talent as a singer to earn money. When young Mirah forced her voice beyond its limits, and lost her ability to sing, her father abandoned her. She has never been able to reunite with her mother and brother, and was alone and destitute, until Daniel found her. Daniel, in his search for Mirah's family, meets the Cohens, a Jewish shop owner and his kin. Deronda feels an immediate affinity with them and visits often. He also comes to know a Jewish philosopher and Zionist, Mordecai, and they forge a strong bond of friendship.

Daniel finally does discover his identity, and has a very poignant and strange meeting with his mother. He had been actively taking steps to make a meaningful existence for himself, and with the new information about his parents and heritage, he leaves England with a wife, for a new homeland and future.

One of the novel's most moving scenes is when Daniel and Gwendolyn meet for the last time. Gwendolyn has grown from a self-centered young woman to a mature, thoughtful adult, who has suffered and grown strong.

The author is one of my favorites and her writing is exceptional. This particular novel, however, became occasionally tedious with Ms. Eliot's monologues, and the book's length. Her characters are fascinating, original as always, and well drawn. The contrast between the lives of the British aristocracy, the emerging middle class, and the Jewish community gives the reader an extraordinary glimpse into three totally different worlds in Victorian England. A fine book and a wonderful reading experience.

George Eliot's final novel is both riveting and problematic. Many critics have called it "two books in one" -- some have even said that the two strands of the book should have been *separated*. One plotline follows Gwendolen Harleth, a spoiled and beautiful girl fallen on hard financial times, and what happens when she marries a soulless aristocrat...the other plotline concerns the title character, Daniel, who is drawn into the revelation of his true Jewish ancestry. George Eliot is a Novelist of the Mind...she dissects the motivations and psyches of her characters, setting them against the society they inhabit and examining interaction both with that society and with the other people it encompasses. This is a stirring novel, with sharply-etched characterizations : not a melodrama or a potboiler, yet still with the drive of a thriller.

Daniel Deronda is a brave piece of literature. It attempts to chronicle the budding Zionist movement and anti-semitic attitudes of Victorian society, and combine it with a more traditional George Eliot soul-searching story of a young woman (a gentile who has a complex relationship with Daniel Deronda, the young Englishman who discovers he is a Jew). While many people have quibbled about various details of the story, with some justification, the overall impact is one of awe. It's amazing how an accomplished writer defies popular criticism and explores a subject matter which was, at the time, politically incorrect.

Strictly speaking, Daniel Deronda isn't quite the same level of immaculate fiction as Middlemarch. So I think George Eliot fans will be somewhat disappointed. But on the positive side, the book is much more accessible (ie, easier to read). And the subject matter makes it required reading for everyone interested in modern Judaism/Zionism. It's fascinating to compare how Jews were perceived during the mid-1800s relative to today (..in western Europe).

Finally, the Penguin Classic edition of Daniel Deronda has both great Notes and Introductory sections (which, oddly, is supposed to be read AFTER reading the book).