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Starting with "The Beggar's Opera" of 1728, the history of the genre is traced up to the time of writing, meaning "Les Miserables." Along the way, we consider operetta, the English Music Hall, American vaudeville, the review, the book show, the familiar, the off-beat, the dead ends, the highly influential. And the London stage gets a good deal of attention also, thereby introducing a lot of material not very well known to those better versed in the American musical.
As with any good effort of this sort, a strong connection is drawn between the changing times and the changing concepts of what a musical should be. The importance of "Show Boat" is not glossed over, for example, nor is the other shock caused by "Pal Joey." The reliance of Lloyd Webber on staging is mentioned but not his lack of more than one fairly memorable melody per show. In general, the tone is upbeat and positive.
But this is a recording. While it could never include all the information found in a book, its dozens of recorded examples are what makes this set priceless. Where possible, the oldest "original cast" recordings are used. On the other hand, there are some strange exceptions such as "Hey there" from "Pajama Game" being sung not by John Raitt but by Ron Raines on the Jay recording. I suspect this is because Criswell is in the cast of that set.
Again, this set is in tape and CD formats. For educational purposes, the CDs offer direct access to any show under discussion--and the CDs are very generously divided into nearly 200 tracks! Very considerate of the producers. The booklet offers a nice little personal essay by Criswell. So if I have any complaint about this set, it is that I wish it were twice as long.
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I highly recommend this book for anyone who wants to start their child down the path of enjoying history.
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Actually, I would rather give it 9 of 10 stars, due to the art. Pratt's painted pages are great, but they're not very detailed, so it's hard to decipher exactly what's occurring at times. Still, it's a minor problem. DC should put it back in print.
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The book was written in 1976, and as such does not cover the more recent developments, though the bibliography has been updated (to a limited degree) for the current 1998 paperback edition. However, after all these years, it remains *the* introduction to the subject (with the possible exception of chapter 14 on computational methods, which is definitely outdated), and can be supplemented only by Gaspar and Rahman's 'Basic Hypergeometric Series'. I taught a higher undergraduate level course based on chapters 1, 2, 3, 7 and 9, and my students definitely found these chapters to be highly readable.
My one and only complaint is to Cambridge University Press: Dover has shown that paperbacks can be produced in such a way that they can be opened completely flat without being damaged, and quite cheaply too. Why can't you adopt the same technology?
I have read all the books written about and by George Anderson and have found this one to be the most helpful by far. I have met people who have had readings with him, who testify to his ability, and have attended one of his seminars. He is an incredible man with an incredible gift.
George Anderson and Andrew Barone, who is executive director of the George Anderson Grief Support program, and a co-founder of the Foundation for Hope are two names I had never heard of until now but two names I will remember forever for their kindness in this moment! ...
One of the unique issues that he deals with is that suffering, whether physical or emotional, is worth going through, because of the rewards it brings in the afterlife. I wish he went into some detail about what those rewards are.
He is also the first author I've read who makes the point that the souls want very much to communicate with us. And he brings a unique interpretation of suicide, which is the most humane and gentle interpretation I've seen.
This is a very compassionate and uplifting book. I give him credit for taking on the religious right squarely, with a right cross, by saying flat out that there is no devil. Many Americans, particularly in the south, believe strongly in the existence of the devil, and George Anderson doesn't mince words when he tells them that they are dead wrong.
There are so many books dealing with subjects of marginal interest. This one deals with what will happen to you after you die. And George Anderson definitely seems on the level.
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This book has the history of the Paris Opera, then it goes on to tell how Gaston Leroux came up with Phantom, then the film versions of Phantom, then, of course, the Lloyd Webber version.
This book is perfect for the true Phantom Phan!