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I picked it up and read it on a plane all in one sitting. This book is a perfect book for that because it pulls you into a little web of a community (Englishman, Sikhs, and Eurasians barricaded in an English encampment, fighting against an Indian uprising in 1857). You start forming alliances with the characters, cheering some, scorning others, and smiling wryly over the overall dilemma they are in, and soon you really want to know what will finally kill them all off. For all of these reasons, this is a good book. From my point of view, the absolutely most fascinating part was the role the World Fair Exposition played in this book as evidence of cultural progress, bringing these Expositions to the brilliant context they deserve, and the fact that these expats in the middle of the dessert think excessively about culture. I identify with that! However, I do see detractions to the book. It is slow in parts. Their treatment of the local prince seems weird. The cholera debate is unsurprising. The end comes quickly and adds no real lessons to the whole ordeal the community went through. For these reasons, I am not exactly rushing out to give it to my mom. However, for any serious reader and certainly for a follower of the Booker Prize, this book is well worth the trouble finding.
Whether it be the topics of theology, science and pseudo-science, relationships between the sexes, colonialism, or the way that we respond to extreme circumstances, all are handled intelligently. To my delight Farrell didn't try to give characters modern attitudes or feelings (the bane of much historical fiction) in order to make them more 'appealing' to the reader. Instead, what is most fascinating about the story is to think about how the individual reacts to change, and especially change arising from terrible events. The changes that particular characters undergo are simultaneously humorous and absolutely believable. This is an excellent read if you already have an interest in India, or in the impact that westerners have had upon other cultures. If you haven't when you begin, you may well find that you have before you finish.
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The author oversimplifies the relationship between Joan, the Fair Maid of Kent, and Edward, the Black Prince, by calling them cousins. Joan's father, Edmund, was both a half brother of Edward II and a cousin of Edward II's wife, Isobel of France (who contrary to the motion picture, never had any contact with Wallace). A grand-daughter of Joan and Sir Thomas Holland would marry John Beaufort, a nephew of Edward the Black Prince, and a daughter of that marriage would later marry King James I of Scotland with descent to the present royal family.
It is actually the NINTH book in the series. It may only appear to be the fourth due to the fact that Tor only included in the list of previous books those which had been published by Tor. The rest of the series was published by Ace Fantasy, with the exception of the very first book, The Dragon and the George, which was published by Del Rey in 1976.
Essentially, I just didn't want anyone to miss any of the books out of this wonderful series. Happy reading!
What makes Dickson so good that he has managed to author two major series (the dragon series and the Dorsai series) and innumerable other novels and collections? Personally I would call it superior plot making, intense dedication to details, and yes, heaps of talent. Dickson always takes the necessary time to draw his characters out fully, be they James Eckhart the knight/apprentice mage/sometimes dragon who is the hero of the story or the lowly master carpenter who keeps James in everything from chairs to outhouses. And he goes to know end of trouble to make sure that the reader painlessly acquires enough 14th century lore to make sense out of the goings on.
This volume finds James at Malencontri, his castle, trying to cope with both a plague of Plantagenet nobility and the very real plague which is advancing into James part of England. In addition, Carolinus, James mage master (one of the three AAA+ mages in the world, he'll have you know) is insisting that the King be protected at all costs. The Plantagenets on hand are Prince Edward the Fourth, the king's son and the beautiful Countess Joan, the Fair Maid of Kent. All they want is James assistance in a plot to make Edward the Third fond of Edward the Fourth again. This plot becomes ever more complicated until James finds himself commanded to appear before the King at Tiverton, where Edward III has retired to avoid the plague in London.
While this complexity develops James works overtime to prepare Malencontri against the plague. Since James and his wife Angie are actually visitors from our time who were unexpectedly thrust into the 14th century of an alternate earth, they know something of germs and disease protection. Since magic will not work on diseases, it is this knowledge which it their only hope. In the midst of all this confusion and stress, the EcKharts, their closest friends and Hob (the castle hobgoblin) are off to Tiverton to see the King.
Thanks to Hob, James is able to discover that an evil plot is afoot at Tiverton. Goblins, who are spreading the plague in order to take over the world, have slain the real castle staff and are now running it in disguise. James, due to his commitment to keep the king alive, goes into action. Since this is less that a third of the way into the book, it should be no surprise that Jim manages to use a small handful of men and knights (plus the unstoppable Hob and his buddy the hob of Tiverton) to completely mop up the Goblins and airlift everyone to Malencontri. Unfortunately James comes down with both the plague and magickal exhaustion simultaneously. Does he survive? Of course! Does he spend the rest of the book frantically trying to save Malencontri and the rest of England? You bet, but I will leave the rest of the plot for the reader to discover.
With this, fourth, volume in the series, it is getting a bit harder to simply pick up a volume and follow along. First of all you keep getting the feeling that you have missed several really good books, which you have. Secondly, there is simply too much background after three solid novels to present enough information to the reader. This isn't all bad though, you will get to read several very good fantasy tales. And if you do wind up reading it first, you will still love it enough to come back to read a second time. Highly recommended.
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A fine story with Farrell at his best, he writes in his usual style with which many have become familiar with, it is sure not to disappoint fans of "The Siege of Krishnapur." A classic that should be on every book shelf in every home.
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His explanations are elegant, simple and fascinating. I can't think of higher praise for someone trying to make sense of a discipline as complicated as materials science.
The problem with most academics is an inherent need to appear learned. This leads to obscure and convoluted explanations that are, if not overtly, at least subconsciously designed to maintain the gap between the ignorant masses and the enlightened adepts. Even when such academics make a conscious attempt to simplify, their efforts are too often sabotaged by the bad habits of a lifetime.
This is why good popularisers are so difficult to come by, and why the Gordons of the world should be so prized.
This book isn't just about the science of materials, but about how such an exotic subject actually connects with our everyday lives. We live in a certain way, and not in a different way, because of the strengths, weaknesses, costs and working difficulties in the materials that we use. I don't think most laymen ever bother thinking about the world in quite this way.
This book is not actually meant for engineers or scientists, although most such technos would greatly benefit from reading it (if only to learn the meaning of true grasp and clarity). Its true benefit is to those curious laymen who wish to know more, but who find the usual explanations beyond them.
This book should be required reading for all undergraduates, not just aspiring scientists or engineers. In fact, it should be especially required for non-technical types.