It is a very detailed, helpful and inspiring vegetable gardening book. I go through the book almost every week. Nice pictures and writing style. I hope Mr. Ed Smith will write more books on vegetable gardening!

I absolutely love this book. The gardening system is sound and organic, and it is presented in clear, simple language in a lovely, easy-to-grasp design. So often gardening books are long on written advice but short on visuals. Or they are ONLY visuals, with the text nothing more than captions. This book has it all.

The title says it all. This is my vegetable bible. Being a novice, I was looking for something as simple and informative as a "Dummies" book but without insulting my intelligence. Not only is all the information you need to start or continue a garden, the pictures fill in details that as a first time grower I might not quite understand in words. His explanations are simple, concise and extremely informative. Most of all, it's filled with little hints throughout the book so that you may have a successful garden. It was the best purchase I had made on a gardening book so far. Thank you Ed! Happy growing!

This is a solid, powerful, stunning, and most biblical text from both Jonathan Edwards and John Piper. This book includes Edward's essay titled "The End for Which God Created the World," along with comments and further delineation from John Piper. To read Edwards sometimes takes much concentration and hard work, and Piper has done a great job bringing this work to life.

The first part of the book is an introduction to Edwards's work, by Piper (a sort of commentary, if you will), and the later part is the actual work of Edwards's. Piper begins by expressing his concern about the issue at hand, and then leads into a discussion of not only Edwards's life but his work as well. Piper comments on Edwards's conclusions in relation to Piper's concerns in his current ministry and then allows the reader to take what Piper has discussed and make application of it through Edwards's original work.

The thing I find most interesting about this work is its relevancy. What I mean by this is the fact that Edwards's wrote this work 200+ years ago and it is still pertinent to our own culture today (sure proof that the Truths of God endure forever). This is a great text, solid theology, and extremely relevant reading for today. I heartily recommend this work!

In this book John Piper reprints Edwards' classic, The End for Which God Created the World. The first four chapters include the insightful commentary about Edwards' work along with Piper's own reasoning for reprinting the work in the climate of today's theologically shallow church. Edwards' work is difficult reading, but his reason and biblical arguments are irrefutable as he explains that God's glory is the ultimate purpose and chief end of everything that exists.

This tremendous book is divided into 2 sections the first is somewhat of an introduction by Piper to the second part which is "The End For Which THe World Was Created" by Jonathan Edwards. While Piper is always a "deep read" he is likewise an accurate shot. His insights and command of the simplicity of the sovereignty of God are a blessing tothe church today.

Jonathan Edwards, primarliy known for his sermon, "Sinners in the Hand of An Angry God" goes beyond his sermon and eloquently states that we are here to fulfill a purpose... to glorify God and yet that one singluar purpose is the essence of our own joy and peace. What a place of rest this is.

Regardless of all the wonderful things Piper has written and, I love them all... this may well turn out to be one of Piper's greatest acomplishments: the reintorduction of Jonathan Edwards to the church.

I have not only recently read, but also studied, Part I of L. Edward Hazelbaker's unabridged revision of John Bunyan's Pilgrim's Progress. Last summer I taught Pilgrim's Progress in my elementary Sunday School class and I wish I would have known of this book then. I have also done a college level research paper on Pilgrim's Progress. Not only does Hazelbaker make Pilgrim's Progress reader-friendly, he includes Bunyan's annotations in the text, as well as many annotations of his own. The annotations help the reader to experience more than a pilgrimage with Christian to Celestial City, but an in-depth Bible study as well. Other features the book includes are a brief description of Bunyan's life, a comparison outline of events in Parts I and II, and an index.

Access to Bunyan's scripture references gives the serious reader the opportunity to better his or her understanding of Bunyan's work while Hazelbaker's references and annotations also compliment the text. Hazelbaker, for example, elaborates on the importance of the seal that a Shining One (an angel) places upon Christian's forehead and on the Document given to him. Hazelbaker also offers his audience a clear and detailed understanding of the "Family" that resides in the palace called Beautiful. The reader will appreciate Hazelbaker's explanation of Bunyan's reference to "the goods of Rome" at Vanity Fair and why it would have been significant to the first readers of The Pilgrim's Progress. Hazelbaker also takes the time to explain to the reader why he uses the word "coat" for "bosom." These are only a few of the many helpful annotations Hazelbaker includes in his work.

In studying Hazelbaker's translation I referred to an early edition of Bunyan's several times. Each time I found Hazelbaker's translation true to Bunyan. Hazelbaker has made special effort to maintain the characteristic qualities and message of Bunyan's original work. In the translation process, he manages to preserve Bunyan's work by keeping himself removed from the text. This is his duty and obligation as a translator. His translation is, in all honesty, unabridged and non-paraphrased.

Of the 215 pages I have studied to date, I have found only one minor word choice in Hazelbaker's translation that I wish he would not have made. He translates Bunyan's "cartloads" with "truckloads" in the Swamp of Despondence episode. Although, by definition, "truckloads" is acceptable, it too easily causes confusion for the modern reader who thinks of pickups and tractor-trailers when he reads "truckloads." This is certainly a minor concern, but I mention it in an effort to objective.

Hazelbaker has done an exceptional job of making Bunyan's beautiful classic more appealing to the modern audience. This unabridged version is suitable for readers from middle and upper elementary ages to adults. I am glad to see that Hazelbaker has taken the time and made the effort to offer his audience a version of Pilgrim's Progress that is not watered-down and compromised. It definitely deserves a place in any library.

This was an enjoyable read for me. The allegory of Christian on the road to eternal life was interesting for the sense of adventure. It was also revealing in its depiction of experiences common to myself. I was surprised to see my own journey described so clearly in some parts. Just knowing that I am not alone in my experience is a great source of comfort in my spiritual relationship. John Bunyan (1628-1688) was a remarkable and courageous individual. He was a tinker inspired to preach the gospel. He was rewarded for his effort with a prison term lasting 12 years. His time in prison was well-spent because he wrote his first book "Grace Abounding" and started "Pilgrim's Progress" during his incarceration. Up until the 20th century, there was hardly an English-speaking household which did not own a copy of this book. It was often used as a reading primer. After the Bible (KJV), this classic allegory has been the best-selling Christian book and has influenced English literature and thought through the four centuries in which it has been in print. There are so many delightful and thought provoking tales in this book, there is not enough room to tell nearly enough of them. I will relate but one example: Presenting the subtle diversion which a desire for worldly success can bring, Bunyan writes, "'First,' said Mr Moneylove, 'becoming religious is a virtue, regardless of the means he employed to be so. Second - it's not unlawful to get a rich wife or to bring more business to his shop. Third - the man who gets these by becoming religious gets things that are good from them who are good by becoming good himself. So then, here are a good wife, good customers, and good gain; and he has gotten all these things by becoming religious, which is good. Becoming religious in order to get all these things, therefore, is a good and profitable intention.'"

To which, Bunyan counters, "Then Christian said, 'Even a babe in religion may answer ten thousand such questions. If it is unlawful to follow Christ to obtain loaves, as shown in John six, how much more abominable is it to make of Him and religion a stalking-horse to get and enjoy the world?'" If you are interested in Protestant preaching as it existed in 17th century England, or you would like to understand what the Christian journey is about, this book will be interesting to you.

I have owned the Pilgrim's Progress for years but have never read it. I started and then thought the book was boring and hard to read so I promptly quit. The original language is somewhat hard to understand so purchasing a book with notes and added definitions is helpful.
However, since beginning to really read it, I have found I was completely wrong. This is one of the most influential and captivating books I have ever read. The powerful allusions to the Bible are abundant and threaded in carefully. It paints a vivid picture of the Christian life and the struggles, temptations, and tests that come with that path.
Although it was mostly written for Christians, I am sure that this book can be enjoyable to almost anyone. To Christians, however, it is an encouragement. It helps you remember that there is a reason to press on and that you're not in it alone.
This book is an amazing illustration of a classic allegory. It is uplifting and inspiring. I am truly happy I read it.

I loved this book, me! I grew up on that little island, barely 5 miles long and 4 miles wide, but a whole country unto itself! The place defies the physics of Geography! It's tiny, but it's vast too. Like the story of our friend Mr. Ebenezer Le Page, the simplicity of the lives of the inter connected characters, colourful and quirky, defies the closeness of the shores. GB Edwards' posthumous writings capture the essence of the folk and the place as well, possibly better, than any book about anybody, anywhere. I highly encourage anyone who reads this story to find out as much about Guernsey as possible, perhaps even go there (visit Victor Hugo's house), then read it again for the first time. Utterly enchanting!

It was like a book that, at first, I'd never heard of, and I was destined to read. I was on a sales trip, visiting the Channel Islands on a whistle stop tour, but still wanted to take my family with me to share the sights of Guernsey. We were waiting to catch the ferry home, having lunch in a pub in the centre of town and for some reason or other, I got talking to a gent who was visiting the Island, simply to put a place to the names described in a book he had just read. The Book of Ebenezer Le Page. He assured me that if I ever came upon this book and read it, I would love it. The following weeks, back on 'the mainland', during other sales trips, covering all other towns, I would just pop into second hand book stores to see (even though I had no idea what the book looked like.) I was in Lyme Regis, again I went into a book store and I felt compelled to ask them if they had a copy of the book. It only turned out that this particular book store specialised in books by John Fowles, The writer of the forword. The particular book was out of print, but YES they had copies. "Hard back or paper back", they offered. Well, needless to say, I have just finished the book and I am now left with a sadness at almost having left a friend behind. At least I had the fortune to share a piece of Ebenezer Le Page's life.

I loved this book, me!

I grew up on that little island, barely 5 miles long and 4 miles wide, but a whole country unto itself! The place defies the physics of Geography! It's tiny, but it's vast too. Like the story of our friend Mr. Ebenezer Le Page, the simplicity of the lives of the inter connected characters, colourful and quirky, defies the closeness of the shores.

GB Edwards' posthumous writings capture the essence of the folk and the place as well, possibly better, than any book about anybody, anywhere. I highly encourage anyone who reads this story to find out as much about Guernsey as possible, perhaps even go there (visit Victor Hugo's house), then read it again for the first time.

Utterly enchanting! Haunting! Simply brilliant!

The artwork in Amphigorey is absolutely amazing. The style is reminiscent of a very old cartoon. Every single frame of each story is so detailed, and the lines are so intricate and precise, it's as if Gorey spent days on each drawing.

The stories which are illustrated by these drawings are very creepy. Many of the stories are incredibly pointless. Some of them end awfully, others don't really end at all. Some aren't stories, but rather collections of poems with a title. At times, things get quite disgusting. For example, in one set of alphabetical poems entitled "The Fatal Lozenge," the last poem goes like this:

The ZOUAVE used to war and battle
Would sooner take a life than not:
It scarcely has begun to prattle
When he impales a hapless tot.

This is accompanied by an illustration of a baby pinned through its abdomen with a sword and blood dripping down. But no matter what, everything in this collection is interesting and unique. This book is at no time dull or boring. Plus, it makes a great conversation piece. I love showing people my Amphigorey book! Most people have never heard of Edward Gorey and are entirely surprised that such a bizarre book even exists.

In any case, if you don't already have it, you should definitely get this book! It's such a great thing to have around the house, you'll never regret owning it!

When I first picked up this book, I had no idea what to expect. I was even more bewildered when I opened it up and looked at the drawings. I thought to myself, what in the world is this? Then I started reading.

Edward Gorey's work is at times subtle or broad, ironic or slaptstick, and always brilliant. How dare this man call himself a children's book author! His books are for everyone, not just tots. Startlingly funny and morbid, the books in this volume (and his other collections) will make the reader laugh and snicker until they are sick. The dark humor of "the Gashlycrumb Tinies", the burlesque of "the Curious Sofa", the absurdity of "the Doubtful Guest", the dry wit of "the Unstrung Harp", every story is different. Every story is a gem. Gorey's books are a must-have for absolutely everybody.

You have not fully lived until you have read Amphigorey!
With it's delightful pieces of artwork and sometimes unintellgible use of verse Edward Gorey's first fifteen books come together in what I would call a brilliant spectacle of cloaked and sometimes deceased spectres.
With stories such as The Hapless Child a story my fifty year old father described as sad and twistedly morbid (needless to say he never asked to look at the book again) and The Curious Sofa a story that hints pornographic ideals but does not detail or embellish them will revoulting sex scenes...the story's lines just merely plant naughty thoughts in your head and your brain travels on from there, it is a classic book, a book I've cherished for years and would love to see referred to as a classic work of art rather than mere fiction and humor!

Despite the criticisms levelled at Trollope for his "authorial intrusions" (see Henry James for example) this novel is always a pleasure to read. The characters take precedence over the plot, as in any Trollopian fiction and this is what makes a novel like BARCHESTER more palatable to the modern reader, as compared to any of Dickens's. Some readers may find the ecclesiastical terms confusing at first but with a little help (see the Penguin introduction for example), all becomes clear. What is important, however, is the interaction between the all-too-human characters and in this novel there are plenty of situations to keep you, the reader, amused.

Do yourself a favour and take a trip back into Nineteenth century where technology is just a blink in everyone's eye. What you will discover, however, is that human beings have not really changed, just the conventions have.

I rushed home every day after work to read a little more of this Trollope comedy. The book starts out with the death of a bishop during a change in political power. The new bishop is a puppet to his wife Mrs. Proudie and her protégé Mr. Slope. Along the way we meet outrageous clergymen, a seductive invalid from Italy, and a whole host of delightfully ridiculous characters. Trollope has designed most of these characters to be "over the top". I kept wondering what a film version starring the Monty Python characters would look like. He wrote an equivalent of a soap opera, only it doesn't take place at the "hospital", it takes place with the bishops. Some of the characters you love, some of the characters you hate, and then there are those you love to hate. Trollope speaks to the reader throughout the novel using the mimetic voice, so we feel like we are at a cocktail party and these 19th century characters are our friends (or at least the people we're avoiding at the party!). The themes and characters are timeless. The book deals with power, especially power struggles between the sexes. We encounter greed, love, desperation, seductive sirens, and generosity. Like many books of this time period however, the modern reader has to give it a chance. No one is murdered on the first page, and it takes quite a few chapters for the action to pick up. But pick up it does by page 70, and accelerates into a raucously funny novel from there. Although I didn't read the Warden, I didn't feel lost and I'm curious to read the rest of this series after finishing this book. Enjoy!

This is the second of the six Barsetshire novels, and the first great novel in that series. THE WARDEN, while pleasant, primarily serves as a prequel to this novel. To be honest, if Trollope had not gone on to write BARCHESTER TOWERS, there would not be any real reason to read THE WARDEN. But because it introduces us to characters and situations that are crucial to BARCHESTER TOWERS, one really ought to have read THE WARDEN before reading this novel.

Trollope presents a dilemma for most readers. On the one hand, he wrote an enormous number of very good novels. On the other hand, he wrote no masterpieces. None of Trollope's books can stand comparison with the best work of Jane Austen, Flaubert, Dickens, George Eliot, Tolstoy, or Dostoevsky. On the other hand, none of those writers wrote anywhere near as many excellent as Trollope did. He may not have been a very great writer, but he was a very good one, and perhaps the most prolific good novelist who ever lived. Conservatively assessing his output, Trollope wrote at least 20 good novels. Trollope may not have been a genius, but he did possess a genius for consistency.

So, what to read? Trollope's wrote two very good series, two other novels that could be considered minor classics, and several other first rate novels. I recommend to friends that they try the Barsetshire novels, and then, if they find themselves hooked, to go on to read the Political series of novels (sometimes called the Palliser novels, which I feel uncomfortable with, since it exaggerates the role of that family in most of the novels). The two "minor classics" are THE WAY WE LIVE NOW and HE KNEW HE WAS RIGHT. The former is a marvelous portrait of Victorian social life, and the latter is perhaps the finest study of human jealousy since Shakespeare's OTHELLO. BARSETSHIRE TOWERS is, therefore, coupled with THE WARDEN, a magnificent place, and perhaps the best place to enter Trollope's world.

There are many, many reasons to read Trollope. He probably is the great spokesperson for the Victorian Mind. Like most Victorians, he is a bit parochial, with no interest in Europe, and very little interest in the rest of the world. Despite THE AMERICAN SENATOR, he has few American's or colonials in his novels, and close to no foreigners of any type. He is politically liberal in a conservative way, and is focussed almost exclusively on the upper middle class and gentry. He writes a good deal about young men and women needing and hoping to marry, but with a far more complex approach than we find in Jane Austen. His characters are often compelling, with very human problems, subject to morally complex situations that we would not find unfamiliar. Trollope is especially good with female characters, and in his sympathy for and liking of very independent, strong females he is somewhat an exception of the Victorian stereotype.

Anyone wanting to read Trollope, and I heartily believe that anyone who loves Dickens, Austen, Eliot, Hardy, and Thackery will want to, could find no better place to start than with reading the first two books in the Barsetshire Chronicles, beginning first with the rather short THE WARDEN and then progressing to this very, very fun and enjoyable novel.

Thinking of getting into the saltwater aquarium hobby? Do not buy anything until you have read this book cover to cover! You will be sorry if you don't. By applying the principles in this book, you will have much greater success at the venture. You will save a lot of money and spare the lives of many fish.

After you've read this one, buy The Conscientious Marine Aquarist by Robert M. Fenner and give this great hobby a go. It's wonderful, and these two books will get you off to a great start.

... covers just about everything imaginable, and does so in such a clear & concise way that there is little point in my trying to cover it again.
I am truly impressed. This so-called beginner's book scarcely rates that category; this is the very sort of information that beginners REALLY need but oh-so rarely ever get until it is too late. Moreover, it is presented in a form that beginners can understand and digest with ease. Truly a gem, and destined to be a classic.
The checklists, the explanations which make the complex simple, the techniques, the wonderful illustrations, the tips & tricks, the lists of common mistakes to avoid, ( and which species to avoid ) and the truly useful advice make this book very complete. It's 140+ pages are chocked full of good information without a lot of "fluff"; it's truly "all-meat, no filler!"
If I had to recommend just ONE book for the beginning marine hobbyist, I think that this would be the one. I even recommend it highly to intermediate hobbyists. While it doesn't cover every single aspect of the marine hobby, ( not that any one book, or even any given dozen ever books could ) it aptly covers the most important things, and most importantly, it covers them in a way which will make it the most useful to it's target audience...

I had already looked at many marine aquarium books before I found this one. I already have a freshwater tank, but really had no idea how to go about setting up a saltwater tank. I mean, I didn't know anything!

This book misses nothing. Other books may start off well, but tend to get skimpy on the things you really need to know and then focus too much on things that, at the moment, you don't need to know, such as page after page on various species of fish. That's important, but not particulary helpful if you don't know what you are doing.

The first part of the book goes into tank selection & setup. It goes over among other things, protein skimmers, power filters, & powerheads along with the other more rudimentary stuff such as heater, thermometer, etc. It goes into instructions on how to correctly mix the salt water and put in the substrate.

After that, a considerable amount of time is spent discussing live rock, what it is, how to choose it, how to take care of it, where to place it in the tank, etc. It even gives sample layouts - very helpful! The last part regarding tank setup walks you step by step through setting up the tank and live rock. If you follow the checklists, you won't miss anything or do anything out of order.

The second half of the book is on selecting fish and taking care of them. In the section showing the various species of fish, it also tells what suitable tank mates could go with the fish. Lastly it goes into feeding and maintaining the tank along with a section on fish diseases and how to treat them.

If you are interested in starting a saltwater tank, then this is an excellent book to begin with.

Though not quite so wonderful as "Amphigorey" (q.v.) (if nothing else, there is nothing to equal the brillint "Gashleycrumb Tinies" nor "The Unstrung Harp"), the first Gorey omnibus volume, if only because the very best was skimmed off for that volume, this is still very high class whimsey indeed.

Like Gahan Wilson (q.v), Gorey looks at the world in a slightly skewed manner; much of his work consists of showing or telling us something that sounds perfectly rational but does not, in fact, quite compute, leaving our own minds to struggle with the cognitive dissonance he creates.

Probably my favourite bit in this collection is "The Gilded Bat", which is a sadly perceptive story of perception and reality in the life of a prima ballerina -- even after litle Maudy Splaytoe has progressed to being enigmatic star Miriella Splatova, her life is still pretty much the same as it always was, a round of rehearsal, performance and boredom. (In a wonderful example of something or other, there was a ballet based on this work; i have never seen it, but heard an interview on PBS with the choreographer, who had had to create excerpts from three OTHER, fictitious, ballets referred to in the text...)

The two versions of "The Chinese Obelisks" present us with an opportunity to see the author's mind at work, comparing sketch and draft of text to the finished work.

The only reason not to immediately purchase this work would be if you could only afford one of them and hadn't already got the previous volume. If you DO already have "Amphigorey", then you absolutely must have this collection to go with it.

Edward Gorey is the type of artist who produces very specific reactions from anyone studying his work: one will either love or hate his artwork and/or stories. For those of us who are a little off center ourselves, this book is delightful. His unique drawings remain unmatched to this day, and his tales--well, they are not ordinary by any stretch of the imagination. Even though I am a staunch Gorey fan, I must admit that there are times when some of the endings leave me quite sad but, just as in life, not every tale has a happy ending. The book itself is huge, very heavy and filled to the brim with as much Gorey drawings as any fan can desire. Mr. Gorey deserves more recognition for his unusual but strange depictions of characters whom we don't really know whether to love or hate--a sort of bizarre Alice In Wonderland world of people who run the gamut from the familiar to the insane, and a bestiary of creatures born from the depths of an uncommon imagination. One has to wonder what a cartoon series based on his drawings and story lines would be like--certainly not Saturday morning fodder. At any rate, the book is well worth every penny whether you are a fan of Edward Gorey or have just discovered his works and find yourself fascinated by his bizarre view of a world which existed in his extraordinary imagination.

This wonderful second collection contains 20 highly enjoyable stories:

THE BEASTLY BABY (a definite Gorey favorite!) about an absolutely abominable baby, you'll be glad to see the end of!
THE NURSERY FRIEZE: Features odd strips of rhino-like animals saying words like "Archipelago" & "Quodlibet" which could very well be used as a frieze for a very unique nursery :-)
THE PIOUS INFANT: About little Henry Clump, who is completely unselfish and charitable, and always concerned about the salvation of everyone elses soul!
THE EVIL GARDEN: About a families visit to an ominous garden, where there is no way out!
THE INANIMATE TRAGEDY: A dramatic tale featuring inanimate objects as the characters, such as pins & needles (who appear to represent the chorus) a penpoint, glass marble, two-holed button, thumbtack, & a piece of knotted string (as the villain)
THE GILDED BAT: About a little girl who grows up to be a very distinguished prima ballerina.
THE IRON TONIC: or "A Winter Afternoon"- "The people at the grey hotel, Are either aged or unwell" "The guests who chose to stay aloof, Lie wrapped in carpets on the roof".
THE OSBICK BIRD: About Emblus Fingby and the osbick bird that chooses one day to live with him, as his loyal friend.
Two versions of THE CHINESE OBELISKS, one version that looks like a sketch or rough draft, and then the better known one in typical Gorey style- All about an author who goes for a walk, and the many things he encounters.
THE DERANGED COUSINS (one of my favorites!): About Rose Marshmary, Mary Rosemarsh & Marsh Maryrose, three cousins who all live together in a rose covered house at the edge of a marsh. "Since they were orphans and there was no one to stop them, they were often merry far into the night"!
THE ELEVENTH EPISODE: Starts when a woman hears a scream apparently coming from a well, when she goes to investigate she falls in and enters a world that changes her life.
[THE UNTITLED BOOK]: Charming piece, that features a little child looking out the window as strange creatures come to play in the garden. Hippity Wippity!
THE LAVENDAR LEOTARD: An early Gorey tale, in which the author introduces two small, distant, ageless, and wholly imaginary relatives to fifty seasons of the New York City Ballet!
THE DISREPECTFUL SUMMONS: A tale of the occult!
THE ABANDONED SOCK: All about the saga of a sock that decides it's life is tedious and unpleasant, and goes for an adventure.
THE LOST LIONS: About a handsome man named Hamish, whose life is suddenly changed when he one day opens the wrong envelope!
STORY FOR SARA: A cute story about a slightly wicked little girl, who captures two little birds in her small bag, and her meeting with a very large prowling cat!
THE SALT HERRING: An odd tale written to make all serious men mad, mad, mad!
LEAVES FROM A MISLAID ALBUM: A wordless collection of interesting pictures.
A LIMERICK: Absolutely cute, very SHORT limerick about poor little Zooks, of whom no one was fond.

Edward Gorey one of my favorites, whose darkly whimsical and macabre tales (that he sometimes writes under pseudonyms) are sure to offend the overly-prudish, luckily I'm not one of them. Should Gorey be classfied as a writer or Illustrator? He so obviously possessed talent in both fields, I cannot imagine his fantastic drawings without the odd amusing little quips. The people in his illustrations usually resemble silent movie stars, the women always look elegant and mysterious, the men dashing and stately. His stories also include lots of fanciful creatures and adorable (but usually hapless) children.
Gorey is strange and wonderful, and I am VERY proud and absolutely happy to be fan!
Get all three collections!

This is a good read about a fascinating individual. John Marshall is clearly one of the most underrated shapers of our country and this book goes a long way in providing the texture and context of his life. The author does a good job of balancing history with legal scholarship and I believe that this is worthwhile for both the "lay-man" and the "law-man". I did believe that the author abridged the content a bit too much at times(for example, he did not cover Marshall's point of view on the Declaration of Independence or Articles of Confederation, and he covered the last 12 years of Marshall's life as Chief Justice in less than 50 pages), but overall, it was a solid investment of my time.

This is an outstanding biography of a great American who not only gave the United States a solid foundation for its judicial system, but also shaped the judiciary as one of the major branches of the Government. The biography is a marvellous and beautiful piece of work by Jean Edward Smith. The focus is on John Marshall and the law. This exquisite literary work reveals a great mind and a great man! The author, by often quoting John Marshall's letters and legal opinions, portraits a creative mind with a capacity for splendid expression. I would recommend this book for anyone interested in American history and Government. I will also recommend this for all students and practioners of law.

John Marshall defined American law, politics and power. This book paints a vivid picture of who Marshall was, and why he is still important today. The author does an excellent job stating the facts and letting the reader decide for her/himself whether or not Marshall did the right or wrong in the very important decisions he made. This book is enlightening and well written. Marshall's life is wonderfully told through the authors use of clear and concise writing. This book is excellent. It clarifies many misconceptions of this great man who came out of a generation that claims many great men. Marshall may be the least understood of them all, but he certainly is no less important than any of his contemporaries in forming and defining the United States of America.

Louis Barnavelt, recently orphaned, goes to live with his UncleJonathan, whom he's never met. When his arrives in New Zebedee, UncleJonathan picks him up at the airport and takes him to his home--a huge, spooky mansion with secret passages and mysterious rooms.

Uncle Jonathan's best friend, Mrs. Zimmerman, is in the house, and as Louis walks in, he finds her listening to the walls. To his astonishment and delight, Louis discovers that Uncle Jonathan is a wizard, Mrs. Zimmerman is a witch, and they both love poker and chocolate chip cookies.

Louis also discovers that Uncle Jonathan's house was once owned by an evil wizard--a Mr. Izzard who has hidden a magic clock somewhere in the walls of the house--a clock that will bring about the end of the world if it's not found and silenced.

To make matters worse, Louis tries to impress his new friend Tarby by stealing a spell from one of Uncle Jonathan's magic books. They perform the ceremony in the graveyard Halloween night, and succeed in resurrecting the truly evil Mrs. Izzard from the dead.

Can they stop the clock in time, or will Mrs. Izzard succeed in resurrecting her husband and bringing about the end of the world?

I was afraid to read this book as a child--the cover looks really scary, and I was a nightmare-prone child who avoided scary books like the plague. Most kids like scary books though, and this one is perfect for your 5th grade fright fan. Louis is a wonderful character, who goes from being a timid outcast, worried about impressing the kids at school, to a brave young man who summons up courage when he needs to act to save the people he loves. The friendship between Uncle Jonathan and Mrs. Zimmerman is funny, and they are both eccentric enough to be interesting, but not so eccentric as to become annoying.

Bellairs wrote other books about these characters, and they are worth reading, but are not as good as this book. ( )

In reading the tributes to Bellairs by his fans, I thought it was interesting that several people mentioned that they hated reading, and were not good readers until they discovered one of Bellairs' books, and that experience turned them into avid readers. END

I first read "The House with a Clock in it's Walls" when I was ten years old. I immediately fell in love with it; reading and re-reading constantly. Now I'm thirty years old, and it is still my favorite. Last year I decided to collect all of his books and re-read them-it's been the most fun I've had in ages. Out of all of the John Bellairs books, this one, in my opinion, is the very best. It's scary and funny, the characters are warm, lovable and due to their magical history, fascinating. I fell in love all over again as I re-read this last week. God bless you, Mr. Bellairs. And thank-you for showing this "little girl" just what great writing is all about.

I first became acquainted with "The House With a Clock in Its Walls" around the age of eight. It was made into a kids' TV show (an "After School Special", perhaps? I don't remember), and I immediately checked the book out from the library. Over the years I read several other of Bellairs' books, but my favorites were always the books linked with (and continuing the story of) "The House With A Clock In Its Walls". The stories were especially fascinating for me, as they all took place in Michigan, my home state (in fact, "The Letter, The Witch, and The Ring" - book three of the series - takes place in no small part near Petoskey, Michigan, which is only 25 miles from my hometown). When I was in college, I found that the college bookstore had some copies of T.H.W.A.C.I.I.W. for sale, so I bought one. I found the story was just as enjoyable then as it had been 16 years before. I'm now 27, and I STILL enjoy these books! These are truly stories for young and old alike.