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If the potential readership is broad so too is the literature. Eight chapters include extracts on origins (beginning with Genesis and the prologue to John and going on to the Quiché Indians and a creation story from the Iroquois), on sacred texts, biblical motifs and images, and on the great themes of literature and religion.
Writers include Ovid, Augustine, Wordsworth, Shakespeare, Luther, Bunyan, Kierkegaard, Teresa of Avila, Mark Twain, D H Lawrence, Goethe, Milton, Merton, Donne, Blake, Kafka, Eliot, Beckett, Derrida, and Ricoeur, to mention only a few of the more familiar. With such a wealth it is difficult to be selective, but Michèle Roberts, The Wild Girl, described as 'a kind of fifth gospel written by Mary Magdalene', is a good example of breaking into new territory, the bringing together of Job and Kafka a creative way of tackling a theodicy, Elie Wiesel's Night perhaps the most moving, and Flannery O'Connor's Wise Blood the seeds of a sermon on Matthew 7:3.
Once you begin to think this way it is difficult ever again to be content with interpreting biblical literature in isolation from other literature, and indeed from all the other arts and the whole world of culture. It certainly raises awkward and embarrassing questions but that may be a more effective way of uncovering religious truth than the traditional watering places of church, liturgy and sermon. Readers should be prepared to be stretched, occasionally alarmed and sometimes threatened, but much of the struggle is avoided only at our peril.
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