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Susan flies to the Caribbean island of St. Stephens. However, Susan's idyll vacation goes astray when she becomes lost while parasailing. However, worse yet is that she crash lands near where the local drug lord, Crimson, is taking care of business. Feeling that she is a witness to a murder, he plans to kill her, but she is rescued before he can carry out the deed. Susan leaves paradise for the safe environs of Manhattan, not knowing that Crimson plans to follow her in order to silence the only person he believes who can destroy his empire.
GIVEN THE EVIDENCE, with the second appearance of Susan Given, is an exciting tale that blends elements from the legal procedural with that of a thriller. The story line is fast-paced on both islands and the support cast has fully developed characters. However, Susan is the show as her fears and motivations propel the novel forward in a jocular but dire manner. Margaret Barrett and Charles Dennis have the beginnings of what is hopefully a long running series.
Harriet Klausner
Susan flies to the Caribbean island of St. Stephens. However, Susan's idyll vacation goes astray when she becomes lost while parasailing. However, worse yet is that she crash lands near where the local drug lord, Crimson, is taking care of business. Feeling that she is a witness to a murder, he plans to kill her, but she is rescued before he can carry out the deed. Susan leaves paradise for the safe environs of Manhattan, not knowing that Crimson plans to follow her in order to silence the only person he believes who can destroy his empire.
GIVEN THE EVIDENCE, with the second appearance of Susan Given, is an exciting tale that blends elements from the legal procedural with that of a thriller. The story line is fast-paced on both islands and the support cast has fully developed characters. However, Susan is the show as her fears and motivations propel the novel forward in a jocular but dire manner. Margaret Barrett and Charles Dennis have the beginnings of what is hopefully a long running series.
Harriet Klausner
Anything with the name Ralph Metzner even remotely attached to it is a safe buy. Metzner brings vitality and encyclopedic awareness to every project. An elder statesman responsible for such dramatic shifts in consciousness within this nation and throughout the world, buy his works and read them with pleasure.
What is striking about this work is the respect he brings to the subject and the well-constructed tapestry of thought contained within the pages.
Also, the design of this book is beautiful.
Solid content with the stamp of greatness. Palatable to the senses and nourishing to the neurons.
Cannot go wrong here!
Most interesting were the 25 or so personal accounts, 3-4 pages each written by people who appeared to Americans/Westerners who took the drug for religious/spiritual purposes and in a religious/spiritual setting. It was clear, based on their mindset (objectives and beliefs) and the religious setting that Ayahuasca seems to somehow create a religious construct through which a person can work through personal issues or sort through personal beliefs. The experience seemed to have a profound affect on most of these people.
Overall, I got the impression that Ayahuasca was not connecting these individuals to something divine outside of themselves, but rather that it was freeing the brain up to explore the subconscious/ID in order to resolve problems or explore issues in the persons life.
Well worth reading if you're interested in this sort of thing.
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Unlike most writers, Dickens is equally at home in both the short story and the full-length novel format. This is because his novels were serialized in periodicals in their first publications. Only later were they edited for book form. "Sketches by Boz" is an offering of Dickens's first attempts at writing for a living. It consists of 56 passages, most of which can be read in a single sitting of less than half an hour. These are divided into four sections: "Our Parish", "Scenes", "Characters", and "Tales". Of these, only the last contains fiction. The 44 nonfiction accounts are just as entertaining as their made-up brothers. In fact, I found them even more fun to read at times. Dickens only thinly disguised the identities of his victims while lampooning them, and as editor Dennis Walder so rightly points out, many of these descriptions would surely result in lawsuits for libel if they were published about public figures today.
This was my first experience reading a Penguin Classics edition of Dickens, and I was extremely pleased with it. The editor introduced "Sketches" with a few notes of academic and historical interest, a particular one of which I found to be of great interest as it finally answered a question I'd had for half my life: namely, where Dickens had acquired his nickname of Boz. But more important for today's reader of Dickens is the "Notes" section at the back of the book in which Mr. Walder defines Dickensian slang and explains the author's references to people, events, and places of early nineteenth century London. Much of Dickens's wit is lost on today's reader without such disclosures.
One of my favorite ways of reading a classic author is to collect all of his or her works and then read through them at a leisurely pace in the order they were written. I did this with Sir Arthur Conan Doyle with the intention of noting how his style developed over the years. I was surprised to find an unexpected benefit of that project: I was transported to those times and felt as I imagine one of Doyle's contemporary fans must have felt as he read each new Sherlock Holmes story. After finishing Doyle, I immediately began collecting Dickens for a similar project. "Sketches by Boz", being a collection of Dickens's first literary efforts, was of course the first in this series. The second Dickens book is "The Pickwick Papers", of which I have the Library of the Future edition. But after reading the Penguin Classics "Sketches", I'm determined to first replace "Pickwick" with the Penguin edition. The Penguin books are reasonably priced and well worth every penny.
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This book is welcome relief. The subject matter is of extreme importance. Plato and Aristotle are in agreement that a portion of the state must meddle into the affairs of its citizens. There is no doubt, as the authors point out, that there is virtuous meddling. But there is also a point at which meddling is a vice. There can be no doubt about that either.
In one chapter, the authors look at the ideologies of meddling. I found this valuable. They show that the so called right and left in politics is a terribly specious distinction in the understanding of cultural affairs. Meddling ideologies are shared by most sides in all affairs of state in America today. Even the libertarians are not above meddlesome intent. The work is well done. It deserves five stars for its subject matter and writing alone. But it is a book on the right topic at the right time. For that it deserves an extra award for timeliness and pertinence. The chapters outlining the types of meddlers and their means of self-promotion and self-justification are simply engrossing.
The concept of the new version is great, but if you are interested in learning more about Exterminator, this one probably won't be satisfying to you.