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You must try the Mango Margaritas, they are festive and great for a change from the standard lime. The Tortilla Soup is the best I've ever had! There are far too many great dishes to name them, and my dinner guests have never been disappointed!
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Having read this tiny little gem, I can tell you that I'm not even sure why I liked it so much. Maybe it was because I loved seeing a warm friendship develop between two total strangers. Maybe it was because I loved the dry wit of Helene and the staunch Britishness of Frank. Maybe it was because I liked hearing about the WWII years, how the people of Britain sacrificed, and how one caring American woman made a difference to this small group of Britishers.
One note: this is the only book I have ever read that is truly enhanced by the video. Read the book, then rent the movie. Anne Bancroft is the perfect Helene and Anthony Hopkins is brilliant as Frank.
Heartwarming, funny, sad, all rolled in one. I went on to read other books by Hanff where she describes her trips to London. After reading her books, I too went on a pilgrimage to 84, Charing Cross Road.
Don't read this collection with the expectation that you will get an in-depth view of the characters' lives. Read it as a way of discovering how simple it is for human beings to drop their defenses and treat one another with respect, civility, humor, and openness. Read it when your hope for humanity is at its lowest.
"84, Charing Cross Road" reminded me of Jan Struther's "Mrs. Miniver." I believe "Mrs. Miniver" was originally published as a series of newspaper articles. When collected into a book, it was rightly or wrongly perceived as a novel. Readers who see it as a novel usually have complaints about it's structure and seeming lack of plot (if this is what you desire, you can always rent the movie). Read as a collection of finely crafted observations of daily life in England during World War II, it's a moving tribute to the strength and durability of the human spirit. "Miniver" and "84, Charing Cross Road" make great back-to-back reads.
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Both of Martin Goldsmith's parents were talented, highly trained musicians. His father, Gunther Goldschmidt, was the son of Alex Goldschmidt, a prosperous clothing store owner in Oldenburg, Germany and a World War I veteran. Gunther, a budding flutist, was eventually forced to leave music school simply because he was a Jew.
Goldsmith's mother, Rosemarie, was a violinist who had been trained by her own father, the director and owner of the Gumpert Conservatory of Music in Dusseldorf, Germany. Both Gunther and Rosemarie considered themselves Germans first and Jews second, and both were happy to be accepted into the Kulturbund...at first.
On 9. November 1938, the eve of the horrible "Kristallnacht," the Jewish community in Germany was forced to take another look at their comfortable Kulturbunds, for it is on that date that the Nazis chose to burn synagogues and Jewish places of business. When Alex Goldschmidt marched down the streets of Oldenburg with other young Jewish men in protest, he was rapidly taken to prison. The Nazis, however, attempted to "smooth things over" by telling the Jews they were only "protecting" them from other, angry German citizens.
In 1941, when the Nazis closed the Kulturbunds, Gunther and Rosemarie escaped to freedom in New York City. Other patrons and musicians, however, did not make it to safety. As a memorial plaque at one Kulterbund reads, "Almost all of those who worked here were murdered in concentration camps."
The Goldschmidts, now the Goldsmiths, eventually settled in Ohio where Martin Goldsmith was born in 1952. Although his father gave up music forever, his mother later became a member of the Cleveland Orchestra.
"The Inextinguishable Symphony" is a book about Nazi Germany that gives us another view of the era and of the Holocaust. Rather than focusing on the camps as excellent authors such as Elie Wiesel and Primo Levi have done, Goldsmith focuses on the plight of Jews who managed to remain out of the camps, yet lived very restricted lives.
This book is a fascinating account and one that is extremely well-written. I would recommend it highly to anyone who is interested in this period in world history.
But this isn't just "another book about the Holocaust." Nor is it about tragically anonymous victims. It is instead about Goldsmith's parents - Gunther, a flutist, and Rosemarie, a violist - who meet and charmingly fall in love in Nazi Germany in the '30s, as well as about Grandfather Alex and Uncle Helmut and other family members and friends, each of whom Goldsmith makes real and sympathetic through his rich, exquisitely detailed, and heartbreakingly honest narrative. These are people that the reader comes to care about deeply, and we celebrate - and in some cases grieve - their fates. Goldsmith is a helluva storyteller.
But the book is also not just a love story (Gunther literally does risk his life for his young sweetheart) or merely an author's purely personal journey in search of his own roots. Through the vehicle of his remarkable parents' own individual stories, Goldsmith explores the only-dimly known, but fascinating, story of the Judische Kulturbund - the Jewish Culture Association - to which Jewish musicians, actors, and others were artistically exiled in Nazi Germany. Goldsmith reveals much about this controversial and complicated organization which, although the only source of culture for German Jews, knowingly served the Nazis' propaganda purposes. The reader marvels at how much the "Kubu" was able to accomplish under such hateful conditions, but is also forced to ask, "What would I have done in these circumstances? Would I have risked my life just to make music?"
This is a troubling, but ultimately triumphant, book about real people trying to live their lives, their love, and their music in unthinkable times. I highly recommend it to anyone interested in music, in the Holocaust, in cultural history, or simply in a good love story well told. Bravo, Gunther and Rosemarie and Martin Goldsmith!
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Overall, I like the lovely illustrations, large collection of rhymes (some I have never seen before) and creative layout of the words, however my toddler prefers the Lamaze boardbook of Mother Goose with its durable, easy-to-flip pages. Also, the illustrations, though lovely and imaginative, are a bit sophisticated for the youngest readers. For instance, Humpty-Dumpty is not an egg-shaped character but a tiny, faceless, edible white-shelled egg. Jack and Jill are rabbits not children as are most of the other traditionally human characters.
My advice is to buy this book for its extensive collection of rhymes and beautiful and artistic illustrations, BUT you may want a simple, traditional Mother Goose on hand as well for daily reading.
Then try and find a copy of I Saw Esau, an amazing collection of children's playground rhymes from the past 50 years or so. They are by turns witty, crude, wonderous and cruel and the Sendak drawings that accompany them are great. It's not for small children, but a nine year old would love it.
In the meantime, enjoy Mother Goose!
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Rosemary simply tells us what SHE has seen throughout her life. This book is not meant to sway one into believing that they too will be visited by a "ghost" or "lost soul". The purpose of this book, I believe, is to get in touch with one's own spirituality.
The Eagle and The Rose is an enlightening adventure for all of us to read. There are no right or wrong answers, but as individuals we have the power to change our lives and start on a new path towards spiritual healing. Read with an open mind and truely enjoy the journey that Rosemary shares with her readers.
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by a special woman for all women.
Rosemary Gladstar is one of this nation's leading herbalists. And, while she does not restrict her work to women, she does know first hand what their trials are.
In this classic book she shares her simple herbal remedies for all stages of a woman's life.
She shares her vast hands on experience in her easy to understand directions for making everything from teas to liniments.
Also included is a chapter providing more details on some of the herbs she uses.Our favorite story comes from this chapter. It is the one where she tells about breaking her leg. The way she heals her broken bones with comfrey is truly inspiring.
Gladstar is one of the most respected herbalists today. Her books are easy to read and understand and full of helpful recipes. One problem with many herbal books is that they only mention what certain herbs are good for. Gladstar also explains how to use them and simply enough for anyone to understand.
When my very pregnant daughter mentioned that her stretched skin felt sunburned I went searching for help. I checked through all my 'woman' herbals but only this book had a suggestion. I found the recipe for "Pregnant Belly Oil" which was easy to follow. The ingredients were easily found here at home and in town. The best part of it all was it works beautifully and smells great!
This is a wonderful book to use to expand your study of herbalism. I have to admit that the review concerning peppermint encouraged me to write my own. If that review has made you re-think this book, you might want to consider that I checked through my library and found almost all my books listed peppermint to ease heartburn. Only one - "Green Pharmacy" mentioned the possiblity that peppermint caused heartburn BUT - note the BUT - it went on to say that they disagreed and suggested it was still a good herb for the problem.
Buy this book and use it! You won't be disappointed.
I fancy myself a bit of a domestic goddess-- ask anyone who knows me if they would turn down a dinner invitation. I originally bought this book to give to a friend for a wedding gift, and eventually had to buy it for myself. I traded in a more "famous" trendy cookbook which was not well done for this one and have not looked back.
It's both complex enough for experienced cooks and simple-to-follow enough for the beginner-- plus includes some "everyone ought to know this" tips and charts on things other than the nuts and bolts of recipes. Buy this book; you won't regret it, and you're supporting charity work, as well.