If you enjoy WWII aircraft, and appreciate the breath taking detail and accuracy of Rikyu Watanabe illustrations, you must have this book. I found my copy 3 years ago at OshKosh, and have been offered (...)for it - no way was I parting with it. It is, without question, the finest piece of reference / art work on these 12 aircraft I have ever seen. Vet, IFR Priv. pilot, R/C aircraft modeler.

I'm a WWII airplanes enthsiast, and this book has filled all my expectations. The text, the scaled drawings, the fold-out panels, everithing is exceptional in this complete guide of WWII airplanes. The drawings of this book are incredibly detailed, and if you're meticulous, you'll never find a book like this. My grandfather was a WWII pilot and became nostalgic when he saw the plane he had flown.

In my opinion, the most beautiful book of WWII aircraft which has ever been published.

I have flown the F4U-5NL Bu.No. 124511 found in the picture on page 253 with Ens. Cawley's name on the side. He was one of our squadron mates in VC-4, NAS Atlantic City in the early 'fifties.

Brings back many fond memories. Highly recommended to all aviators and aviation enthusiasts.

J.D. Williams Lcdr. USNR (Ret)

If somebody loves you authentically so much so that you become better person than before, you can't help loving him dearly. It happens. And it can happen even through a book! In this incredable book called "insight", you are invited to a wonderland of a higly diffentiated intelligence, only to find that it is no other than your real self. At first you wonder, you ask, you think hard, and you get it! For the first time you come to know what is understanding. You begin to doubt, you reflect, and finally you judge that you are a knower! Now you are changed. Now you know you are consciously operating in your experiencing, understanding, judging, and deciding. Now you know what knowledge is, what it means to you, and how it means to you. You become a living, knowing, acting subject. And you come to love Lonergan, since he introduced you to yourself. To "read" Insight may take a long time, years or decades. However when you finish it, you will begin to take another long trip to yourself, where no one had gone before...

This is the definitive text of Bernard Lonergan's most important work, Insight, with over 130 revisions, based on the meticulous labor of comparing three texts, line by line, word by word! All students of Lonergan's thought owe a great debt to Frs. Frederick E. Crowe and Robert M. Doran for having executed their task with such thoughtfulness, perfection and devotion. Corresponding pages to the second edition of Insight, which has been the standard one, are given in brackets. My previous review was based on the second edition.

Rev. Bernard Lonergan, S.J.(1904-1984), though still not commonly known, was, talent-wise, certainly one of the top thinkers of the 20th century. It takes time for his thoughts to be appreciated, developed and applied. There are already numerous web-sites and hundreds of books, articles and theses written on his ideas. He might be publicly acknowledged as one of the 100 most influential thinkers by the end of this century. For more than forty years, his works continue to nourish and challenge people, initially in seminary circles, and gradually in different universities. Boston College has been a key base for over 20 years in fostering studies of Lonergan's thought and stimulating dialogue with people in diverse fields. Insight remains one of the basic books that one needs to master if we want to reach up to Lonergan's mind, just as he reached up to the mind of Aquinas. One of the perennial issues underlying human differences is our assumptions about knowing and reality. What is it to know? Is it taking a look out there? Or do we presume that we cannot know reality? Lonergan proposed an arduous journey for all of us to become aware of what we are doing when experiencing, understanding, judging and choosing. The focus is on appropriating or gaining self-knowledge of our recurrent cognitional processes and structures in knowing. "¡Kit is essential that the notion of insight, of the accumulation of insights, of higher viewpoints, and of their heuristic significance and implications, not only should be grasped clearly and distinctly but also, in so far as possible, should be identified in one's own personal intellectual experience." (p.xx) "Thoroughly understand what it is to understand, and not only will you understand the broad lines of all there is to be understood but also you will possess a fixed base, an invariant pattern, opening upon all further developments of understanding." (p.xxviii) This is a difficult, painstaking and challenging task, not achieved just by reading from cover to cover (785 pages plus 30). Lonergan's examples from mathematics, physics, classical and statistical investigations might be a hurdle to those who don't have background in such disciplines. Insight is like the Zen master's finger pointing towards the moon. One must be careful not to get lost in the sweeping and erudite visions and constantly come back to appropriating one's own knowing processes. This is not a book for the faint-hearted. One easier introduction is Terry J. Tekippe's "What is Lonergan Up to in Insight? A Primer". Then one can go on to Flanagan's Quest for Self-Knowledge, and The Lonergan Reader, edited by the Morellis, and finally come to grapple with the full original and Lonergan's later works on Method in Theology and Macroeconomic Dynamics.

This book is just perfect. It's very well written. Conrad shows an understanding of the predicament of women of his time. Conrad advances the plot though the voice of the characters, who tell a story, which involves another character telling a story, etc. At one point the tale is six levels deep; but such is the skill of Conrad that you do not notice and are never lost. One of Conrad's two or three best. A book I was sad to end because I was enjoying it so much.

I cannot believe that there are no customer reviews already for this spectacular novel - full of intruiging situations and wonderful characters - certainly the best Conrad female character I have read. Conrad is a wonderful writer in style and the manner in which he tells a yarn - how then has this novel become so 'lost'? It has wonderful lines ('Don't be in a hurry to thank me,' says he. 'The voyage isn't finished yet.' p22 Oxford World Classics), great insights (women respond to the smallest things, which immediately had me nodding in agreement from my own experience), spectacular descriptions ('Yes, I gave up the walk [along a cliff top with the intention of killing herself],' she said slowly before raising her downcast eyes. When she did so it was with an extraordinary effect. It was like catching sight of a piece of clear blue sky, of a stretch of open water. And for a moment I understood the desire of that man to whom the sea ans sky of his solitary life had appeared suddenly incomplete without that glance which seemed to belong to both of them. p231). The characters are admirable in behaviour sometimes, victims sometimes, regrettable in behaviour sometimes, or just plain confused - just like real people. But one thing I really like is the way the narrator of the story is an observer, barely a participant of the events being described.

This may not be the perfect novel, but I urge you not to miss it. The chapter 'On the Pavement' by itself is worth the read!

I just want to share summaries with other costomers

Published six months after Custer's death, Frederick Whittaker's "A Complete Life of General George A. Custer" traces the American icon's life from his boyhood in Ohio through his cadet years at West Point, his Civil War exploits, his impressive rise to the rank of Major General of cavalry in the Army of the Potomac and his transition to the peacetime army. All the foundation elements of the Custer story are stated in Vol. I of Whittaker's book. They are supported by the first person accounts of Custer and other of his peers, and in my opinion, clearly define the reasons for Custer being rightfully considered a genuine, homegrown American hero based on his Civil War exploits alone! [See also: "Custer Victorious"/Urwin; "Custer and His Wolverines"/Longacre; "Touched by Fire"/Barnett] My reading of this book was enriched by the fact that, as a Custer contemporary, Whittaker was not only in touch with the the 19th century ambience, but that he had the added advantages of active service as a trooper in the 6th New York Cavalry and access to Custer's papers, Civil War memoirs and personal anecdotes through his collaboration with Custer's widow, Elizabeth. As a result, the book is replete with knowledgeable commentaries on the customs, mores and military standards of the times. Of special interest to me were the final three chapters devoted to Custer's transition from the wartime to the peacetime army [Book Six, Chapters 1-3]. In these chapters Whittaker gives a clear and perceptive overview of the postwar military structure; the social psychology of the men Custer would come to command; the negative public perception of the postwar enlistee; the deficiencies in the formation of the 7th Cavalry; and the intense political intrigues which seem to surround and infect the military, particularly in peacetime. [For a contemporary example, see "Patton: A Genius for War"/D'Este]. In a clear and interesting fashion Whittaker enunciates the undercurrents which produced the "four D's" (demoralization; disobedience; dipsomania; desertion) which Custer had no part in creating but over which he was expected to exert appropriate control. Whittaker makes it clear that it was Custer's efforts in this direction, coupled with his own naivete, that set the stage for many of his future difficulties with the command structure. Whittaker's "A Complete Life of General George A. Custer" is the spiritual and intellectual great granddaddy of most subsequent writings on the subject. I found that, in spite of its venerability, the book is still productive of provocative thought pieces. As an example, it contains perhaps the first published mention of Custer having been offered a full colonelcy in the 9th Cavalry, a black regiment, which he allegedly refused , ". . .preferring a lower step to a lower grade of service. . ." One may speculate as to how the acceptance of that command might have influenced Custer's subsequent career. In this regard, it is interesting to note that the acceptance of command of a black regiment (the 94th Massachusetts) provided an upward step for Col. Robert Gould Shaw, and Gen. John J. Pershing's early command experience with the all-black 10th Cavalry Regiment (and the resulting sobriquet "Black Jack") may well have called attention to this officer and advanced his career. In spite of Whittaker's lapses into florid prose and blatant hero-worship, I found Volume I of his complete biography of Custer to be emminently readable and informative. I would highly recommend this as a "must-read" for both Custerophile and casual history reader alike.

This is an excellent college level text.I particularly like the detailed "real world" drafting problems for the students. Also it has a very good apppendix. It is comprehensive enough that we use it in three different courses here at Vincennes University.

I have had this book in my drafting library for some time now. I am always using it and recommending it. The book is laid out so that you can go from beginning drafting up through advanced. It not only says what the standards are, but walks you through drafting technology so that you understand why they are like they are. I believe that anyone that is going to be doing drafting should have this in their library.

I am an avid reader of Christian fiction. This book was listed as such so I purchased it. Well, the story was excellent. It kept you on the edge of you seat until the end. However, when I finished the book, I realized that it is a Mystery/Suspense novel not a Christian/Fiction novel. There is no mention of God, church or the Bible in this novel. It is an enjoyable short story, but if anyone is expecting Christian fiction, pick another book!

I first became aware of this gem after I was given a now out-of-print audiobook of the same. I acquired the book in hardback shortly thereafter. As others have observed, the masterpiece stands quite on its own as a darn good yarn. Forsyth goes further, however. The entire story is littered with tempting religous allegory. Consider, for example, flight Lt. Marks, Old Joe, along with the now abandoned storage depot with many rooms, and all of it occuring on Christmas Eve. However, none of it is spoon fed, and a number of dots left to the reader to connect. Originally written as a Christmas present for his wife, it is most certainly a gift for us as well.

It's Christmas Eve 1957, and an English pilot is flying his single-seat fighter from Germany, on his way home for Christmas. But when the electrical circuits fail, he is suddenly on his own in a lonely sky, unable to contact the men below who alone can guide him home through the foggy skies. With fuel running out, radio contact gone, and navigation impossible, and when it seems that he's destined to ditch only to freeze to death in a deserted sea, a miraculous saviour appears. A World War 2 style plane appears out of the gloom, and its brave pilot "shepherds" the helpless flyer down through the frosty night sky towards safety. Will he succeed? And why does the airport seem deserted? And who is the mysterious shepherd?

Although "The Shepherd" is a very short novel that can easily be read in under an hour, it doesn't hinder Forsyth from capturing your attention. He cleverly heightens the intensity of the action and suspense by using the first person point of view. The stricken pilot's fears and bewilderment quickly become your own, until they are resolved in a spine-chilling last-page climax that raises as many questions as it answers.

The gripping plot is marred only by a few incidences of blasphemy. But the paperback edition is beautifully enhanced by Lou Feck's full-page black and white illustrations. "The Shepherd" may be a departure from Forsyth's usual fare in that it is a short and sweet Christmas story that exploits the season's fondness for supernatural miracles. But it lacks none of his trademark spine-tingling suspense. Unlike the pilot, it will be a while before you come back down to earth after reading this one!

The Byron & Fuller provides a serious introduction in mathematics of classical and quantum physics. This book is designed to complement graduate-level physics texts and one of its goal is to introduce the physicist to the language and style of mathematics. Consequently, this book may be really useful to people with strong skills in physics and maths. No doubt that they will have fun reading the theory of vector spaces.
For the others, just like me, not really specialized in physics and maths, but maybe just curious, this book can bring you a lot of fun too. It reminds you of what you may have studied a few years ago... And more than that, you cover with this book other fields of mathematics that are not taught to non specialized students like Hilbert space, quantum physics, theory of analytic functions, Green's functions and integral equations.

To conclude, if you're curious about mathematics and physics, you should buy this book. If you're good at maths and physics, you should already own this book.
And now, with this special price, do the maths!

This book is not, and I repeat, IS NOT for the inexperienced. This book is a GRADUATE LEVEL TEXT on mathematical physics. If you are an undergraduate student taking a physics class, this book will be of no use to you. I recommend that anyone interested in purchasing this book have a somewhat decent amount of mathematical background. I personally recommend Calculus I-IV, Advanced Calculus and Linear Algebra.
If, though, you have this background, then this book is may just be for you. It is concise, to the point and presents a clear and well written discussion of mathematical physics.
I just felt that before you dive, head first, into the world of mathematical physics, somebody needed to warn you about what you were getting yourself into.

This book introduces the reader to the basic mathematical structures of theoretical physics: mainly Quantum Mechanics, Electromagnetic Theory, And Classical Mechanics. I used this at UC San Diego for a year long graduate course on Mathematical methods in physics and engineering. If one has the time, there is really a lot to be gained by carefully studying this book. A big part of the book is geared toward developing in detail the mathematics of the Quantum Theory. This is a good thing because in my experience most QM books are too eager to "get to the physics". It is true that you can get by with a superficial understanding of functional analysis and still do QM, but this book will give you an immensely deeper understanding of the underlying structure of the theory. In particular, the treatment of Green's functions and integral equations is good. There is chapter on Group Theory and it's uses in QM. Also is a chapter on Complex analysis, although it is a wise idea to read a book entirely devoted to this subject. Overall, I like this book very much.

This is a very worthwhile little mystery read, very much like being in Britain in the company of political and government sorts without any special consideration being given to explain the asides to us silly colonials.

Anglophiles might enjoy this more than general mystery readers, and it helps a lot to be familiar with the history of the 50s and 60s in Britain. Even so, the characters are well-delineated and the situations speak for themselves, so fear not.

A SCANDAL IN BELGRAVIA is a very different sort of book, even for an author of Robert Barnard's excellent capabilities. Written in first person, it is narrated in a most engaging and chatty style by a former politician, Peter Proctor, who is (as are most retired politicians) working on his memoirs. But Peter Proctor was not just any politician, to be sure. He didn't rise very high, although he did achieve the status of senior cabinet minister, as well as being an MP for several terms. What sets him apart, however, is that, when his career began in the Foreign Office, in the early to middle 1950s, England was trying to get itself back on the right foot again, after struggling through the War, only to find itself engaged in the massive blunder that was the Suez crisis. Proctor had already resigned his post in the F.O., but was still shocked and unhappy by the brutal death of his friend, Timothy Wycliffe. The bigger mystery is why this death received so little press coverage. Tim's death also causes a monumental 'writer's block' in the mature Proctor, who decides to investigate the still-unsolved crime for himself. The book takes us back and forth in time, as Proctor exercises his memory as well as himself while digging for the facts.

Of course, it was Suez that occupied so much newspaper space, but still, one would have thought that such a shocking death, and one with such a propensity for scandal and gossip, would have rated more than the occasional one sentence it did achieve. For Tim was very open (for that time) about his homosexuality, and that was obviously the motive behind the murder. At that time, such behavior was very much against the law, and was an imprisonable offence. To be sure, Tim was the grandson of a marquess, but still--

Not at all impressed with himself, Proctor is by turns still naïve (cocooned, he calls it), prescient, dogged, and most of all, a man at ease with himself. A man who, thirty-five years earlier, could have a good friend who was homosexual, while still being very hetero himself.

It would appear that a young man, employed as an electrician by the BBC, Andrew Forbes, was labelled as the murderer, but everyone who will speak to Proctor, discounts that possibility. When Proctor travels to the US to, with any luck, confront Forbes, he finds himself believing the story he is told. Tim was alive, although battered, when Forbes left him.

With the help of his children, his researcher, old friends, and others, Proctor pulls away the layers of concealment to expose the perpetrator of the crime. By the time you've made the journey with Proctor, you'll definitely wish for more politicians in his mold, regardless of whether Whig or Tory, Labor or Conservative, Republican or Democrat. I promise you won't soon forget this book, especially the final few pages. Guaranteed to make the hair stand up on the back of your neck!

Robert P. Barnard has written a slew of books. To me, the only thing any one of them has in common with any other one, other than being a very enjoyable reading experience, is the marvelous writing accompanied by a very shart wit. The wit usually presents itself in different ways, depending on the plot and the characters, of course, but it is still ever-present. Hardly surprising, then, that he's won so many awards. They're all well-deserved.

As a 30 year old gay man the topic appealed to me. Which is the murder of a gay man in the 1950's. I was not disappointed. This is a well written mystery and the ending is without a doubt one of the best I have read in years. My hat goes off to Mr. Barnard on a superb job. I hope he continues to write mysteries as good as this one.

Make no mistake, Tiberius Claudius Drusus Nero Germanicus came from a family that was so messed up, it would make modern senators die of shock. Claudius, as he is commonly known, was the grandson of the Emperor Augustus of Rome and his lying, scheming, poisoning wife Livia, who held the reigns of power with Augustus for fifty years. Through her machinations, Livia greatly helped to turn Rome into the decadent, dying empire that we have all learned about, and seen in Gladiator.

Livia poisoned everybody neccesary to get her son Tiberius, Claudius's uncle, made Emperor upon Augustus's death, including two of her other sons. Tiberius spent much of his reign in a strange power struggle with his mother. When he died, the Roman empire got Claudius's infamous nephew Caligula as their new emperor. By the time Caligula was assasinated, Claudius was the only royal relative left who was still admired enough to be made emperor, against his wishes.

Although this sounds like dull history, the truth is that Robert Graves's book is a gripping, well-studied, enjoyable and easy to read near-history of the decline of the Roman Empire. His characterisation of Claudius as intelligent man hidden behind his physical characteristics (such as a limp, stammer, and tendency to drool) gives the reader a clear look at how history was played out through the eyes of a man around whom few bothered to guard their speech.

I learned more Roman history from this book that I did from my class on the classics of philosophy, and in a far more enjoyable way. I'm heading out to buy the sequel, Claudius the God.

I chose this novel (of my own free will) for school for one of my AP summer reading books. Sure, I could have chosen something easy and short, but I certainly have no regrets. It is about the corruption, decadence, avarice and power hungry people of Rome. The book has it's ups and downs where it is quick, exciting reading and others where it is quite slow, but it is overall quite good. I recommend this to anyone interested in Roman times and anyone with the patience to get through it. It is worthwhile and I've learned sooooo much from it. I couldn't put it down and would read it into the wee hours of the morning, even when I had to wake up at 6. Robert Graves does an excellent job creating sympathy for Claudius; how could anyone dislike Claudius after all the other coniving, devious characters? I can't wait to read the sequel, though I doubt I'll have time. It's funny because people say that the government is bad and corrupt and oppressive and unfair. People think there is a lot of crime and that there is no justice. I can't wait 'til they read this book. I guarantee their attitude would change! Boy, have we come a long way!

I first read "I, Claudius" seven years ago, but have only recently realized just how remarkable the work truly is. In the first place, the book inspired me to study and embrace the classics, but more importantly, it made me understand that history should be appreciated on its own vibrant terms rather than polluted by banal modern voices. All too many students and scholars of history drown in its fertile offerings, able to recall the events of the past but unable to taste the spirit of an age. "I, Claudius" will charge you with the sensual thrill of the Roman Empire; it shines with passion, piercing characterizations, gentle humor, and astounding realism. Nor should the modern critic be all to quick to dismiss the tale as sheer fancy, for Graves was a prodigious man of letters and every detail of the book is grounded in some historical source or another, (although it is left to the author's creative genius to weave these vignettes together into one organic, living whole). Claudius emerges not only as a sympathetic character, but even as a friend and confidante. In so many ways, this book changed my life. What better compliment could one give to a novel?

"Bloody Nicholas". "Alexandra the German". These and other epithets were used to descibe Nicholas II and his wife Alexandra, the last Tsar and Tsarina of Imperial Russia. However, Massie brings to light and to life, the personal, human side of both Nicholas and Alexandra and their families.

With unusual and fascinating insight, the lives of Nicholas and Alexandra are explored in the context of their backgrounds, upbringings, experiences, and the very public role which birth had conferred upon them. The impact these influences had upon them personally and the resulting impact upon Russian and world history is laid out in a poignant, tragic tale which will leave only the most jaded reader unmoved.

Massie's writing style makes you feel as if you were actually there listening to and observing the Imperial family. His sources include the letters between Nicholas and Alexandra, letters from them to members of their families, and the memoirs of people who knew them personally and/or worked with them closely, such as tutors, close friends, ambassadors, and government officials.

The insights gleened from these sources portray not vicious, callous rulers concerned only with their selfish ends, but rather two well-meaning and personally kind people whose personalities, education and limited perspectives ill-suited them for the roles into which they were born. Add to this the impact of the then untreatable disease of hemophilia which afflicted their youngest child, their only son and heir to the Russian throne. This does not excuse them from the disastrous role they played in the fall of the Romanov dynasty, but rather helps us to understand why they acted as they did.

One cannot read this work and come away without a profound feeling of sadness. The "what if's" string on endlessly, most tragically in the contemplation of their five innocent, young children who were brutally murdered along with their parents by the Bolsheviks because of hatred for their parents, and a merciless political desire to ensure the monarchy never returned.

This work will appeal to many: to students of Russia, history, royalty, political science, public relations, and of course, those interested in a story of romance in a privileged, elite world.

The story of Nicholas and Alexandra has all the elements of a great novel: complex characters, plot twists, and an exciting conclusion. But, it's all true. Robert Massie wrote this history in 1967, but it is still relevant to today. In these days of democracy, it is enlightening to learn about the times when monarchy and autocracy were the words of the day. Robert Massie's book is excellently written. It is consistently clear, and at all times a pleasure to read. The biography has a wide scope, it covers just about everything relating to the Tsar and the Tsaritsa from the time of their marriage to the time of their death. You don't often see biographies of two people in one book. But to understand Nicholas, you must understand Alexandra. And, by the end of this book, you will have a better undserstanding of why events played out the way they did.

Massie certainly deserved the author of the month in the
winter 2000 page on the romanov website.
This book is a remarkable study of the last Tsar, his
family and the Russia they ruled. It is the definite
work in that it portrays Nicholas not only as Tsar of
all the Russias , but as the father, the husband, and
the family man.All these aspects are crucial if we are
to understand the man himself and the steps he took
to command his great empire. It is an extremely fair
work, showing the Tsar's shortcomings as a ruler, but yet
at the same time his humaness, his vulnerability from
his own position.
Massie has excelled himself with this book, and I highly
recommend it to any reader seeking an introduction to
this most fascinating period of Russian history.
There have been criticisms of this book stating that Nicholas
and his reign should have been studied in the context of say, other rulers of the time. This is a granted point, but one I feel
Massie achieves in his commentary of the world spectrum on the
whole particularly in the years 1905 through to the first World
War.To isolate the "family man" from the ruler is impossible -
they were part of each other.
So congratulations to Robert Massie, this book is a very
great achievement!