I recommend this book to anyone who has interest in Trial Law, as well as Mormon History.
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"The Fifth Week" is divided into three sections: Jesuits of the Past; Jesuits of the Present; and Jesuits of the Future.
It was the first two sections which primarily attracted me to this book. Jesuits of the Past and Jesuits of the Present consist of brief biographies of Jesuit heroes. As a product of Jesuit education, I had heard many of these names, either in sketchy legends or on the nameplates of schools or buildings. This book put stories to these names.
The first and longest biography belongs, fittingly enough, to St. Ignatius of Loyola, founder of the Society. During a forced convalescence from battlefield wounds, a reading of the Lives of the Saints transformed this servant of the King of Spain into one of the most illustrious servants of the King of Heaven.
Other biographies bring the brightest stars in the Jesuit sky to life. St. Francis Xavier, after whom my College Church is named, was the great missionary who took the Faith to the Orient. St. Edmund Campion had to me been merely the patron of a building at college. From this book I learned that he was a 16th century Jesuit who trained in Prague before returning to his native England to minister to Catholics during the height of the Reformation persecution of the Church until his martyrdom in 1581.
Another interesting English Jesuit of the Reformation era was St. Nicholas Owen. St. Nicholas was a Jesuit brother who's main ministry was the building of priestly hideouts in the great houses of English Catholics until he was captured and tortured to death in 1606.
One of the most notable exemplars of the Jesuit charism is Matteo Ricci who followed in the footsteps of St. Francis Xavier in bringing the Gospel to the Orient. In keeping with the Jesuit theme of using all things to bring people to God, Matteo followed St. Paul's entreaty to be all things to all men. Immersing himself in Chinese culture and adopting Chinese dress, he obtained acceptance into the Chinese Imperial Court. From this position started a movement which in 50 years was to include 150,000 Chinese Catholics.
Among my favorite heroes are the North American Martyr, St. John de Breboeuf, and Peter DeSmet, the St. Louis based western missionary and patron the high school at which my son studied this book.
The explanation of the suppression of the Jesuits occurring in various places from 1759-1814 was a movement of which I had heard and read but which I did not understand until reading this book..
The Jesuits of the Past section concludes with the biography of Blessed Miguel Pro, "Jesuit Clown.". My family and I had first heard of Miguel Pro during a passing reference in a homily to "Viva Christo Rey-Long Live Christ the King!", his last words while facing a firing squad. His story was, actually, similar to that of St. Edmund Campion. Driven from his native Mexico by anticlerical persecutions, Pro studied in California, Spain, Nicaragua and Belgium. Sneaking back into Mexico after ordination, his skillful use of a series of disguises permitted him to minister to the faithful for 2 years during which he avoided capture by the authorities.
Section 2 highlights contemporary Jesuits. Daniel Lord used teaching, writing, theatre and social action to bring God to his people. World War II made heroes of Carl Hausman, a prisoner of the Japanese in the Philippines and Joseph O'Callahan, a chaplain aboard the U.S.S. Franklin during a devastating Kamikaze attack. Pierre Teilhard de Chardin was a paleontologist who brought the faith to the world of science.
Fr. O'Malley begins the transition from Section 2 to Section 3 by introducing the story of his own vocation.
Section 3 is the story of the Jesuits of the Future. An inquiry into the Society of today, the challenges of the world and obstacles to a religious vocation are viewed reflectively. The book concludes with the questions a man must confront in discerning whether he has a vocation to the priestly or religious life. The final pages are devoted to the practical steps one must take in order to explore the possibility of living the Jesuit life.
I began this book I with high expectations. At its conclusion my expectations were fulfilled. I recommend this book to anyone interested in the stories of Jesuit heroes as well as anyone who wants to understand what has attracted so many outstanding men of the past to the Society of Jesus and what continues to attract the Church leaders of tomorrow.
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The writing is clear and comprehensible, and the cases are well chosen: provocative while remaining good examples of Black Letter Law.
My property class was the only section using Singer's book, and we are the only section that actually enjoyed the area of property law. This was not a coincidence.
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Joseph Williams's Style: Toward Clarity and Grace is an exception. It is the only truly useful book on English prose style that I have ever found. Even Strunk and White cannot compete with the quality of the advice that Williams gives. Perhaps more important, the advice that Williams gives can be used. As Williams puts it, his aim is to go "beyond platitudes." Advice like "'Be clear' is like telling me to 'Hit the ball squarely.' I know that. What I don't know is how to do it." Williams tells us how to do it.
Williams's advice is particularly useful because it is reader based. Most books on style are rule-based: follow these rules and you will be a good writer. Williams recognizes that clear writing is writing that makes the reader feel clear about what he or she is reading. This difference in orientation makes Williams's advice much more profound: he has a theory of why the rules are what they are (and what to do when the rules conflict) that books that focus on rules alone lack.
His advice starts at the level of the sentence. Williams believes that readers find sentences easy to read and understand when the logic of the thought follows the logic of the sentence: the subjects of sentences should be the actors, and the verbs of the sentence should be the crucial actions. The beginning of a sentence should look back and connect the reader with the ideas that have been mentioned before. The end of the sentence should look forward, and is the place to put new ideas and new information.
His advice continues at the level of the paragraph. The sentences that make up a paragraph should have consistent topics. New topics and new themes should be found at the end of a paragraph's introductory sentence (or sentences). Readers will find a paragraph to be coherent if it has one single articulate summary sentence, which is almost always found either at the end of the paragraph or as the last of the paragraph's introductory sentences.
His advice concludes with four chapters on being concise, on figuring out the appropriate length, on being elegant, and on using constructions that do not jar the reader. I think that these last four chapters are less successful than the other chapters of the book. They contain much sound advice. But the argument of the book becomes more diffuse. The first six chapters present and illustrate overarching organizing principles for achieving clarity, coherence, and cohesion. The last four chapters present long lists of things to try to do. (However, the fangs-bared attack on "pop grammarians" found in the last chapter is fun to read.)
So, gentle reader, if you want to become a better writer of English, go buy and work through this book. I, at least, have never found a better.
My writing class is directed at college undergrads and grad students. I tried a number of books, but settled on Williams and have been using it since the 2nd edition. I find that students can make an enormous improvement in their writing in just ten weeks.
If your goal is to learn the kind of writing that will help you explain a process, change someone's mind, or write the winning proposal, Williams is your man. Don't read it all in one session, and you must actually do the exercises.
Try a chapter a week. It works.
Charles Lave, University of California, Irvine
This book takes a sort of linguistic, almost scientific approach to improving your writing style. I first learned of Williams' work in "The Language Instinct," by the Stephen Pinker, the acclaimed professor of linguistics from MIT.
Unlike every other writing book, this one is more than a laundry list of grammatical shoulds and shouldn'ts. This book is about HOW-- how to write to suit the human brain's innate method of processing information.
I am a professional writer, and I have a whole book case filled with grammar books. But this book is worth more than all the others combined. If you're a writer, this is the book you've been looking for.
Locating Mr. Jacobs' book in my library, I read a fascinating account of what the author and his family endured during World War II, and after the war with the expatriation and repatriation to Germany.
Interviewing Mr. Jacobs for my research paper, culminated in a better understanding of what our government did, and may do once again with Arab-Americans in the attempt to prevent future terrorism. It is tragic when a government does what it thinks right at the time, but then refuses to apologize for the injustices committed against its own citizens.
I recommend this book to every German-American, as well as all Americans who never learned the whole story during their formative education.
He narrarates this true story detailing his youth in school, boy scouts, and support for his ball club, the Brooklyn Dodgers. However, life will soon change for young Art and his family as his father is illegally taken from them and interned at Ellis Island as a "Nazi criminal". This is just the beginning of the Jacob's family internment journey that takes them from Ellis Island, to the Crystal City Texas Internment Camp, then to Germany where Art spends his 13th birthday in the Hohenasperg prison.
I believe that his intention and motive for writing his story is NOT for compensation, revenge, or to denounce the United States. As I read his story, I felt his sincerity, compassion, and most importantly his intention to MAKE THE TRUTH KNOWN. Because of Art's story, The United States Government has an opportunity to acknowlege Art and other internees that wrongdoings to Americans of German decent did occur.
I recommend this hard to put down, well documented book to those who are interested in WWII history, post WWII Germany, internment life, as well as those interested in reading a boy's burning desire to overcome and succeed under any circumstance to come back to his "Country 'tis of thee".
I believe this book should be an eye-opener. We need to be concerned that our government can give such power to one man such as Edward J. Ennis, that our military could treat even criminals the way this child was treated, and that most Americans still know nothing about the treatment of German Americans during World War II.
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A man is dying and from his bed he struggles to put his papers in order, to try to give shape to his last book. His mind races with all manner of thought mainly about society: the mechanization of the arts, society's dumbing down, player pianos, the Pulitzer Prize, school violence. All these thought threads come together in one overarching theme, and Gaddis's genius is not only in the ideas put forth but in his prose style: a style of fits and starts, sentences that run on incessantly, others that end abruptly to go on to the next thought. It is the perfect representation on paper of the thought processes of a dying intellectual man.
Admirers of both Gaddis's work as well as the work of Thomas Bernhard will gain much from this slim volume. Joseph Tabbi's afterword at the end puts this novella in context when viewed against Gaddis's entire ouevre.
Readers new to Gaddis might start with this one or "A Frolic of His Own."
Either way, treat yourself to this little book, one that deserves to be read more than once, one that deserves to be admired, one written by a largely overlooked American giant.
This prejudice of mine is coupled with a general dislike for posthumous works in general-the kind where a Major Author left a work unfinished at death, and which is years after released and edited with an introduction or forward by some noted Scholar: ("This really IS a great book, all of Fitzgerald's/Hemingway's/Duras'/McGowin's major Themes are here," etc., etc.). Well, they very seldom are great works, and just as the act of Revision seems contrived to some (your Kerouac wannabes, perhaps), I, conversely, find the act of posthumous publication to itself be contrived-again, in general. Glenn Gould, the great pianist, once expressed his intense dislike of "live" recordings being released on record labels with the surrounding hoopla, and said he planned to do a "fake" live album, recorded in the studio, complete with mistakes and overdubbed with audience coughing, etc. Sony of course wouldn't go for it, but I've often wanted to write a "fake" posthumous novel, the Final (unfinished) Work of a Great American Novelist-I'll make it about 100 de-contextualized pages, with 200 pages of forwards, introductions, afterwards, and footnotes. Now that Dave Eggars is a Publisher, he should get in touch.
But in the case of Agape Agape, the Afterward is totally superfluous. The book was finished when Gaddis died, and I don't need to have that explained to me, nor do I care what Joseph Tabbi et. al. Think of it in the overall context of Gaddis' other novels or what it started out as or what Gaddis wanted it to achieve. It's 125 pages, and all of a piece, without section or chapter breaks, the perfect length for what is the most cohesive and affecting book the man ever wrote-the free-associations of a dying narrator who's afraid his lifelong goal to write the definitive history of the player piano will never come to fruition. Into this frenetic and breathless narrative, then, is woven...everything. What begins with the narrator's opinions concerning several aspects of the History and Future of Technology becomes a fictional autobiography the likes of which has rarely been achieved, cemented by the character's grasp of mortality and humanity, and by Gaddis' seamless and masterful narrative drive. He is ON.
This is a one or two-sitting book, and the reader will come away from it reeling. It's too brief for me to go into specifics, for the specifics are the book, the book is the plot-but if you've never read Gaddis, START HERE. And if you need to picture a Literary Precedent, think of Dostoyevsky's Notes from Underground, perhaps, or of the best shorter work by Camus or John Hawkes-but only think. Because this book suceeds where Gaddis' other novels drag in that it also makes you feel.
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HPYN2E shines in many respects. The "laws of security" in chapter 2 are accurate and enlightening. Chapter 4 helps teach secure programming techniques by comparing insecure and secure code snippets. Chapter 4 also demonstrates debugging and disassembling code, usually not seen in security texts. Chapter 8 probably contains the most advanced coverage of buffer overflows I've read in a book. By actually showing and explaining stack traces, the authors share a level of detail sufficient to satisfy all but the most elite coders. Chapters on "diffing" (5) and format strings (9) are robust. Hardware hacking, thoroughly described in chapter 14, is fascinating. The author cared enough to include numerous clear photographs of disassembled equipment, and mentioned many helpful external web references.
While these great chapters comprise more than half of HPYN2E, the remainder is not exceptional. I was not happy with the rambling, wordy chapters on spoofing (12) and tunneling (13). Spare us the quotes from Dante's "Divine Comedy"! Still, this material is easily skimmed.
Because HPYN2E is written more from an intruder's point of view, the title doesn't seem to reflect the material. The book isn't exactly a "how to hack" manual, but it expertly illuminates many facets of compromising information resources.
Still the idea was very interesting (information directly from the real experts), and I kept waiting for a new edition.
Well the second edition is now out, and not only fulfills, but exceeds all my original expectations !!
Let's take a look:
The Approach:
Understanding attacks and vulnerabilities, by understanding 'how to hack' (good hacking of course. . . .ahem )
The Book:
Rewritten, expanded and improved, the book consists of 800+ pages well structured into 18 chapters (against 450+ pages and 15 chapters of the first edition).
Well written, well presented, with a real fancy table of contents, the chapters include url's, a FAQ section and a SOLUTIONS FAST TRACK one.
A lot of CLEVER code is included as well as helpful 'Tool & Traps' and 'Notes from the Underground. . . ' outlines.
The new sections (all outstanding) include:
- Hardware Hacking (otherwise only found in papers)
- Tunneling (excellent)
- IDS evasion (very easily explained)
- Format strings attacks
The Intended Audience:
People willing to become network security pros.
Contents:
- Introduction to Security, Attacks and related Methodologies.
- Cryptography.
- Unexpected Input, Buffer Overflow, Format Strings.
- Sniffing, Hijacking and Spoofing.
- Tunneling, Hardware Hacking, Viruses (et al.).
- IDS Evasion.
- Automated Tools.
- Reporting Security Problems.
The Bottom Line:
It is not just a good book, it is the best book among high level network security books, and the only that compares with specialized papers. Only quite easier.
I got more than 60 papers on buffer overflows. None compares with the classical 'Smashing The Stack For Fun And Profit' by Aleph One. IMHO, however, the corresponding chapter from this book, does compare and is really easier to understand.
Finally, the 'piece de resistance' of the book, is the chapter about Spoofing. Really enjoyed it, and by the way got surprised reading the innovative (to me) technique to 'Spoof Connectivity Through Asymmetric Firewalls'. Good Job Dan ;-)
As an added bonus, as an owner of this book, you'll find a lot of code files, applications and links...
I cannot praise this book enough for its objectivity. The authors remain completely aloof from bias, and focus instead on an analysis of the trial. One should not read this book with the intent of learning every detail about the Smiths' murder. For those interested in knowing about the legal proceedings that followed their deaths, however, this book will be a valuable tool.
This book is an invaluable resource--it unearths many facts and circumstances that I have not encountered anywhere else, and manages to make sense of just what happened inside the Carthage jail on that fateful summer day. I highly recommend this book to anyone interested in Mormon history.