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This book is not just a catalog of the show now at San Francisco's MOMA. It is a rich source that chronicles the evolution of the Chicago Institute of Design (ID) and its photography program. With 6 written essays and articles, biographies, course curricula, and other background it places the ID's photographers rightfully in the middle of the late twentieth century art revolution.
The writing is authoritative, revealing and thought provoking. Some is understandably enthusiastic, by authors named Moholy-Nagy and Siegel, some is analytical/critical, illuminating the difficulties and disagreements that resolved themselves into a program like no other. Any student of photography or modern art must know about this controversial and audacious adventure that was spun off from the Bauhaus by Moholy-Nagy, Arthur Siegel and the other subjects of this chronicle.
The authors explore some of these subjects. Why was the this such an important project and why was it controversial? What effect has it had? What does it teach us today? These are important questions simply because a large number of prominent and influential students passed through it.
No serious collection of late 20th century photographs can be without 20 or so of the prints from this group. Harry Callahan, Aaron Siskind, Ken Josephson, Ray Metzker, Linda Connor, Arthur Siegel, Art Sinsabaugh and many others all studied and taught there. Many went on the teach at places like R.I. School of Design, San Francisco Art Institute and many places in between. The influence of this group is much more extensive than its size and longevity would suggest.
At a time when the "giants" of the medium were devoted to "pure" photography, Moholy-Nagy appeared from Europe and proposed that photography be treated as a tool of graphic design. Light, texture, volume, rhythm, contrast and other elements were worth studying for their own sake in order to apply the unique strengths of photography to the art of design.
They produced something akin to Jazz. Painters like Motherwell, Johns, Rauschenberg were producing strikingly similar imagery. Paul Strand, Man Ray, Lartigue, Rodschenko and a many others had explored the same issues. The Bauhaus and the Chicago ID were an attempt to formalize the earlier experiments. Strand, Weegee, Winogrand, Blumenfeld and others contributed to the ID at various times.
The ID photographers showed how purely graphic aspects of the medium could be used to express a vision, used to dig subtle meaning from the mundane, used to reveal things in synthetic abstract that weren't visible. They expanded and elevated their medium in a very short, intense time. There is little in today's published graphics not already in the photographs of the students in this show.
An unintended consequence of this book is to have produced a key to much of abstract expressionist painting, and modern poetry. The photograph always contains an insistent link to "reality" that seems more obvious than it is in a painting, but it is no less a subject of the painter than the photographer. This show might be the trigger that makes other modern artists accessible to some people. I've recommended this book to some art teachers for this reason.
The book in in conjunction with the exhibition at the Art Institute of Chicago of the same title. The exhibition should not be missed if you are in the Chicago area, but if you cannot make it to the exhibition (which closes May 12, 2002), this book is a great representation of the exhibits masterpieces. Inside are hundreds of fine-art images from ID, along with interviews, quotes, in-depth commentaries, and a lot of really great candids of the artists. It is really worth it. And I would certainly suggest buying this book at Amazon...
If you have any interest in modern art or photography, this book is a fantastic history lesson on the impact of these innovators on the entire possibilities of the medium. The Institute of Design helped shape photography into an art form of its own, and to push the boundaries of the medium at the same time. What a great time it must have been!
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A very good textbook for an introductory class on OB.
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All the photos have dated captions and many have background information about what is being shown plus the thoughts of Lange and her subjects. The back of the book has a chronology, bibliography and print source. This is a lovely record of her photographic work but if you want to know more, these two books take a comprehensive look at her life, 'Dorothea Lange: American Photographs' by Therese Heyman, Sandra Phillips and John Szakowski and 'Dorothea Lange: Photographs of a Lifetime' by Robert Coles.
BTW, this is the second book of American images I have reviewed in the last few days, the other one was a selection of photos taken over a number of years by British photographer Nick Waplington of a small town in New Mexico called Truth or Consequences (also the books title) but what a contrast, the Lange book has captions and other information, the photographer's thoughts, chronology, bibliography, sources while Waplington's book has none of this, not even page numbers! It raises questions (least to me) about how publishers regard their readers.
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Moore & Persaud, The Developing Human
Larsen, Essentials of Human Embryology
Sadler, Langman's Medical Embryology
This review can be found on the Amazon.com site under Sadler (ISBN 0-683-30650-2). In brief, I found Sadler to be the clearest and most useful of these three books, and Moore & Persaud to be the richest in clinical content but otherwise not as good as the other two.
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The book clearly explained Active Server Page objects such as Response, Request, and Server and gave us sample code that we were able to quickly use for our own project. The chapters on ADO provided us the tools we needed to implement a mission critical real-time web-based DB application.
We highly recommend this book!
Others complain that this book is too basic, but this is unquestionably the real beauty of it. I bought the book with some ASP experience already under my belt, but was quickly and happily able to fill a whole bunch of holes in my knowledge and approach. I now feel that I have a solid foundation in ASP from which to expand and develop my skills. This book will be a core reference for me for a long time to come!
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This is not what I have asked for. It also took 11 days to get here.