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The author did himself a credit in this version of speculative science fiction, but this book did not originate as such; it started as an episode of the British TV series "Dune Watch" which has not yet appeared in the States, and Mr. Pedlar also wrote for the TV series "Dr. Who". It is said that this book was inspired by the movie "Andromeda Strain" which also involved, eventually, plastic-eating bacteria and the problems they brought. The book was issued in both hard and soft cover, so Amazon may be able to locate it for you. This book has been said to deal with 'a biological time bomb', but it also is a unique view into a place and time as one sees London from Carnaby street in its 'glory'(?) days to the vast underground (subways) which contained an ironic view into the past during the "Blitz" of World War II. If you like plastics and history, drama and chemistry, this book is for you!
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Then, with the individual scripts, the book provides background along the lines of the DWM Archive features, covering the development of the scripts, the production team, the production details, and a brief critique.
There are also numerous footnotes associated with the scripts, and my chief complaint with the book is that these are stuck at the end of each episode rather than at the bottom of individual pages, necessitating either a lot of flipping back and forth or a good memory if you choose to wait until after reading the episode to see what the footnotes say.
However, that's basically a quibble on what is an excellent book and a significant addition to my Doctor Who collection.
It includes the complete shooting scripts including dialog & scenarios not used in the finished product.
It also gives behind the scenes insight to the filming of Tom Baker (Doctor #4's) First Season as the Doctor.
If you are a fan of the show, I would highly recommend it to you!
More than any other behind-the-scenes science fiction book I've read, this one really tells you what tough choices and concessions had to be made, why they chose person A over person B, what got cut for budgetary reasons (a common problem with Doctor Who) and what concessions (or lack thereof) were made for continuity. This book is a massive undertaking, and, indeed, authorship is spread between numerous people. If there is a question you want answered about Season 12 of Doctor Who, the odds are really good it's in here somewhere.
While I find it hard to recommend this book to the casual Doctor Who fan, it's invaluable to the die-hard Whovian or the student of film or TV production. This is simply the finest production book I've read and I dearly hope to see them tackle other seasons in the same way in the future.
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The TARDIS arrives on the planet Telos where the Doctor, Jamie and Victoria meet with an archaeological expedition. The archaeologists are on Telos to dig up the last remains of the Cybermen, and the Doctor refuses to leave because of them.
Despite being called 'The Tomb of the Cybermen', the silver giants are not dead but merely frozen. Some members of the expedition are not interested in a scientific discoveries but in using the power of the Cybermen to conquer Earth.
The adaptation is good, and better than many. Mr. Davis sticks to the original story and uses a larger word count than most novelisations to tell it. While it is still possible to see the original serial on video, you get the additional bonus of not having to see how poorly 1967 special effects have aged.
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The TARDIS arrives on Earth in the year 2000 (a departure from the original script, where it was set in 1986!) at the Antarctic. They are captured by troops from the nearby space base, Snowcap, where a space flight which is being monitored is off course for no apparent reason. And then the reason is sighted: a new planet, a duplicate of Earth, is seen in space...
Mondas is inhabited by the Cybermen, once human who have replaced their limbs by plastic and steel, and their brains by computers. (A handy guide to the creation of the Cybermen appears before the story starts.) They are seeking to invade Earth for reasons that become plain towards the end of the book.
The book isn't bad. It is archetypal B-grade science fiction, much like many of the stories in the second Doctor's era, but as long as you aren't expecting highly original science fiction you'll be fine.
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Set just after the Battle of Culloden in 1746, the Doctor, Ben and Polly emerge from the TARDIS and encounter a small group of highlanders escaping from their defeat at Culloden. The obviously English accents of the TARDIS crew result in conflict, which escalates when English soldiers arrive.
This story is one of trust and betrayal. The TARDIS crew are all fairly well-served by this story, but some of the Doctor's antics (adopting numerous disguises) seem quite light compared to the story's serious tone.
Gerry Davis was the script editor at the time this show was made, and produces a straightforward adaptation. Like many such, we don't get into the character's heads too much.
As a (more or less) straight historical, casual science fiction readers should probably leave whatever copies of this book can be found to Doctor Who enthusiasts.
The original tapes of this story have been destroyed, but the soundtrack has recently been released by BBC. It is available at Amazon's United Kingdom site.
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The story features the TARDIS crew, captured by the Toymaker, and forced to play against the Toymaker and his servants in a series of games. If they lose, they will become the Toymaker's playthings.
The games are largely English school games and while this may have worked on-screen, the description of them is pretty unengaging. Unfortunately, most of this story no longer exists in its original form (and the one episode I have seen is pretty boring, too) so this may be the only way to enjoy this story.
The Toymaker has been popular enough to return (in written form) a couple of times: you might want to read 'Nightmare Fair' or 'Divided Loyalties' to see him in a better story.
In addition to the collage techniques you also get the basics of papermaking, papier mache, marbling and batik as well as painting and dyeing fabric. There are step-by-step instructions accompanied by demonstrating photos for all the techniques and projects. Don't expect to make exact replicas of the projects since your sources and materials will vary. Rather, the author expects you will follow her assembling directions to create a unique masterpiece of your own.
Some of the sixteen projects include a gorgeous butterfly lampshade, a painted paper fruit bowl collage, a clock decorated with magazine scraps and nature objects, and a sewn fabric book cover. Another great project is an easy to make yet sophisticated looking Japanese box covered with scraps of yuzen or chiyogami papers.
This book filled with fresh and interesting ideas is sure to help you create gorgeous collage artwork.