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The vision of opera is open-minded and broad. Porgy and Bess is here. So is Gilbert and Sullivan. When an opera exists in different manuscript versions, such as Verdi's Don Carlo or Simon Boccanegra, all variations are discussed.
Since opera is somewhat expensive to collect, listeners will want to have some guidance as to which recordings to purchase. Here the Viking Guide is particularly good. Many of the suggested recordings are selected by Alan Blyth, author of Opera on Record and Opera on CD (both very highly recommended, by the way), as well as long time reviewer for Gramophone magazine. I don't always rank recordings exactly as Blyth does, but I find his taste to be the most reliable of any of the critics whom I follow.
This volume was originally published in 1993, but is now very hard to find. The publishers have printed an abridged version under the Penguin Guide series. I understand they are also coming out with a CD-ROM version of the full Viking Guide. I can safely recommend both these alternative versions as well as my trusty hardcover version.
There are other valuable opera guides. The series published by Norton of the Metropolitan Opera Guide to Recorded Opera and to Opera Plots is excellent. But for a single volume reference work, nothing surpasses the Viking Guide. Amanda Holden and her team have done a splendid job.
Very highly recommended.
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I loved how the author let us know that Faith was an extremely dammaged girl by introducing us to Fat Girl. I believe Faith had to compartmentalize her life in order to survive.
My first reaction while reading was anger towards Faith's mother. She has her own addiction, is afraid of her daughter and even though it is some seven months later and Faith is back from the institution, her mother still doesn't seem to cope very well. Faith is sent to a psychologist to no avail. She feels different from everybody else and after one more terrible event Faith decides to run away and join the circus?!?! I don't know if that's the place for someone to go who is seeing people and hearing voices that aren't really there, but whatever.
Once Faith leaves home, she has some interesting experiences and while she's with the Circus, she goes through a sort of metamorphasis and finally starts to feel like she belongs somewhere. But at the Circus? The ending of this book was very disappointing. I wanted something more. And I'm still left thinking...How does the Circus and mental illness fit together? I think Ms. Davis wanted to tell the story of a young,troubled girl in a different way, but the Circus theme was a little to far-fetched for me.
You can read the PW excerpt for the plot summary. What I want to tell you is that you must buy this book.
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In addition to the collage techniques you also get the basics of papermaking, papier mache, marbling and batik as well as painting and dyeing fabric. There are step-by-step instructions accompanied by demonstrating photos for all the techniques and projects. Don't expect to make exact replicas of the projects since your sources and materials will vary. Rather, the author expects you will follow her assembling directions to create a unique masterpiece of your own.
Some of the sixteen projects include a gorgeous butterfly lampshade, a painted paper fruit bowl collage, a clock decorated with magazine scraps and nature objects, and a sewn fabric book cover. Another great project is an easy to make yet sophisticated looking Japanese box covered with scraps of yuzen or chiyogami papers.
This book filled with fresh and interesting ideas is sure to help you create gorgeous collage artwork.