This is a tale that is classic Evans. It is an inspiring story of life, love and loss. It is a story that makes you look at the perceived obstacles in life. Are they really obstacles and stumbling blocks, or are they really building blocks. The Carousel begins with a decision of a couple to marry secretly, at a very young age as they both begin their journey towards their own goals. The secrets they are forced to keep and the feelings they hide work against everything they thought that they wanted. This story wraps itself around every emotional chord and touches your heart with truth and honesty. Although Evans creates a very simple tale, it is by no means simplistic. It is probably the simplicity of his writing that makes The Carousel so wonderful and inspirational without being "preachy". It remains in your heart long after this book has been tucked back onto it's shelf.

This book is hardly predictable. I have wondered if other authors or publishers, jealous of a book's success, ever logged on and left nasty comments. Now I know. There's a reason Evans has sold millions of copies of his books and The Carousel is a good example. The writing is beautiful. But, more than that, I found great hope and inspiration in this book's message. Anyone who has faced depression, in themselves or in loved ones, will take a great deal of comfort from this book. I also enjoyed the book's surprising ending. I have friends who have read this book two or three times already. A good love story, well written, with a good moral, is hard to come by. Thank you, Mr. Evans, for giving us something worth reading.

This is the first book I have read by Richard Evans (aside from the children's book "The Dance"). I was not disappointed. While usually a reader of non-fiction, I am very "picky" when it comes to novels and work of fiction. This story was extremely satisfying. This book read very well, the story flowed nicely, the characters were well-defined, and everything happened for a reason. While some people may call this a "sappy love story", I choose to look at it as a painful, but must-have lesson about life and love. Growing up and coming of age - you know - the twenty-something years where you are no longer a child, but not yet a "real" grown-up. I will definitely go back and read some of Mr. Evans' other pieces - beginning with the prequel to this story. I highly recommend!!!

I have always loved the style and social politics of the Regency period (the time of Jane Austen.) But when I read "Sense and Sensibility" in 7th grade I found the first few chapters lifeless, dull and hard to read. Two years later I was encouraged by a friend to give "Pride and Prejudice" a try. I did and have since become a complete Janeite. I am now able to peruse joyfully through "Sense and Sensibility" with a new understanding and appreciation of Jane Austen. The reason? "Pride and Prejudice" is fresh, witty and is a great introduction to Jane Austen's writing style without the formality of some of her other novels (unlike S&S and Persuasion Austen does not give us a 10 page history of each family and their fortune.) If you have never read Jane Austen or have read her other novels and found them boring, read Pride and Prejudice. The characters, and the situations Austen presents to them, are hysterical and reveal a lot about Regency society and morality. This book perfectly compliments a great writer like Jane Austen and is essential to every reader's library. The Penguin Edition of the book is stellar and I personally recommend it not only for the in-depth and indispensable footnotes, but also for the cover that is non-suggestive of any of the characters' appearances. In summary "Pride and Prejudice" is a great book for beginner Austen readers and seasoned fans, and Penguin Classics is a great edition for fully enjoying and understanding the book.

Pride And Prejudice, written by Jane Austen, is an amazing work on the nature of love. Austen uses beautiful language and intriguing characters to tell this story of courtship in a time when reputation was everything. The main character, Elizabeth Bennet, is a clever-witted woman who manages to gracefully glide through the lines set up by society. Although she does not always come off as lady-like, her charm and confidence demand the reader's respect. She is surrounded by a cast of diverse characters, creating a riveting plotline. Her mother is a rather quirky character who wants nothing more than to see her daughters wed. Her father, on the other hand, is a sarcastic and intelligent man who favors Elizabeth for her wit. These characters are brought together with the Bingley's when Elizabeth's older sister, Jane, falls for Mr. Bingley. Here, we are introduced to the stubborn and proud character of Mr. Darcy. He seems to be above everyone else and completely opposed to the idea of love.
When Elizabeth Bennet catches Darcy's eye, however, a battle between the mind and the heart begins. These two chracters are faced with the obstacles set up by a strict, Victorian society. Their largest obstacle, however, will be to overcome their own pride and prejudice, and discover their love for one another. Is this a battle that the heart can win?

It is unfortunate that most first time readers of PRIDE AND PREJUDICE see it merely as one more book to be endured in 11th grade English. However, most soon enough catch the magic of an author (Jane Austen) who can weave a spellbinding tale of love, romance, satire, and passion while all the while poking a not so gentle thrust at the social mores of the early 19th century. This book is no frilly ancestor of a Harlequin romance, even if it shares with the dim-witted heroines of Harlequin a time-honored plot of lovers who meet and find an instant dislike that later morphs into enduring love. PRIDE AND PREJUDICE starts off with that basic premise, but what sets it off as classic is what goes on behind the lovers, Elizabeth Bennet and Fitzwilliam Darcy. A careful reader usually notes the society in which Elizabeth and Darcy play out their little games of cross-purpose verbal repartee. The world of Austen's PRIDE AND PREJUDICE is a society ruled by conniving and single-minded women who see men only in terms of the size of their wallets. Whenever a new bachelor appears on the scene, the women of the novel (with the exception of Elizabeth, of course) immediately try to guess his income so that they can decide if one wishes to marry him. His age, his looks, his habits are much less significant than his income. A fat purse compensates for a fat head.

Modern readers typically call such schemers 'golddiggers,' and according to modern values, perhaps they are, but these readers ought to judge the book's morality against the age in which it was written. Austen (1775 - 1817) lived in an England that prized manners and breeding over all else. It is no surprise, then, that since the reclusive author felt most comfortable only in the company of women, that she would limit her book only to the thoughts, feelings, emotions, and habits of women. In PRIDE AND PREJUDICE, men are never permitted to occupy center stage, nor are they shown interacting independently with other men. If a man is present in any scene, so must a woman to control and observe his actions. Men--even the eventually triumphant Darcy--are generally portrayed as vain, sycophantic, sarcastic, and totally aware that they they are prized only for their money.

The world of PRIDE AND PREJUDICE, especially if one has seen the fine film version starring Greer Garson, is one that seems to have been built for women to inhabit. All the women wear flouncy, bouncy dresses with huge flowered hats that Scarlet O'Hara might have worn in GONE WITH THE WIND. Even those ladies that complain of poverty never lack the funds to afford those outrageous outfits. Further, Miss Austen stages a ball in just about every third chapter that permits single women to size up eligible men. As these dandefied women and uniformed men speak to each other, the modern reader probably will be surprised at the excessive politeness and deference tossed unerringly about. This strict adherence to a surface morality ought not to fool the reader into assuming that the characters are as inwardly noble as they are outwardly polite. In fact, behind this massive wall of formal phrasing and good manners lies the same fears, jealousies, and general backstabbing that pervade a modern disco. What gives PRIDE AND PREJUDICE its perpetual charm is the biting irony that causes the reader to wonder: 'Did that character say what I think he (or she) just said?' The modern reader can best appreciate Austen's wit if she can read between the lines to sense the tone of the moment. If such a reader can see that this book is a polite if powerful indictment of a way of life that even Austen wished to poke fun of, then perhaps this reader can appreciate the charm of a book that grows with each successive reading.