I don't always like to read classics, but when a friend of mine suggested that I read this book, I decided to try it, and I am very glad that I did. Irving's words, though written so many years before now, still paint eloquent pictures of the Spain of his time. I could almost see what he was seeing. The stories and legends are also wonderful and fascinating. An antique copy of this book is one of my most treasured gifts.

I was happily surprised by this book. I have only heard of Irving's ghost stories, which are great and why I purchased it. As I was reading the other stories, I was surprised to be reading of distant lands and historical sites as well. Normally, that would not interest me, but Irving's imagination is profound. He can turn a run down liabrary into a living soul who speaks and interacts with us humans. He can turn an ancient palace into a love story. The only thing I had a problem with was the old school language. It did make reading a little more difficult, however I plan on reading this book again, so I'm sure the second time around will be easier and I will be able to come back and turn the 4 stars into 5.

The Sketch Book by Washington Irving is a collection of short stories from the 19th century. Many people today only know Irving as the author of "The Legend of Sleepy Hollow," Irving wrote a variety of stories. He has a number of different themes covered in this book, such as romance, tragedy, and traditions of the Europeans versus Americans, and terrifying, suspenseful stories like "The Legend of Sleepy Hollow". Irving also wrote travel pieces, works about European traditions, and romance stories. Irving uses 19th century language, so it's hard to read at times, but if you enjoy this style of writing you will enjoy this book.
Irving has some of his greatest short stories in this book such as "Rip Van Winkle", "The Legend of Sleepy Hollow", "The Specter Bridegroom", and The Christmas Quintet. These stories show different themes along with a different style of writing. The different structure of the stories helped the book move along and not be boring.
Irving varied the themes of his stories, making it more enjoyable. Each story usually had a different theme, I liked this because it wasn't the same theme over and over again, and most authors tend to do this making the book boring. Also, Irving used different structures to his stories, not all of his stories were the same length. There were also some really long stories and really short stories. Varying the structure is a key thing in my view to making a collection of short stories good. I find it easier and better to read when all the stories are different lengths. I would also highly recommend this book to anyone who has read 19th century writings and enjoyed them. This book is a great source to further understand European traditions versus American traditions. If you are interested in sociological shifts then you will enjoy this book. If you're not into 19th century readings and European traditions then this book is not for you.

There's more to Washington Irving than "Sleepy Hollow" and "Rip Van Winkle". Irving's life was an enthralling tale of world travel, high society, and other, bookish diversions. He would have been, judging from the biography provided at the front of the edition I read, one of the most fascinating tale tellers of his day. That comes across in the Sketchbook; but we also get an idea of the wicked, roguish sense of humor, that impeccable feeling for satire that Irving could deploy even upon those people he loved most.

The Sketchbook was written largely in England, at first as Irving was inheriting the family law business from his infirm brother. Rankling under the confines of business that can seem insufferable to the creative mind, Irving turned his full energy to writing. These sketches reflect a man passionate about many things, but who is always doctoring his reminiscences with timeless satire: Literature (The Art of Book Making and the Mutability of Literature, with, respectively, the writers of the new school being assaulted by the old favorites of western lit, and the talking book created in illustration of the fact of history's unkindness to many authors and receptivity to a few)is an abiding love to Irving, with every sketch preceded by a poem from antiquity to the works of Irving's coevals, and the stories themselves can make one believe Irving to have been downright pedantic. For what other reason would he break the flow of innumerable stories with lengthy and often only tangentially relevant allusions. Other stories,such as the delightful Christmas cycle and the numerous sketches with Shakespeare addenda, juxtapose Irving's love and ridicule of the English, especially the rural English, with their antediluvian customs (which Irving commends), and their increasing acquiescence to modern fashion (which he abhors). Ironically, the very people whom he often ridiculed as pretentious, bombastic, destructive, prejudiced, and insensitive, loved him, perhaps because, at the same time, he lauded them for their refinement and their characters so analagous to those of the American people, whom he proclaims a young people, while the British should be something like elder statesmen, big brothers if you will.

The Sketchbook is delightful reading, if you can get past the author's bookishness and often archaic language.