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If you are thinking of adding to your house or building a shop or other building this book will give you the tools to succeed.
A great purchase for a do-it-yourselfer who wants to do things correctly!
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I readily agree with those who say the descriptions can be too long and too colorful, and, especially those who say that they could not imagine moving to Venice to marry a "stranger." But, when I finished this book I felt I had spent the last few evenings with a highly entertaining, charming, and impulsive friend. That we had spent the visit talking about life, love, food, and Venice. And, that I wished she could have stayed longer. Not that I wanted to live like her, or agreed with all her decisions, but that listening to her talk was simply fascinating.
I loved the description of small things about Venice, her admission that all in love is not perfect, and her determined, wily temperment.
Take this book to the beach. Use it to spice up a dull week. Read about this woman's flight of fancy. Don't judge her life choices based on practicality or her word choices based on Hemingway. Just relax and enjoy.
Venice is hard to explain to someone who has not been there; it's a city in the past living out the present, as it has for hundreds of years. One wonders what goes on between the canals, in all the second floors of all the buildings that can only be reacted by pedestrian bridges or water taxis. Reading this book after such a trip makes it all the more enjoyable. The addition of recipes in a biography must surely be a first. Also, the use of an autobiographical format to tell a love story, is also very unusual. If there's one fault in the book, it's that we want to more about Marlena's life, both before her U.S. life fell apart but especially after she has been married for several years, after the book's conclusion. It really deserves an Epilogue, but this in no way diminishes the romance, coupled with the pleasures of the water city. But I would like to know her husband('the stranger')'s last name which as I recall, is never even mentioned in the book.
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Extensive text; each model from the SS90 to XJ-S is discussed in detail (except for the Series 1.5 transition - only a few paragraphs and 3 photos!). Factory, personal, and racing photos are used in chronological sequence, with a special appendix of "Jaguar at LeMans photos" over 1950-1964. Lots of French photos, many from their days hanging around the track at LeMans. The translated text often has a quaint tone ("But let us put flesh on the bare bones of the story...") but is good info nevertheless. Don't go looking for a specific topic, though; there is no index...none.
Lyons died in 1985 during the translation; but still contributed a gracious forward (in French) thanking the authors for letting him see the final proofs. The authors don't say much about themselves, but it's clear they are enthusiasts of all marques with a special affinity for Jaguars.
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Understandable that it is a work of fiction. However, even the historical references are incorrect. For a more entertaining and informative read, There are far better books on the Battle of Saipan, the Marianas Turkey Shoot, and the Marianas Campaign out there. You will be surprise, that fact is more entertaining than this particular work of fiction.
Here are just a few of the books (non-fiction) which I found to be very entertaining and informative. Oba: The Last Samurai, Saipan 1944-1945 by Don Jones, Saipan: The Beginning of the End by Carl W. Hoffman. The first book from a Japanese perspective and the second from an American perspective. Both books can be ordered on Amazon.com.
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Cosmetically, the book is a two-face: while cover design by Chris Nurse is nothing short of outstanding, the internal layout is not without blemish. For example, outside margins are too wide, story titles are not always at the same height in the page, and the author's name is italicised in some but not all of the instances. Another gripe I have is that page numbers on the right-hand pages are left-aligned; plus, headers have no indication about the stories presented below them: these will give you a bad time if you want to riffle through the book to look up a specific something. There are a few extra typesetting warts and moles as well, as I noticed some characters showing up in a different size than the rest of the text, uneven spacing between words, typos derived from bad OCR, and so on. I sincerely encourage RazorBlade Press to pay more attention to internal design in the future, and run a few spell checks as well. Still, don't let appearances fool you, because the writing on these pages is top-notch.
In the whole, I was not in the least disappointed by Hideous Progeny while expecting quality work. Many short stories surprised me by their original angles, and all are very well written. The subjects are quite varied too, although some do overlap a little - it seems inevitable given the limitations inherent to their collective premise. I have my favourites, of course: Peter Crowther's piece is shocking yet touching at the same time, and the idea behind "Mad Jack" is a simple but nevertheless brilliant one. "The Banker of Ingolstadt" is perhaps the funniest in the book, and I found Steven Volk's "Blitzenstein" to rank among the best.
Whatever shortcomings the book has, they're quickly overwhelmed by the superb fiction it it, not to mention a downright gorgeous cover. For £6.99, it's well worth getting Hideous Progeny: not only will you be adding a fine specimen of a book to your library, you'll also be helping small press business to thrive. Because I want to see more from RazorBlade Press. Oh yeah.