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Thanks for reading! Take the stand. Be there for your kids.
Gottman is definitely not one of them. He is known as one of the leading psychologists in the area of family and marriage psychology. This book presents the essence of his research findings about raising emotionally intelligent children.
His advise is surprisingly easy and is based on a 5 step model:
1. Be aware of your child's emotion
2. See your child's emotions as an opportunity to be close together
3. Actively listen to your child and validate the feelings
4. Help your child to verbalize his feelings
5. Help your child solve problems, while setting clear limits
Gottman clearly explains how you can implement this 5-step-model in daily life and what to do when problems arise. His real life examples make reading really fun.
All in all, an excellent parenting book! As a supplement, I can also recommend the book by M. Seligman: "The optimistic child"
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"I do not agree with what you are saying, but I fight for the death in your right to say it." (Voltaire)
Without knowing why, I like Voltaire. I want to learn more of him. I even have seven plays of his, which are so narrowly distributed. Apart from anything he wrote, the man himself was to all ends a jumping soul. He knew how to stir things up. He knew how to seduce or how to aggravate. Yes, Voltaire had a sense of humour. But his social criticisms were important enough to land him in trouble. His twelve month stay at the Bastille was no comfort, though unlike other prisoners he had priviledges of everyday visitors.
On to Candide and Zadig. I never much liked Candide: it was too unbelievable and too episodic. Here, Voltaire shows that all is NOT for the best in 'the best of all the possible worlds.' The philosopher Leibnz, who held that our world is fine, is wrong says Voltaire. So, then, in the book he shows all the misfortune he can muster. But I came to see that Leibniz had meant, simply, that our world has possibility, growth, apparent free will, and a search-for-God. Even though things go wrong, this world is better than one of 'automatic goodness." T. S. Eliot urged the same thing to the behaviourist B. F. Skinner. Surely, then, the world is not so bad. The conditions, yes, but the gift of fighting for a greater good is of itself a greator good. Voltaire seems to have forgotten this, I think. And yet, he did not hate the world. He sneered to his France, but he lived in England for a year or two, where he praised English culture. Imagine a Frenchmen, of noteriety even, praising England, especially in that time! Voltaire had courage and is thus a kind of hero.
But Zadig I like: it had a gentle humour which can be read to small boys. It deals with morality, like the allegory of Adam and Eve do.Another story, called I think 'the Child of Nature' is as well smoothly written. It describes the development of a young man who discovers Christianity on the one hand, and Christendom on the other!
Voltaire has a touch of a poet in him. He can dress up language in clever little ways. One can tell, instantly, that he writes fast and wants to entertain. Some will say this wit not even Shakespeare had (at least not in person anyway).
His technique is satire: he likes to make fun of his enemy via mockery. He does not simply tell us freedom is the way, he goes on and on in bringing home the message that the men in power are laughable idiots.
Voltaire himself was a kind of showboat, with flashes of conceit I suspect. But I would have liked to have met the man. He seems to have known how to live fully.
I hope I have helped.
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Shea's update of his orginal 1996 text is a very competent overview of most aspects of modern campaigning and is highly recommended for anyone working in the business or anyone who just wants to know how modern campaigns function. The book is highly modular, you can read various sections independently of each other. Shea pays close attention to research - a topic often given short shrift in many campaigns but deadly necessary in developing strategy. He covers well opposition research, precinct targeting by electoral history and polling (including the differences between different types of polls and why the ballot test is not necessarily the most useful. Something I can't get the Azeris to understand!!!)
Shea and Burton also explain the various aspects of paid and earned media strategy, including the use of "new" media. (I'm not sold on the use of the Net to move message, but it does have excellent fieldwork potential.) Their sections on fundraising and fieldwork are a bit skimpy, but certainly enlightening to people unfamiliar with the campaign operation.
All in all, Campaign Craft is a solid workhorse of a book, dutifully explaining in good detail the various aspects of a modern political operation. It's well recommended to anyone looking for an overview of the biz.
If you know the basics though, this book will guide you through Political Campaign Strategy 201 - it is a great, intermediate level work.
I wrote "25 Fundraising Secrets - Raise More Money, Guaranteed" to give political candidates some great advice on fundraising for thier campaigns. I often tell readers of my book to check out Shea's book as well, which has an good fundraising strategy section that gives the basics, and compliments my "secrets" book well.
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The contents have short stories, written in fewer than 55 lines and written on the subject of love, death, or both. This "prose haiku" is known as a drabble, a story of under one hundred words, and is sometimes effective in evocating certain ideas.
A lot of the stories are quite amusing, like the bizarre "Bon Appetit," wry "Fire Next Time," wink-nod drabble "Gertrude's Soliquoy" for fans of Shakespeare, wryly dark "Plan B," and the hilarious "To Air is Human." But, in a collection of many people's stories, there are also the too-weird-to-be-amusing, the grisly, and sometimes the plain dumb. "Denial on his Lips" was something I simply did not understand. "Type-A Personality" was apparently supposed to be funny, but wasn't; likewise with "Top Bananas and Rotten Apples."
Like all short story collections written by many people, this is a very mixed bag with the good and the bad intermingled. Nevertheless, if readers are in the mood for some very brief reading, they might enjoy this.
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The obligatory academics (the book is a valuable text book as well as a good read) are clear and easy to get through. The political stories are particularly informative and of great interest to people who want to know some of the 15,000 ways and by-ways that bills can travel to become law.
Experiencing Politics is instructive and should be required reading for zealots who'd rather make a point than make a difference. Of particular interest to all the victims of Narcissistic Advocates Personality Disorder (the Nader types, the zealots, the self righteous as only the Boston/Cambridge axis can breed) are McDonough's experiences and observations as an advocate for housing and as one who tried to ameliorate the impact of the loss of rent control.
Massachusetts political junkies and students of legislative process should love this book. McDonough doesn't describe his role as that of savior or saint, but as an interested student and practitioner of practical progressive politics who wants to be a player in his legislature.