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I've read this book to kids, 3- to 5-year olds, and they think it's hilarious. I think most kids would love to strike out and look different, make unusual art, et cetera. The world of adults probably looks boring to lots of kids. But overly serious adults discourage kids from looking or acting too far from accepted norms. Mr. Plumbean, and his creator Mr. Pinkwater, show kids that it's okay for your house to look different, and for you to be different!
My only quibble with this book: after Plumbean changes the looks of his house, the neighbors complain for a while, then ALL the other neighbors change the looks of their houses as well, to look like their dreams, as did Mr. Plumbean. It's a bit of a stretch. Did they ALL want to change their houses? Isn't that a bit of conformity in itself? If at least one guy had left his house the way it was, and said "my house always looked like my dreams," (surely, Plumbean and all of his newly enlightened neighbors would approve) it would have seemed more in keeping with the "be yourself" theme of the book. As it is, all the neighbors seem to be hopping on the bandwagon.
Out in the real world, not everyone wants to have a goofy looking house (or outfit, or car), regardless of what other people think. Anyway, that's my quibble. I give this book 4 stars. Little kids (and older kids, also, apparently) really love it!
RESOLVE TO BUY THIS HUMOROUS BOOK.
ken32
Despise reading Shakespeare? Not to worry, as the RSC introduce you to Shakespeare in a variety of hilarious ways - via a cooking show, a football game, even a rap song! Indifferent to Shakespeare? Well, don't you worry either. The RSC cover the Bard's plays and sonnets in ways you'd never imagine, prior knowledge of the plot becomes unnecessary. Love reading Shakespeare? Then you'll still enjoy this book!
Plus, there are brilliantly clever footnotes (I've always hated them before, but I loved these!), funny forewords and humorous pictures. This book is brilliant and funny and worth every penny!! Buy it!
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However, the format of the book may be improved by the following suggestion: the book should use different font size to distinguish different level headings.
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But hey, don't believe me, I lie all the time. Just get your fleegix cups and read this book. It rocks my world (and some other worlds probably too).
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Using this book, in conjunction with making vi my default PINE editor (thereby forcing me to become fluent with it, lest my email use become rather slow and awkward,) provided a huge speed boost in learning the vi editor. Vi is very powerful, and is almost always included on every unmodified Unix install. These items, coupled with the fact that vi doesn't automatically insert line breaks (like pico does) make it one of the most-preferred text editors amongst Unix sys-admins.
Not only does _Learning the vi Editor_ cover the essentials, but moves beyond basic editing functions into more powerful features, such as global searches & replacements, customizing the editor, "moving around in a hurry," command combinations, and other advanced vi features. For even better results in using vi, pick up a copy of O'Reilly's _sed & awk_, though it's not necessary for effective vi use.
_Learning the vi Editor_ is written in a friendly, casual voice, and Linda Lamb provides what your input and output will look like for most commands, interspersed with comments that put the reader at ease, such as "Qute forboding, isn't it?" followed by reasons not to be intimidated.
This book will help just about anyone conquer the mighty vi tool, and will help prove vi's superiority over any other Unix text editor. (Ahem - no offense to the emacs gurus out there.)
If you've never used the vi editor before, this book is for you and if you've been using it for years, this book is also for you.
The book is organized so that the reader can start at an introductory level in the first couple of chapters and learn how to use the editor. Then as the user gets comfortable, they can go back and read the next couple of chapters and learn a great deal more. I've done this several times over several years, and my editing abilities STILL increase dramatically afterwards.
The book also goes into good detail regarding the vi clones in later chapters. I personally use gvim and found the section with specifics on vim to be of great help.
The bottom line? The book is extremely well organized and absolutely thorough in covering the topic. The book was written in 1998 and the information is still up to date. And given the fact that it's a computer book costing less than 30 dollars, the actual *value* of the book deserves 10 stars!
This wonderful reference book allows the beginner to jump in and start using the powerful VI editor.
This book has made the process of understanding and learning VI simple with its concise and clear writing.
The chapters are arrange so that you get the basic commands early and only get the more advanced commands as you move further into the book.
Each chapter ends with a review of the material presented and this makes for a great reference of the commands.
All in all this is a must have book for anyone that uses the VI editor.
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The Decameron was written around 1350 during an outbreak of plague in Florence. It is the fictional account of ten young people who flee the city to a country manor house and, in an effort to keep themselves occupied and diverted, begin telling stories.
Ten days pass in the pages of the Decameron (hence its name), and each person tells one story per day, making a total of one hundred stories. These are stories that explore a surprisingly wide range of moral, social and political issues whose wit and candor will probably surprise most modern readers. The topics explored include: problems of corruption in high political office, sexual jealousy and the class differences between the rich and the poor.
The titles themselves are both imaginative and fun. One story is titled, "Masetto da Lamporecchio Pretends to be Deaf and Dumb in Order to Become a Gardener to a Convent of Nuns, Where All the Women Eagerly Lie With Him." And, although the title, itself, is a pretty good summary of the story, even a title such as this cannot adequately convey Boccaccio's humor and wit.
Another story that seems surprisingly modern is, "Two Men are Close Friends, and One Lies With the Other's Wife. The Husband Finds it Out and Makes the Wife Shut Her Lover in a Chest, and While He is Inside, the Husband Lies With the Lover's Own Wife on the Chest." A bit long for today's modern world, perhaps, where popular books are dominated by titles such as John Grisham's The Firm, but the outcome of this story is as socially-relevant today as anything that happened in fourteenth-century Florence.
The Decameron, however, goes far beyond plain, bawdy fun and takes a close look at a society that is unraveling due to the devastating effects of the plague. The people in Boccaccio's time suffered terribly and the book's opening pages show this. The clergy was, at best, inept and, more often than not, corrupt. Those who had the misfortune to fall ill (and this includes just about everyone) were summarily abandoned by both their friends and family.
Those looking for something representative of the social ills of Boccaccio's day will find more than enough interesting tidbits and asides in these stories. Serious students of literature will find the ancestors of several great works of fiction in these pages and readers in general cannot fail to be entertained by the one hundred stories spun by these ten refugees on their ten lonely nights.
Second-hand opinions can do a lot of harm. Most of us have been given the impression that The Decameron is a lightweight collection of bawdy tales which, though it may appeal to the salacious, sober readers would do well to avoid. The more literate will probably be aware that the book is made up of one hundred stories told on ten consecutive days in 1348 by ten charming young Florentines who have fled to an amply stocked country villa to take refuge from the plague which is ravaging Florence.
Idle tales of love and adventure, then, told merely to pass the time by a group of pampered aristocrats, and written by an author who was quite without the technical equipment of a modern story-teller such as Flannery O'Connor. But how, one wonders, could it have survived for over six hundred years if that's all there were to it? And why has it so often been censored? Why have there always been those who don't want us to read it?
A puritan has been described as someone who has an awful feeling that somebody somewhere may be enjoying themselves, and since The Decameron offers the reader many pleasures it becomes automatically suspect to such minds. In the first place it is a comic masterpiece, a collection of entertaining tales many of which are as genuinely funny as Chaucer's, and it offers us the pleasure of savoring the witty, ironic, and highly refined sensibility of a writer who was also a bit of a rogue. It also provides us with an engaging portrait of the Middle Ages, and one in which we are pleasantly surprised to find that the people of those days were every bit as human as we are, and in some ways considerably more delicate.
We are also given an ongoing hilarious and devastating portrayal of the corruption and hypocrisy of the medieval Church. Another target of Boccaccio's satire is human gullibility in matters religious, since, then as now, most folks could be trusted to believe whatever they were told by authority figures. And for those who have always found Dante to be a crushing bore, the sheer good fun of The Decameron, as Human Comedy, becomes, by implication (since Boccaccio was a personal friend of Dante), a powerful and compassionate counterblast to the solemn and cruel anti-life nonsense of The Divine Comedy.
There is a pagan exuberance to Boccaccio, a frank and wholesome celebration of the flesh; in contrast to medieval Christianity's loathing of woman we find in him what David Denby beautifully describes as "a tribute to the deep-down lovableness of women" (Denby, p.249). And today, when so many women are being taught by anti-sex radical feminists to deny their own bodies and feelings, Boccaccio's celebration of the sexual avidity of the natural woman should come as a very welcome antidote. For Denby, who has written a superb essay on The Decameron that can be strongly recommended, Boccaccio's is a scandalous book, a book that liberates, a book that returns us to "the paradise from which, long ago, we had been expelled" (Denby, p.248).
The present Penguin Classics edition, besides containing Boccaccio's complete text, also includes a 122-page Introduction, a Select Bibliography, 67 pages of Notes, four excellent Maps and two Indexes. McWilliam, who is a Boccaccio scholar, writes in a supple, refined, elegant and truly impressive English which successfully captures the highly sophisticated sensibility of Boccaccio himself. His translation reads not so much as a translation as an original work, though his Introduction (which seems to cover everything except what is most important) should definitely be supplemented by Denby's wonderfully insightful and stimulating essay, details of which follow:
Chapter 17 - 'Boccaccio,' in 'GREAT BOOKS - My Adventures with Homer, Rousseau, Woolf, and Other Indestructible Writers of the Western World'
by David Denby. pp.241-249. New York: Simon & Schuster, 1997. ISBN 0-684-83533-9 (Pbk).
As a mind struggling to repair the damage caused by the American education system, I set out to follow other curriculums from times when learning was actually valued. Since many of the so-called "classics" American students today are forced to read in school are thinly-disguised socialist propaganda, I chose to look to much earlier times. I picked up The Decameron by chance, having remembered it from an off-hand statement a high school history teacher had made once. The book had everything, exalting adventure, romance, heroism, virtue, and other things I had been taught were subjective and dangerous. I found it the most refined and tastefully deviant book I had ever read and I have never been able to understand why students are not exposed to it as the basis for the study of literature.
Boccaccio's stories (told one per day, by each of the ten characters over ten days) give great insight into the midieval paradigm while poking fun at its obvious problems. The tales cover the whole of Europe, North Africa, and Asia Minor, which was very unique for their time. The rolls of heroes involve characters of every culture, race, religion, and background in the known world-- something unheard of before this book. Boccaccio's great love and understanding of women also shines through, the expression of which tops the list of reasons as to why he was exiled from Florence! Most of the stories are based on actual people and events, though the author takes a great deal of artistic license in some cases. A great many little-known facts can be learned by reading the historical notes (one reason why I chose the Penguin Classic version). Boccaccio surpasses every other man of letters (before him or since) in ability and creativity and will no doubt do so for centuries to come.
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I want to note that there are several editions of this great work and in deciding which to buy, be aware that each has a different translator. I feel Heffner's translation is slightly stilted but, he did such a wonderful job in editing this abridgement that it, nontheless, deserves 5 stars.
The translation flows very easily and is not distracting. De Tocqueville has a wonderful writing style that could pass today even though it was written long ago... so well readable and quotable that you get the picture of American life, morals, and an astute view of politics all rolled into one.
You get a view and meaning of American civilization, for America herself, and also for Europe. You can tell from reading. that this view is ever-present in De Tocqueville's mind as if he is a comparative sociologist. Yet reading this book you get the impression that De Tocqueville had generations of readers in mind.
As De Tocqueville noted, "It is not force alone, but rather good laws, which make a new govenment secure. After the battle comes the lawgiver. The one destroys; the other builds up. Each has its function." So true even for todays war. After you defeat your enemy you have to build up the infratructure just as Marshall and Truman both realized.
Reading this book you see the skillful eye of the author noticing and recording what he sees and he is impressed. I found this book to be of great import for the observations of America and hope that our educators use this book for teaching our children about the great country we live in.
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