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I found the organization of the book to be effective on the whole. Rather than a single narrative, it is a collection of writings from a range of people including Adrienne Rich, and Muriel Rukeyser's son, William Rukeyser. It's divided into five parts: 1. Poetics and Vision; 2. Activism and Teaching; 3. The Body, Feminist Critique, and the Poet as Mother; 4. Poetry of Witness; 5. Remembering Muriel Rukeyser. For the most part the divisions seemed somewhat arbitrary, but of course dividing a life into such categories is a near impossible task. I enjoyed the mix of literary critique with personal stories. There were also a surprisingly large number of poems about/inspired by Muriel Rukeyser, and these were of mixed quality. On the whole, the book admittedly had it's hits and it's misses, but it was absolutely worth it for the hits. I would recommend it to anyone interested in learning more about Muriel Rukeyser (and that should, of course, be everyone).
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I recommend it to everyone!
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In my view, Muhammad Asad in his greatest work, Message of the Qur'an, has undoubtedly presented the most encyclopedic interpretation of Islam's Holy Book in print, supported by the most comprehensive footnotes to date. The author obviously carried out massive historical research of the classical scholars, and his interpretation brought a freshness to an ancient text that compels the reader to read on, and on, and on ....!
As a true scholar, whenever and wherever he differed from traditional orthodoxy, he clearly articulated his reasons for doing so. And this, in my view, has added authenticity to his magnus opus.
A word of caution to unwary: Unlike Pickthall, Asad's Translation is not literal but interpretative, a literary technique that explains the text to the reader from the translator's point of view, as is generally the case. Asad's English is also decidedly tough (unlike Dawood's). When reading Asad, one must master his complex construction.
One clear weakness in this book, however, is the absence of an index of any kind, which when added, would make the Message truly complete and encyclopedic in scope. Another point to be noted here is that Asad has studied the writings of the late Lahori Scholar, Maulana Muhammad Ali; hence, it is no surprise that the two hold almost identical views on many of the polemic issues associated with the Noble Qur'an, including the so-called theory of Abrogation (al nasikh wal mansukh), Jesus' Second Coming, Dress Code, Sexual Relations with those whom the right hand possessed, penalty for adultery, equality between men and women, immaculate conception of Jesus, among others.
This book should be bought and kept as a collector's item by the layman as well as the serious student of the faith. I sincerely recommend it.
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Unfortunately, it appears that the quality assurance on the enclosed CD-ROM was close to zero. Specifically: a) there was supposed to be a SETUP function that would install all of the tutorial files, but there wasn't, so a manual install was necessary (no big deal), b) some files would not import into Premiere because they had the wrong extension, i.e., ".aiff" instead of ".aif" (not too big of a deal) and c) one of the tutorial files were just plain missing (kind of a big deal). This was Chapter 1. It's hard to get motivated about doing the rest of the tutorials when this was the initial experience.
After encountering these problems, I searched for a website where errata for the book was published, but I didn't find one mentioned in the book or by checking the Hungry Minds (the publisher) main website.
On the other hand, there is a chapter on putting video onto a CD-ROM and also information regarding the use of other tools such as Macromedia Director-topics that are interest to me.
After having looked at the manual and then the Classroom-in-a-book series, I think this book fit the bill quite well. It explained how to perform tasks, why the tasks were performed in a particular way, alternatives to how a task could be performed and even gives ideas on how the tasks could be used in a production with sample projects.
I actually found the reading much easier going than trying to wade through Adobe's manuals. However, having said that, the book isn't light reading either. I used it by going through the book with Premiere running. Sometimes, I would skip ahead because something caught my eye.
If you have only got the manuals to go by, pick up this book written by an experienced Premiere user willing to share those experiences.
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