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This atlas is too short. We can use far more detailed photographs. For instance, California alone requires a whole chapter unto itself. Also, it's been five years since publication, and far more powerful satellites are now being used for cartography.
Still, this book is a good start, and the quality is excellent. For those of us who aren't planning wars, we don't need photos of the Predator or the Global Hawk quality. This will do.
Really excellent.
Satellite imagery itself is still relatively new, and so the imediate impact of these pictures on a viewer is overwhelming. To look at these images and realize that this one of the many views from space is mystifying. But thats not the only reason to look at these pictures.
National Geographic selected an excellent assortment of images for this atlas. From natural phenomenon (such as a three part image of Mt. St. Helens before, during, and after eruption or the beautiful image of Hurricane Fran) to social phenomenon (the Mexico-California border, and the three part image of the construction and land reclamation of Singapores Changi Airport)this atlas adds to the value of a traditional atlas because the relationships it does show expand on the story that is geography.
Also, it is far worth the cost, in that the paper stock is very high quality, the image resolution is amazing, and the color printing is excellent.
There has to be something wrong with it you say? Well, merely the same problem with every hard cover book that has a paper dust jacket. The jacket is fragile.
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I read this Pulitzer Prize novel when it was published and saw the film upon its theatrical release. The memory of both have long lingered. Enough can't be said about the wisdom of Universal's decision to release this Collector's Edition DVD. The public owes them a monumental 'thank-you'. Interviews with Gregory Peck and commentary by director Robert Mulligan and producer Alan J. Pakula make us privy to their precious memories surrounding how the charming novel was transformed into the perfect film. Seeing Mary Badham (Scout) and Philip Alford (Jem) (non-professional southern children starring in an Oscar-nominated film) as adults offering insights into their unique experiences was an unbelievable treat. To watch Robert Duvall make his screen debut as 'Boo Radley', and what a debut that was; and to hear his comments nearly a half-century later proves as never before the value of the DVD format and special features.
Watching this film upon its release it was inconceivable that we could one day far in the future hear and see the inside story of its making in the comfort of our homes and from the mouths of the individuals so instrumental in the process of creating a legend.
This DVD is priceless. The details of the making of this time-honored film have now been documented forever in a piece of movie-history that deserves to be savored by any true movie-buff as well as by a generation not yet born at the time of it's release. The message and the method of communicating it are timeless and dear. Please do yourself the honor of viewing this film.
Besides interviews with Mulligan and Pakula, the documentary includes interviews with the actors who play the children, Mary Badham as Scout and Phillip Alford as Jem, as well as with the screen writer, Horton Foote, and the composer, Elmer Bernstein. The documentary also includes interviews with several residents of Monroeville, Ala., the real Macon, to round out a sense of "Macon" then and now.
Among the revelations in the commentary is that production designer Henry Bumstead (Vertigo) masterfully recreated the children's neighborhood on the Universal backlot using houses that would have been demolished by the construction of a freeway. The main titles, by Stephen Frankfurt, with Bernstein's theme, manage brilliantly to capture not only the essense of the film but an essence of childhood, about which both Harper Lee's timeless only published novel and the film itself are very much about. Only later do we discover the nature of that blend of innocence and experience alluded to in the William Blake poem from which Kiselyak takes the title of his documentary.
My only regret is that Harper Lee, though she helped Kiselyak in producing the documetnary, declined to be interviewed for it. In its stead, however, we have another evocation, that of Ms. Lee's voice in the rich tone of nostalgia and reminiscence with which Kiselyak infuses his own small but mighty masterpiece.
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And I thought it would be funny - maybe not great, but at least somewhat funny. I did not laugh at anything. To say this book is lame would be the understatement of the year. This author wouldn't know funny if it hit him in the face.
Examples: Is the coffee hot? No. We serve it frozen on a stick.
Going up?(elevator scene) No. Today is the day we go sideways.
Care to see a menu? No. We want to guess what you have.
This is the first book I have ever returned to Amazon[.com] - and with good reason. Don't waste your precious time. Life is too short to subject yourself to this torture.
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