Excellent reproductions, fascinating paintings, excellent scholarship by Mr. Bown. I also highly recommend all his other books on Russian / Soviet art.

This book is a throughly history of the art of painting in Russia and the USSR from the point of view of the Realist school of painting that began to exist in the 2nd. half of the XIXth. century and, after the October 1917 Revolution, vied for supremacy with the Futurist school about the right to represent the socialist political project in form and content. The book examines the supramacy of Socialist Realism in the field of visual arts since Stalin's rise to absolute power until the demise of the USSR.

The book is encyclopaedic in both narrative and visual terms, since it combines an exahaustive historical account with an astounding array of 1st rate reproductions, taken from all corners of the former Soviet Union.The main shortcoming of the book would be only that, since it dwells not only in the history of Socialist Realist painting as such, but also of its ideological politic foundations (superbly examined) the books requires a prospective reader that has not only a general interest in the relationship between Art and Politics, but also an specific interest in both Soviet and Marxist studies. It's, nonethless, this interdisciplinary aspect that makes for much of the work's charm.

This is a reasonably well-written book. One major drawback is the quality of illustrations: most of them are rather small (quarter of a page) and almost all are in black and white. Those are OK for architecture and sculpture, but reproduction of paintings leaves much to be desired.