The first murder victim, Notting Hill resident Dawn Arrowsmith, is also pregnant with her lover's baby; her husband, wealthy antique dealer Karl, had a vasectomy years ago.(Those readers who saw the Julia Roberts/Hugh Grant film, "Notting Hill", can easily visualize the gentrified neighborhood.)
As usual with Crombie's work, the plot quickly thickens and the reader's interest will intensify accordingly. Several mother/child relationships are uncovered as Gemma pursues the killer. (I wonder if Crombie herself was pregnant while writing this book. One would think so.)
"And Justice There is None" is a mystery done up to perfection, including authentic British-English (Car Park for parking lot, Inland Revenue for IRS, mobile for cell phone, and so on) despite the fact that Crombie lives in Texas. Recommended.
Meanwhile, James is investigating the brutal homicide of a lovely young woman named Dawn Arrowood. Dawn had a much older husband and a young lover, and either one might have killed her in a fit of anger or jealousy. The case becomes more complicated when Duncan ties it to a similar unsolved murder. Soon, a third murder occurs, and the pressure is on for James and Kincaid to find the perpetrator quickly.
Crombie brings a whole array of characters to vivid life in this novel. There is Dawn's husband, Karl, an antiques dealer who has tried to forget his humble beginnings, and who now behaves with ruthless arrogance. Dawn's lover, Alex, is also an antiques dealer, but, unlike Karl, he is extremely sensitive and emotional. Also figuring in the complicated plot is Angel, a mysterious woman who descends into poverty and hopelessness when her parents die. Suddenly, a handsome man who pretends to be her savior rescues her, but Angel finds out that her rescuer is not the man that he appears to be. All of these people are inextricably bound together, and only by understanding how these and other lives have interconnected in the past, can Duncan and Gemma get to the bottom of the murders. In addition, Duncan's and Gemma's relationship is strained not only by the challenging homicide investigation, but also by the impending changes in their domestic arrangements.
"And Justice There is None," is a deeply felt psychological novel that deals with the nature of true love and commitment, as opposed to relationships based on infatuation and manipulation. Crombie also explores one of the favorite themes of mystery writers, namely how the secrets of the past come back to haunt people many years later. This is a well-written and intricate mystery that will enthrall Crombie's fans and leave them eager for the next novel in the series.
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Crombie uses her characters and plot in some unexpected and interesting ways. This installment's victim is a senior police officer. Crombie uses this instance to shed light on the inner workings of the Met. The case is set in an English country village and Crombie uses the setting to give us a new look into English country life. The intersecting lives and loss of life in this village are presented in fresh, never predictable and, one senses, quite accurate ways.
Sometimes, mystery/crime series can be a bit like watching 'Touched by an Angel'. The formula never varies, the pace never varies, characters are predictable and two-dimensional at best. You will feel mad, glad, sad and afraid at all the usual points. This is NOT SO with Crombie's Kincaid/James series, especially installments 3 and 4.
I'm on to #5 in the series "Dreaming of the Bones" which was a NY Times Notable Book of the year when it was published -- a rare acheivement by a crime series novel. If Crombie stays on track -- and the Times's opinion indicates she has -- this should be a winner.
It is a classic plot for a mystery with all of the suspects in one spot and forced to examine each others motives. People's mistakes lead them in to further danger. They begin to suspect each other and emotions heighten . To aid in the investigation, Duncan sends his capable sergeant Gemma on a fact-finding tour about the resident guests of the time share.
Characters are done with interest and the reader is caught up hoping that some are not involved in the felony and that others will not perish. Crombie skillfully uncovers a bit of information at a time until it is clear who the culprit is and there is the right amount of tension in hoping for apprehension.
At the conclusion of the book the reader is ready to read the next of the series.
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Detective Superintendent Duncan Kincaid has been divorced for twelve years, his life is ticking right along, and he has a nicely developing romance with his sergeant, Gemma James. And then he hears from his ex-wife, Victoria, now a professor of modern English poetry at Cambridge, who has been researching a biography of Lydia Brooke, who died in what Victoria has come to believe are suspicious circumstances a few years before. She wants Duncan's help, and he agrees, to Gemma's consternation. Sounds like a pretty routine plot, doesn't it? It's not, believe me. Where most writers in this genre concentrate on the plot, with characters who are less than three-dimensional, or (again, like Martha Grimes) develop wonderful characters but tend to stint the mystery itself, Crombie succeeds very well at both. Duncan and Gemma and Victoria all come alive, as do the supporting players, and you won't guess at the solution to the mystery until the denouement, either. By the end of the book, Duncan's life has become permanently more complicated, and I want to know what happens next! (Obviously, I'm going to have to go back and read the first four books in this series before tackling the sixth one.)
DREAMING OF THE BONES is, at times, funny, extremely sad, touching, and infuriating. It is Crombie's most emotionally complex book yet. I couldn't put it down and read it cover-to-cover in one sitting. Enjoy!
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You've read the synopsis of the book. The story weaves back and forth, somewhat convoluted. Gemma almost strays with Gordon. Some may be disappointed in this but really, should Kincaid have all the delicious temptations before he realizes Gemma is the ONE! The solution was surprising, but DC had to find a murderer and it was different. I thought the ending(s)tightened up nicely. I always like to know what happens to everyone. A quick read!
While I read "Kissed a Sad Goodbye" I pulled out one of my maps of London, and followed the trail. This may have helped me enjoy it. I like to follow maps while I read if the author is naming and describing places. I also may have enjoyed the book more because I was in the Docklands in last fall, and walked the tunnel under the Thames to Greenwich and through the little village itself. I had wanted to see the tunnel since I read P.D. James novel "Original Sin". Mudchute was also featured in "Playing for the Ashes" written by Elizabeth George, and I think the area was captured in the film "Career Girls" too.
Also, I am an inveterate tea drinker and fan, so I loved the description of the tea business.
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When Kincaid, a Scotland Yard Detective Superintendant, is called by his cousin, Jack Montifort, to help discover who ran down Anglican priest Winifred Catesby and nearly killed her. Kincaid reluctantly agrees to talk to a few people and asks his former partner, the newly promoted Inspector James, to accompany him to Glastonbury. Once there, Montifort tells them that he has been in contact with an 800-year-old priest who wants him to do something, but he's not yet sure what. When another woman is killed, Kincaid moves into high gear.
Crombie has once again written a beautifully rendered mystery. The plot is intricate, but not so intricate as to be incomprehensible. She is able to move the story along at a sprightly pace despite several characters, including the long-dead priest. This is a fascinating read both from a historical perspective, Crombie is adept at giving you history without making it the focal point, and from a mystery perspective, why would anyone want to run down an Anglican priest and kill a ceramicist?
This book has it all - character development (once again Kincaid and James' relationship is changing), plot, mystery, procedural, and good old-fashioned great writing. Do not pass this series and this entry into the series
When Kincaid, a Scotland Yard Detective Superintendant, is called by his cousin, Jack Montifort, to help discover who ran down Anglican priest Winifred Catesby and nearly killed her. Kincaid reluctantly agrees to talk to a few people and asks his former partner, the newly promoted Inspector James, to accompany him to Glastonbury. Once there, Montifort tells them that he has been in contact with an 800-year-old priest who wants him to do something, but he's not yet sure what. When another woman is killed, Kincaid moves into high gear.
Crombie has once again written a beautifully rendered mystery. The plot is intricate, but not so intricate as to be incomprehensible. She is able to move the story along at a sprightly pace despite several characters, including the long-dead priest. This is a fascinating read both from a historical perspective, Crombie is adept at giving you history without making it the focal point, and from a mystery perspective, why would anyone want to run down an Anglican priest and kill a ceramicist?
This book has it all - character development (once again Kincaid and James' relationship is changing), plot, mystery, procedural, and good old-fashioned great writing. Do not pass this series and this entry into the series by.
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